★ 6 / 10
Back in the 1970s, Hong Kong was riddled
CinemaSerf
Back in the 1970s, Hong Kong was riddled with corrupt officials that the Government determined to bring to book. Much to the chagrin of one of the principal…
Back in the 1970s, Hong Kong was riddled with corrupt officials that the Government determined to bring to book. Much to the chagrin of one of the principal culprits - the police - they established an anti-corruption unit charged with addressing this problem, and thanks to one of their lead investigators (Andy Lau) they succeed! Many years later, when the British and Chinese start to talk about the colony's reunification, the Stock Market plummets and he is brought back to investigate the wealthy boss of a large network of companies (Tony Leung) who is living his gilded life of luxury whilst his investors seem to be losing their shirts. As he looks into things more, he discovers an intricate web of subsidiaries, bribery and shell companies that prove to resemble the ultimate in ponzi schemes. It's not just the enterprise that is suspect, but he gradually realises that the dodgy establishment he had hoped he had helped to dismantle years earlier had just, very efficiently, reinvented itself - and it permeates through to the top echelons of society. The film is based on real events and so, like them, we have peaks and troughs as the plot develops. That's where the film rather loses it's way. At it's best, it's tightly structured with a good dynamic between the policeman and his prey. For most of the rest of it, it rather meanders along with a real paucity of detail and little effort to show us just how charisma and charm duped just about everyone. A decent effort from Lau and Leung but it's a long two hours that skimps too much on the interesting aspects of an business that spanned the world at it's peak, run by a sleazy and unscrupulous man.
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★ 7 / 10
Grandpa Tony has still got it
lilianaoana
Wanted to see what grandpa Tony is up to these days. His most recent movies that I have seen are Hidden Blade and Shang-Chi. And he's looking very much like a…
Wanted to see what grandpa Tony is up to these days. His most recent movies that I have seen are Hidden Blade and Shang-Chi. And he's looking very much like a grandpa on his socials, but they do some movie magic here cause he's perfectly refreshed. What I'm saying is I'm now attracted to grandpa Tony so there's that... He is really captivating here as the baddie, a very charismatic, chill dude, with plenty of hidden depths that are barely alluded to. He's always been good with that enigmatic smile of his.Andy Lau and Tony Leung once again on opposite sides of the law, only here they switch places. So that was also exciting. They have plenty of scenes together but I wished for even more.The first half hour is captivating enough but the following hour I admit I had to push through. There's a lot happening, a lot of characters and side plots and the execution is quite good overall, but I just wasn't that into it. The last half hour gets things back on track and got my attention again, exposing the scope of the scheme, the many ramifications and hidden figures and in the end the venality of the main orchestrator and it is a beautiful thing to uncover, I am just sorry about that middle part cause I don't know what happened there.It's not Infernal Affairs and it's not Wolf of Wall Street but with this story it could've been and I don't know why it wasn't and I'm a little frustrated about it.Also, I couldn't find a version in Cantonese so I couldn't relish Tony's voice and sometimes it's obvious that it's dubbed. I like Mandarin but I will always prefer the actors' voices.
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★ 5 / 10
A flashy rise-to-fall crime story that misuses Tony Leung and Andy Lau, makes for a disappointing reunion since Infernal Affairs
ObsessiveCinemaDisorder
There's a shot from the Goldfinger teaser that got me wildly excited: a close-up of Tony Leung biting a cigar smugly laughing with gold Mardi Gras raining down…
There's a shot from the Goldfinger teaser that got me wildly excited: a close-up of Tony Leung biting a cigar smugly laughing with gold Mardi Gras raining down all around him.Tony Leung's cheese-eating grin came across as an attempt at something new, different from the usual shy side smirk from his repertoire of introverted characters. Leung is creating a high-energy chaotic character, a performance we haven't seen yet.In The Goldfinger, Tony Leung plays Henry Ching, a fictionalized version of real-life businessman and financial criminal George Tan who ran the Hong Kong conglomerate Carrian Group which collapsed from a corruption and fraud scandal in the 1980s.Henry arrives under mysterious circumstances in Hong Kong in the 1970s, working his way up to founding the Carmen Group. The sudden collapse of a billion-dollar company due to a stock market crash draws the attention of ICAC prime investigator Lau Kai-yuen, who begins an investigation on Ching.The Goldfinger is a disappointment. It pains to say...Writer-director Felix Chong, one of the writers behind the Infernal Affairs trilogy, gets lost in an overbaked plot and delivers a flashy run-of-the-mill rise-to-fall crime thriller that sinfully misuses its two leads Tony Leung and Andy Lau.Felix Chong gets caught up in window dressing the plot, using a non-linear structure of police interrogations conducted by Andy Lau's ICAC officer to fill in Henry Ching's past and set up the mystery behind Henry's secret money backer. It's a plot that Chong never gets the audience to care about.The audience's priority is quite simple: to see Andy Lau and Tony Leung chewing scenery.Infernal Affairs fans who are eagerly anticipating Tony Leung and Andy Lau's reunion will be let down. First off, Andy Lau is in a supporting role as the ICAC investigator. Secondly, Leung and Lau's scenes are procedural and plot-serving and lack the dramatic scene-chewing quality like the rooftop finale in Infernal Affairs.As for Tony Leung's performance, it's an unsatisfying half-creation that lingers between the Tony Leung we're all familiar with and something brand new. The script positions Henry Ching as a mysterious cipher for so long that Leung never gets the screen time to properly develop his part.Decked out in flashy expensive suits and tinted sunglasses, there are glimpses of the chaotic flamboyant Tony Leung that the trailer promised, but it's too few and far between, only appearing in montage moments-just enough to cut into a trailer!What remains is Tony Leung's usual persona. As a result, the performance becomes an unfortunate case of the costume wearing the actor, like a cosplay.Andy Lau is stuck in a bland stock hero role who's delivering exposition and driving the story, or rather investigation, forward. Lau is given a family subplot involving a disgruntled wife who's mad at him for neglecting his family for his job, but it goes nowhere.It all fizzles out awkwardly at the end. As the end title cards are showing the fate of the characters, you realize the whole film is a string of historical facts.I walked out of the theater bored and exhausted, contemplating how I got so excited over a trailer. Trailers lie. Lesson relearned.
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59%
TOMATOMETER
· 22 reviews
75%
AUDIENCE
· 50 ratings
6.2/10
1.9K
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Thank You Freeman. Good Job.