★ 6 / 10
Terrence Howard really does put his heart and
CinemaSerf
Terrence Howard really does put his heart and soul into this gritty story of an aspiring man who wants to leave his pimping days behind him and become an…
Terrence Howard really does put his heart and soul into this gritty story of an aspiring man who wants to leave his pimping days behind him and become an hip-hop MC. Living in Memphis, the city has an huge musical tradition but his own personal baggage threatens to drag him down at every opportunity as he tries to attach himself to visiting superstar "Skinny Black" (Ludacris). He knows that this is likely to be his last opportunity to escape the cycle of hopelessness he faces, but can he stay focused, on-course and away from crime long enough to prove his worth? The main characterisation of "Djay" is strongly portrayed here with guts and a degree of viscerally plausible credibility that really works at times. Sadly, though, the bulk of the rest of it resorts to more aggressive and would mouthed stereotyping that reinforces so many pejorative views of how African American men treat each other and the women (and children) in their lives. It's that very sad predictability that rather ruined the potency of Howard's effort here, and by mid-way through I can honestly say I couldn't have cared less whether he succeeded or not. Too many lives had already been ruined by his previous behaviour, so why should he escape the consequences of a vicious circle he had quite an hand in creating? There's plenty for fans of the musical genre to get their teeth into as that offers a boxing-like conduit for those without academic credentials to use their more creative talents to escape their torpor and find hope. It may well resonate more in the USA, but elsewhere it can come across as a story of an unlikeable man who played in the dog-eat-dog world until it no longer suited him, then tried to escape being eaten himself.
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★ 8 / 10
The subject matter and lyrics are a little rough, but the movie is a good one to see
the-movie-guy
(Synopsis) DJay (Terrence Howard) is a streetwise hustler and Memphis pimp with a stable of 3 girls, Shug (Taraji Henson) who is pregnant and not working…
(Synopsis) DJay (Terrence Howard) is a streetwise hustler and Memphis pimp with a stable of 3 girls, Shug (Taraji Henson) who is pregnant and not working, Lexus (Paula Jai Parker) who works in a strip club, and Nola (Taryn Manning) who works out of DJay's old beat-up car in a back alley. Even with two girls working and DJay selling dirt-weed on the side, it is hard for them to make ends meet. The utility company is about to shut off their utilities, if they don't pay the bill. DJay feels that he has hit rock bottom, and he needs a change in his life. A bum trades him a Casio keyboard for some weed, and DJay takes it home. While playing the keys, DJay gets an inspiration to write rap music. He begins to write down his pimping style raps, his flow, in a little notebook while Nola is turning tricks. DJay runs into Key (Anthony Anderson), an old friend and sound engineer, who takes him to a church choir performance that reaches DJay's soul. DJay looks inside his soul and decides to get out of the business, and now he has a dream of becoming a rapper. DJay teams up with Key to make a demo song. Skinny Black (Ludacris) is a platinum selling rapper about to return to Memphis for the 4th of July. DJay believes he can hustle Skinny to hear his tape, and his dream will come true.
(Comment) The movie was filmed all around Memphis during 2004. Memphian Craig Brewer wrote and directed 'Hustle and Flow,' and I went to the red carpet movie premiere in Memphis on 6 July. Craig Brewer told the audience about his father's watch that was used in the movie, and he was wearing it for good luck that night. He was also wearing a 3-carat diamond ring that belonged to Sam Phillips. As for the movie, Terrence Howard's role as DJay is a remarkable one in that he becomes immersed in the character of DJay. Howard comes off as a real pimp with all the anger, conflicts, and frustrations, which he encounters in life. There is no such thing as a good pimp, but the character of DJay realizes that his women have dreams too, and that he wants to change everything around him and them for the better. The subject matter and the lyrics to the rap music are a little rough, but the movie is a good one to see. (Paramount Classics, Run time 1:54, Rated R) (8/10)
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I think it's an overall great production, an interesting plot with excellent performances from all the actors. However, to me the best moments of the movie are those related with music, mainly when the characters are working on the beats, and when the main character makes the move to give his tape to a famous rapper. I understand the movie depicts the life of an underclass pimp, and it's just raw and based on real life, but the constant and ongoing "hustle" made me tired. The thing is that I was expecting a more music oriented movie, but music is just the excuse the main character finds to try to make it big time.