★ 6 / 10
When a young penguin is born to a
CinemaSerf
When a young penguin is born to a colony that communicates largely via song, I felt it’s pain. Not only because of the endless set piece numbers “Mumble” has…
When a young penguin is born to a colony that communicates largely via song, I felt it’s pain. Not only because of the endless set piece numbers “Mumble” has to endure, but because he’s completely tone deaf. Indeed, as Cynthia Erivo might have said, “…he couldn’t carry a tune in a bucket”. He can, however, dance. Boy can he dance. That’s no use though as his love interest “Gloria” has the voice of an angel and the curmudgeonly (and Scottish) elder “Noah” blames their sudden paucity of fish on this youngster’s inability to croon. Now shunned by his own tribe, and thanks to an encounter with a lithe and fearsome leopard seal, he is befriended by some more Hispanic guins and off they set to seek the sagely advice of “Lovelace”. He claims that he was the victim of an alien abduction and that they gave him a very special necklace made of plastic. "Mumble" reckons the aliens might be the source of the food problem, so they travel the breadth of the snowy continent, facing peckish orca and huge great elephant seals as they go, before discovering just who these extra-terrestrials actually are. It’s at this point that the environmental message of the film kicks in, and though that’s all perfectly laudable and clear, the plot loses it’s way and becomes something of a mess. Sure, it’s encouraging us not to be judgmental of those different to ourselves, or the masses; and it’s also showcasing the enormous damage caused to the seas and oceans by trawling and litter contamination, but the story doesn’t really emphasise any of these connections using “Mumble”, especially at a conclusion which is really quite rushed. At times this is quite a lively affair, but the threads are too bare and the characterisations too lacklustre to sustain this as a feature length animation. Condensing it into half an hour with a couple of catchy tunes might have done better; focused more on it’s messages, and allowed for his Fred Astaire impersonations to have more impact. It’s original and fine, but sadly forgettable.
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★ 7 / 10
A well-translated 'individual vs. society' romp
Flagrant-Baronessa
Animated comedies have become what Mike Tyson was to the boxing scene in the 1980's: a safe bet. This begs an upsurge in quality for the market and the…
Animated comedies have become what Mike Tyson was to the boxing scene in the 1980's: a safe bet. This begs an upsurge in quality for the market and the otherwise forgettable family fluff films have begun to interweave deeper, more salient issues in their stories. Political messages about environmental problems was perhaps the last thing I expected to find rotating around in a happy, tappy romp like 'Happy Feet' but the fact is they are there, and they are superbly handled, as is much of the film.Advertising the film as a propaganda vehicle would have been grossly unwise, which is why the simple template story rings true to most people. All that has been put forward in trailers and synopses is the lonely journey of the Emperor Penguin Mumble (Elijah Wood), who is an outcast owing to his poor singing voice and tapalicious feet. The rest of the tight-knit, conformist community all rely on special heartsongs to appeal to mates, and not being able to carry a tune is a fatal misstep for Mumble. When he finally finds friends in Ramon's (Robin Williams) foreign group of Adelie penguins, it becomes clear that there are more things threatening the penguin society on Antarctica the most prominent of which being human overfishing.One third into 'Happy Feet', I found myself drifting ever so slightly into indifference as the sprawling surge of R'n'B on the ice wore off. The emperor penguins all sing tunes you have heard before and it is not until Mumble encounters the eccentric party group of Adelies that Happy Feet receives a well-deserved kickstart and starts tapping into good fun. Thankfully, and admirably, it manages to avoid pratfalls, slapstick, pee- and fart jokes and instead the finely-tuned humour rests on the wealth of meticulous animation, juxtaposition, absurdist situations and snaptastic one-liners from Ramon's crew as they take Mumble in and introduce him to their kooky, fun-loving society and social guru, "Lovelace". This is seen in stark contrast from the emperor penguins' community on the humour side of the tapestry, and the funniest gag in the latter is Kidman returning from the long fishing journey and telling her baby Mumble lovingly that she "has got something for him", and proceeds to vomit into his mouth. Priceless.Happy Feet is an ambitious animated comedy. It's ambitious in its scope; there are epic aerial shots of the vast icy glacier, even from outer spaces, it treats salient issues like the effects of overfishing, it takes well-deserved jabs at organized religion, in which the elder emperor penguins represent the archaic values and traditions that they mindlessly adhere to. It features a star-studded cast, it sees seamless intercutting of live action footage and stars (I spotted an uncredited Ewan McGregor cameo, look out), and it is dedicated to Steve Irwin. Certainly 'Happy Feet' carries all of its ambitions quite well, some becoming accolades like the effective punch at conformity in which all the penguins literally look identical except for the fuzzy, fluffy Mumble, while others fall flat thanks to its shortcoming cast. It should only be so hard to provide voicework for an animated character, and Elijah Wood does it effortlessly as the fumbling, bumbling toddler-like misfit Mumble, who even looks like him with bright baby blue eyes. Nicole Kidman stars as Mumble's mother, with a ridiculously over-the-top voice, and she tips over into overacting at a few points. In the beginning we are given the well-condensed introductory story of how she met Mumble's father Memphis (Hugh Jackman) with a heartfelt heartsong, and she gets to reprise her romantic duet singing of Moulin Rouge opposite fellow Aussie. All of the aforementioned actors, as well as Robin Williams and Hugo Weaving, perform well in their respective supporting roles all except the unforgivably redundant Brittany Murhpy as Mumble's perpetual love-interest (who is a bad singer to boot), a plain annoying and unlikeable character backed by an equally unlikable actress.Owing to its mindblowing animation (which has been absolutely honed in the past few years) and treatment of salient issues, 'Happy Feet' could not have been made five or even four years ago. The former is translated into unspeakably beautiful sequences of underwater chases and ice slides while the latter manifests itself in apt environmental warnings. Although I was mostly entertained, there were a few too many purposely "aww" moments crammed in and certainly it does not quite dethrone the majestic 'Ice Age' (2002) as the best sub-zero comedy ever made. There, I've now said so little in so many words.7 out of 10
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