Hans Christian Andersen (1952) YTS

Reviewed by John Chard 8 / 10

It's not a story of his life, just

It's not a story of his life, just a fairytale about a spinner of fairy tales. So the opening written words say to us the very thing that many across the movie forums have failed to spot, namely that they wasn't going for first tier autobiographical on this! just a celebration of the name and his work is all. Who better to bring the great Dane to the screen than the ebullient Danny Kaye, his exuberant approach to the topic befits the glorious colour that positively sparkles in every frame of Charles Vidor's film. The story tracks the Cobbler Andersen as he leaves his hometown of Odense to seek a new life in the beautiful city of Copenhagen. It is here that he becomes known for his stories that bring about much joy to the children of Denmark - and here that he writes his glorious ballet version of The Little Mermaid. He gets into scrapes, he falls for a pretty girl, and most of all he discovers his vocation in life, this is indeed a delightful fairytale in itself. Sit back and enjoy The Emperor's New Clothes, Wonderful Copenhagen, Thumberlina and The Ugly Duckling, and then fall silenct for the 15 minute showing of The Little Mermaid in all its balletic glory. Hans Christian Andersen is a smashingly buoyant film, one that may come wrapped up in treacle for some folk, but for those of us with a sweet filmic tooth then the pleasures are there to be had. 8/10

Reviewed by CinemaSerf 7 / 10

It's quite easy to be harsh with this

It's quite easy to be harsh with this rather fanciful depiction of the life of the eponymous Danish writer. It doesn't bear much resemblance to the life of the real man, and it's rather episodic construction really doesn't help the film flow particularly well at all. That said, however, Danny Kaye and Charles Vidor have clearly had a powerful vision of what they were trying to achieve - and that isn't a biopic. It's a colourful and large scale series of fantasies that tug at the heart strings, make you smile, wince and tap your toes - just as the vivid imagination of the author would have had them do. Kaye plays the role in a characterful and engaging manner, depicting well the poverty, optimism and, yes, the chocolate box Denmark too, as the film takes us through synopses of some of the most politically subtle and potent "fairy tales" ever written. More than that, it's a visual feast with beautifully crafted costumes and scenery - though, the production looks at times, a little stage bound. Of course, to ice this cake, we have a beautiful soundtrack from Frank Loesser with a little help from Messrs. Schubert and Liszt delivering us timelsss standards that are maybe not the most lyrically challenging, but are songs of so many of our childhood's that show Kaye for the multi talented star that he was. I was not a massive fan of the choreography - I found it too precise and a little sterile at times, but the individual dancers are world class and when the story drifts into his fantasy world and leaves the fables to do the work, this is a thoroughly enjoyable 2 hours of escapism.

Reviewed by Spleen 8 / 10

A sugary children's movie? -actually, it's rather daring

Every single biopic of a creative artist tells the same story, whether it's true or not: the Philistine World, or some part thereof, rejects the artist, and fails to see his greatness; but later on, perhaps during his lifetime, perhaps not, it sees the error of its ways. That happens here. Hans Christian Andersen is a village cobbler whose compulsive inventiveness is little thought of until he makes good in Copenhagen, after which...But there's much more going on.There's no doubt that Andersen was a great artist, in some sense. `The Ugly Duckling' and `The Emperor's New Clothes' are two of the greatest short stories - fables, folktales - all of these - ever composed. But he had his limitations. There were many kinds of stories he just couldn't write. His fertile talent for anthropomorphising was often a millstone. In many respects he seems to have been a childish and naive man. But get this: all of these limitations make it onto the screen. Both the story and Danny Kaye's performance (a great performance) make Andersen into a human being who is NOT the greatest storyteller since Shakespeare, but who can be admired for what he is.The main story isn't the `unrecognised genius' bit: it's a story of unrequited love. While in Copenhagen Andersen spends most of his time banging his head against the wall over an unattainable ballerina, whose interest in him is, as they say, purely professional. He manages to be quite cruel to a close friend in the process, right up to the point where it's unclear that a reconciliation is possible. (Indeed, it's unclear whether or not one occurs.) When he realises what a fool he's been he just trudges back, defeated, to his village. And it's here we have the obligatory scene where the villagers realise how great he was after all, mainly by singing the highly memorable refrains of the movie's songs, one after the other. Well, the film needed some ending. I'm inclined to forgive this one.There's also a lengthy Little Mermaid ballet - seven minutes long? more? - danced in its entirety. (We see a LOT of the ballerina's craft in Copenhagen.) This sort of thing wasn't too unusual in the 1950s but it's a genuine gamble in context - and one that I think pays off. By the time the ballet appears the cheery story of an eccentric village storyteller had become surprisingly dark. Vidor, it seems, would rather risk having people leave the cinema than insult those who remain. Good for him. I can't claim that this film works in every respect, and perhaps you won't like it, but I'm sure you won't feel cheated by it.

Hans Christian Andersen

1952

Action / Biography / Family / Musical / Romance

Hans Christian Andersen

1952

Action / Biography / Family / Musical / Romance

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Movie Reviews

It's not a story of his life, just

It's quite easy to be harsh with this

A sugary children's movie? -actually, it's rather daring

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