Though according to the Nick Tosches biography of Dean Martin, both Martin and Lewis were barely speaking to each other off camera, the two of them did go out on a good note in Hollywood Or Bust.

In fact the antagonism between them probably helped in a way. The plot calls for Martin to be a gambler into a bookie big time. But he's got a scheme whereby he cheats a lottery and wins a new car. The problem is that Lewis, playing his usual schnook, also has a winning ticket, the real one. Car dealer Willard Waterman gives joint ownership of the car to them.

Martin takes the offer thinking he can dump Lewis and still sell the car to cover his losses. But Lewis wants the car to meet his dream girl Anita Ekberg playing herself.

Two other passengers come along on this New York to Hollywood trip, aspiring showgirl Pat Crowley and Lewis's great Dane, Mr. Bascomb. The gags involving the dog were taken straight from the WC Fields classic, Six of a Kind. That's certainly in keeping with the Paramount tradition of having Martin and Lewis remake some of their classics. The great Dane foiled Dino's schemes and caused quite the ruckus.

A very hot song writing team of the period, Sammy Fain and Paul Francis Webster, wrote the score for Hollywood Or Bust. They won two Oscars in the Fifties for Secret Love and Love Is A Many Splendored Thing. One of Dino's best ballads comes from this score, It Looks Like Love. His Capitol Record is a classic.

Because of the antagonism the two were feeling in real life, the scenes were sharp between Dean and Jerry. Lewis in fact told one and all this would be the team's last joint effort.

And in Hollywood, they did indeed bust, but they busted with style.