Hors du monde

2020 [FRENCH]

Action / Horror / Thriller

6
Rotten Tomatoes Critics - Certified Fresh 80% · 5 reviews
Rotten Tomatoes Audience - Upright 80%
IMDb Rating 5.1/10 10 663 663

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Plot summary

Léo is a serial killer who lives out of his car, producing music that he plays on the car radio while he works for a ride service. One day, Léo drives Amélie, a deaf dancer and is frustrated that she doesn't respond to his music. He increases the volume throughout the ride until she can feel the vibration and rests her ear on the windowsill, seeming to enjoy it. Never having felt attracted to someone before, he tries to learn how to engage in a romantic relationship with a woman with...mixed results.

Director

Top cast

Lucien Fouchard as Enfant dispute
Magali Créton as Danseuse salle de danse
720p.BLU 1080p.BLU
864.38 MB
1280*546
French 2.0
TV-MA
23.976 fps
1 hr 33 min
Seeds 1
1.73 GB
1920*820
French 5.1
TV-MA
23.976 fps
1 hr 33 min
Seeds 2

Movie Reviews

Reviewed by Amielle G 9 / 10

A film in the art of stillness and

A film in the art of stillness and silence. This film seemed to hold negative reviews spanning across platforms - which would undoubtedly throw anyone off from watching. However, within the first 16 minutes of watching I was in awe - enough so to leave one of my first ever film reviews. The choreography is art. It is poetry. It is a hand reaching - continuously grasping for control - and the act of witnessing something graceful, slip into something dangerous. All of his characters movements, including his mannerisms, are stitched with hunger. A nice touch was the observable and mirrored silence, not uniquely in response to the female leads - but instead a level of stillness in which made that hunger visible. It was reflected in the actors gaze at almost every available instance and incited goosebumps more than once. What can I say - without condoning or romanticising the violence against women where serial killing aspects are concerned - we all love the tortured soul of a man who can sit in the void, live within it - and still yearn. Two of the strongest elements within the film lie not in what was shown, but in what was withheld. The film thankfully resisted the urge to spoon feed its audience as so many do. So little was spoken outright by either protagonist, and yet the picture was painted with startling clarity through that silence, their gestures, and his gaze. Almost nothing was left to the chaos of imagination or hollow guessing games; instead, every thread of reasoning, every answer, and ultimately the ending itself felt like one inevitable path towards the culmination of grief unto rage. And then there was the pacing: rare, deliberate, and unhurried. It moved not with the impatient machinery of modern thrillers we see today - but to the melody of something solemn, almost funereal. In whichever ways the film may stumble for others, those first moments incite within them a rare kind of cinematic poetry. It is rare to see bodies speaking a language sharper than dialogue, and even rarer so to see such contrast and duality between beauty and brutality.
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Reviewed by housearrestedever 5 / 10

Poetically weird

The whole movie is somewhat weird, the dialog is almost non-exist because neither the main female character, Amélieis, a deaf young woman played by Aurélia Poirier, nor the psycho loner, Leo, played by Kévin Mischel, never wants to speak. I don't know how Leo, an Uber driver, but actually the serial killer, who could keep killing women without even left any trace of his crimes. The police force and the detectives never appeared in the movie. The serial killer is also a musician wannabe who uses his laptop to create music (only one piece throughout the whole movie). His laptop seems to be always fully charged. He seems also to live in his Peugeot all the time without taking a bath or really uses water to wash his face, he brushes his teeth only with toothpaste outside his car.

The movie itself is not interesting enough to watch, but there are two great dances done by Aurélia Poirier, a solo dance so powerful and deep to watch. Then there's one dance, a dance performed by Léo with his imaginary partner Amélieis; that dance is great too. These two great dances should be adapted by "So You Think You Can Dance" and to be nominated for Emmy Awards.

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