YTS.GG

HD movies at the smallest file size.

Login | Register

4K

Quality:

Genre:

Year:

Rating:

Language:

Order By:

Advanced Search
2025

Javascript not supported on your browser, please enable Javascript in order to fully utilize the website

Husbands and Wives

1992

Action / Comedy / Drama / Romance

Husbands and Wives (1992) download

Husbands and Wives

1992

Action / Comedy / Drama / Romance

Available in: 720p.BluRay 1080p.BluRay

Download Subtitles

29

93% TOMATOMETER · 40 reviews

87% AUDIENCE · 10K ratings

7.5/10 · 33.3K

720p.BluRay 1080p.BluRay

Download Subtitles

musical frigidity marriage separation teacher student relationship fake documentary

Please enable your VPΝ when downloading torrents

If you torrent without a VPΝ, your ISP can see that you're torrenting and may throttle your connection and get fined by legal action!

Get Expert VPΝ

Husbands and Wives (1992) download

Husbands and Wives (1992) download

Husbands and Wives (1992) download

Plot summary

When their best friends announce that they're separating, a professor and his wife discover the faults in their own marriage.

Director

Woody Allen

Top cast

Liam Neeson as Michael Gates

Ira Wheeler as Dinner Party Guests

Juliette Lewis as Rain

David Boston as Party Guest

Tech specs

720p.BLU 1080p.BLU

846.73 MB

1280*682

English 2.0

TV-MA

Subtitles

23.976 fps

1 hr 48 min

Seeds 6

1.58 GB

1920*1024

English 2.0

TV-MA

Subtitles

23.976 fps

1 hr 48 min

Seeds 16

Comments 6

Log in to join the discussion

bumbfonk 1932 days ago

WOODY ALLEN = KING!

womenshit 2637 days ago

"I hate Woody Allen physically, I dislike that kind of man... He has the Chaplin disease. That particular combination of arrogance and timidity sets my teeth on edge..." "He is arrogant. Like all people with timid personalities, his arrogance is unlimited. Anybody who speaks quietly and shrivels up in company is unbelievably arrogant. He acts shy, but he’s not. He’s scared. He hates himself, and he loves himself, a very tense situation. It’s people like me who have to carry on and pretend to be modest. To me, it’s the most embarrassing thing in the world—a man who presents himself at his worst to get laughs, in order to free himself from his hang-ups. Everything he does on the screen is therapeutic." -Orson Welles

GEOS78 2642 days ago

I have to be out on all Mia Farrow movies. That woman is a creep.

GEOS78 2642 days ago

I have to be out on all Woody Allen movies. That guy is a creep.

FrankLust 2642 days ago

I love all of Woody Allen movies, thank you for this great one!

akash____c 2642 days ago

Plz Upload Crawl ????

Showing 6 of 6 threads

IMDb reviews

From IMDb

8 / 10

One of Woody's best, subordinate pretty much only

tmdb47633491

One of Woody's best, subordinate pretty much only to Hannah and Her Sisters. I'm never taken by 'great performances' - always been more of a writing/direction…

Released in the hype of Allen and Farrow’s

lasttimeisaw

Released in the hype of Allen and Farrow’s breakup in the wake of his infamous Soon-Yi scandal, HUSBANDS AND WIVES archly and topically plumbs into the marital…

Released in the hype of Allen and Farrow’s breakup in the wake of his infamous Soon-Yi scandal, HUSBANDS AND WIVES archly and topically plumbs into the marital conundrums of two couples, Gabe (Allen) and Judy (Farrow, bookends her collaboration with Allen to the tune of 13), and their best friends Jack (Pollack) and Sally (Davis). For one thing, the film adopts a jittery cinematographic style (aided by handheld cameras and Steadi-cams) which certainly is not Allen’s modus operandi, and lets rip the neurotic, taxing, unrelieved relationship squabbles to full throttle, inflamed by Jack and Sally’s abrupt declaration of their separation after being married for over 15 years. Two different reactions ensure, Gabe retains his sangfroid facing a bolt from the blue but Judy apparently loses it, thinking that her closest friend has been keeping her marriage snags to herself, that seems to be a big blow to their time-honoured friendship, but on a more intuitive level (as later Sally astutely dissects), there is something deeply self-serving in Judy’s reaction. Gabe and Judy are jolted to scrutinize their own 10-year-young matrimony, where crevices start to crack open, here, Allen deploys another gimmick, a faux-documentary with character revealing their inner feelings in the form of an interview, Gabe confesses he is a sucker for “kamikaze women” (with trying smugness) until he meets Judy, whom he deciphers is a mastermind of passive-aggressive manipulation, aka. she always gets what she wants in the end. That is what happens, Allen, a professor in literary, becomes increasingly attracted by one of his student Rain (Lewis) while being self-aware of the clichéd professor-student entanglement. Meanwhile, Judy, lends a helping hand by introducing her newly single colleague Michael (Neeson, a disarmingly pleasurable presence) to Sally, who is fumed when she finds out Jack has moved in with his new lover Sam (Anthony), a young aerobics trainer, merely three weeks after their separation. But, what complicates the situation is, subconsciously, Judy carries a torch for the gentlemanlike Michael, so in the end of the day, a paradigm shift is bound to shatter the status quo. Allen’s script, as rapier-like as always in laying bare the intricate verities of gender politics and monogamous dilemma, eventually, plumps for a morally ego-boosting windup for Gabe (Allen’s alter-ego) who has savored the tempting kiss from a young hottie he craves for, and then rebuffs her advance with all the dignity in the world to remain morally uncorrupted (which blows up in audience’s face when juxtaposed with its sardonic divergence from reality), whereas for Judy, her seemingly happy ending betrays Gabe’s own complacent shrewdness of knowing her too well, for my money, that’s where this otherwise rather piquant and honest-to-goodness modern marriage assessment leaves an unsavory aftertaste, which actually has been lurking behind a majority of Allen’s oeuvre. But what makes HUSBANDS AND WIVIES head and shoulders over his lesser works is the cynosure of the cast, namely, the divine Judy Davis, an ever-so entrancing showstopper, revels in emitting of Sally’s often self-contradictory but ultimately revealing emotional states with sheer intensity, veracity without forfeiting the salutary outpourings of humor and wits (her post-coital "hedgehogs and foxes" rumination is a gas!), Marisa Tomei, as excellent as she is in MY COUSY VINNY (1992), should hand over her Oscar to Mr. Davis, a blatant robbery in the Academy history. Whilst no one can steal the limelight from her, one must admit Sydney Pollack is quite a trouper in the other side of the camera as well, his outstanding two-hander with a feisty Lysette Anthony alone can effortlessly bust a gut, which only leaves, the story-line concerns Gabe and Judy pales in comparison with its pseudo-cerebral self-deception and self-doubt, no wonder Jack and Sally would not open up to them, they are much messier.

More reviews on IMDb

Thanks for supporting YTS

Supporter badges recognize people who help keep YTS running.