Hue and Cry

1947

Action / Adventure / Comedy / Crime

5
Rotten Tomatoes Audience - Upright 70% · 100 ratings
IMDb Rating 6.7/10 10 2054 2.1K

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Plot summary

A gang of street boys foil a master crook who sends commands for robberies by cunningly altering a comic strip's wording each week, unknown to writer and printer. The first of the Ealing comedies.

Top cast

Jack Warner as Nightingale
Andrew Sachs as Schoolboy
Howard Douglas as Watchman
Fred Wood as Congregation Member
720p.BLU 1080p.BLU
695.57 MB
1280*720
English 2.0
G
23.976 fps
1 hr 22 min
Seeds ...
1.23 GB
1920*1080
English 2.0
G
23.976 fps
1 hr 22 min
Seeds ...

Movie Reviews

Reviewed by CinemaSerf 7 / 10

This is one of the lesser known Ealing

This is one of the lesser known Ealing comedies and it has something of the Children's Film Foundation output to it too, as the youngsters cotton on to a dastardly plan to use the narrative bubbles in a children's comic to convey messages that unwittingly to the publisher and animator facilitate daring robberies. It's only when the young "Joe" (Harry Fowler) and his mates start to put two and two together, and with the help of "Felix" (Alastair Sim) they start to hone in on the kingpin - safe in the knowledge that he is close amongst them and will not go quietly if he is discovered. The humour is dark, subtle and personable, as are the efforts from Jack Warner ("Nightingale") and it is set in a wonderfully gritty post war, bombed-out London full of craters and ruins in which to set the increasingly enjoyable scenario. The youngsters gel well together too, a team effort with the odd red herring and plenty of fisticuffs that compensate for the nor terribly high production standards (especially the tinny audio). Remembering the environment in which it was made, it's a remarkably enjoyable and light-hearted indication that war was over and that the sunlit uplands were again on the horizon. Good fun.
Reviewed by eric-271-335893 8 / 10

Excellent for the time

I particularly enjoyed seeing London in its derelict state after WW2, I remember my parents taking me there in those days and seeing piles of bricks everywhere. It was amusing to read a review by an American academic whose main complaint was that the children were all white and there should have been a better balance with black children. I wonder where he thought Ealing Studios might have found such people in 1946/7 - the Empire Windrush did not arrive at Tilbury until June 1948. Indeed looking at the devastation in London in the film it is amazing that Ealing could make anything. This is something that i watched as a kid and have seen many, many times again.
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