Early entry into the 80s slasher film craze is surprisingly decent and is one of the few times Golan-Globus Productions ("Invasion U.S.A," "Breakin'," "Revenge of the Ninja," etc.) made a slasher picture. The opening prologue has an unpopular boy named Harold leaving a Valentine's Day card on the doorstep for pretty girl Susan. Susan and her friend find the card, laugh about it, and crumple up the Valentine. Unbeknownst to them, Harold has been watching the whole time. While Susan is getting some cake from the kitchen, she returns to her friend murdered while the creepy Harold stares at her through the window before running off. That's all the set-up you need for this slasher film, which the adult Susan, played by former playmate Barbi Benton, visits the hospital one day for some test results where she is stalked by an adult Harold who is still in love with her. From there, the bodycount continues to grow and just about every male in the hospital might be Harold (it seems like this hospital almost exclusively hired by creepy dudes). Directed and co-written by schlockmeister Boaz Davidson, who's made charming garbage since the 70s like "The Last American Virgin" all the way until today with lame films like "Mega Snake" and "Leatherface" (though he's also produced some classier films like "The Expendables," Rambo 4," and the underrated "Drive Angry"). The plot, characters, and story are pretty non-existent, but Davidson does deliver a good number of suspenseful and creepy hospital themed horrors, particularly an uncomfortable exam of Benton by a creepy doctor that seems to last forever. The film's bloody finale is also quite memorable. There are some slow parts in the second act of the film that drag, but it's not a bad film if you're in the mood for a throwback style slasher that you may have missed. FUN FACT! The film was photographed by Nicholas Josef von Sternberg, son of famed director Josef von Sternberg ("The Blue Angel" "Morocco" "Shanghai Express").