Guling jie shaonian sharen shijian

1991 [CHINESE]

Action / Crime / Drama / Romance

52
Rotten Tomatoes Critics - Certified Fresh 100% · 26 reviews
Rotten Tomatoes Audience - Upright 93% · 1K ratings
IMDb Rating 8.2/10 10 15426 15.4K

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Plot summary

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

Director

Top cast

Danny Deng as The Film Director
Chen Chang as Xiao Si'r
Lawrence Ko as Airplane
Emily Y. Chang as Ming's Mother
720p.BLU 1080p.BLU
2.12 GB
1280*682
Chinese 2.0
Not Rated
23.976 fps
3 hr 56 min
Seeds 19
3.94 GB
1920*1024
Chinese 2.0
Not Rated
23.976 fps
3 hr 56 min
Seeds 73

Movie Reviews

Reviewed by CinemaSerf 7 / 10

This isn't so much a drama as an

This isn't so much a drama as an intimate observational documentary following the lives of people recently arrived on the island of Taiwan after the Chinese communist party took control of the mainland. There is still a considerable degree of militaristic life amongst the population, and the secret police are never far from the minds of the adults whilst the adolescents come to terms with their own, quite often gang-related, issues too. Those are not, initially at any rate, gangs in the violent sense of New York's "Jets" and "Sharks", but they are just as important in providing a degree of structure, identity and security for a rootless youth who are as uncertain of their future as they are of their past. With more than an oblique nod to "Romeo and Juliet", we meet "Si'r" (Chang Chen) who has a curiously ambivalent relationship with "Ming" (Lisa Yang), with both affiliated to opposing gangs at their high school. On the face of it, you might be forgiven for thinking that we are now in for something soapily teen-angsty, but by using a combination of more standard and more subtle photography, we start to find ourselves more immersed in the lives of these kids as they grow up and find their own identies all against a backdrop that sees their parents' generation coming to terms with a constantly simmering threat of political and social upheaval that leaves no-one safe from the authorities determined to discover any potential communist activists or sympathisers. There isn't so much a pace here as a series of breathing exercises. Some of it hairs along rapidly and occasionally quite violently, some of it is much more cerebral and discursive and some of it - just like life itself - is as dull to watch as it presumably is to live through. This also isn't only a sensitively filmed critique on the coming of ages of people, but also of a nation state and it is not without some elements of joy - though possibly not humour, as is takes it's time to unfold in a fashion that has an unusual and characterful authenticity to it. Like any film that approaches four hours in duration, it does have it's fallow moments but on the whole the performances provide us with measured and engaging characters and if you can get a chance to watch it on a big screen, it's play out a bit like a folk-song lyric Joan Baez might have sung.
Reviewed by julie b 8 / 10

Incredible camera work that commands patience and so

Incredible camera work that commands patience and so so SO beautifully and meticulously shot - especially the use of light and darkness. Some of the most flawless scenes ever!!! At all times I’m endlessly interested in both what is in the frame or just beyond it; clearly nothing is seen or heard without Edward Yang wanting you to have consumed it. However, it was truly too long for me, and despite the 4hr run time, I didn’t really feel the depth of characters or emotions as much as I was anticipating. I think this is due to how expansive the story is, using its breadth to capture the era perfectly rather than building depth - which I don’t hold against it.
Reviewed by Mark C 7 / 10

A sloooooooooooooooooooooow burn if there ever was one

A sloooooooooooooooooooooow burn if there ever was one. 4 hours film! Yet, being based on true story elevated this film to "worth a watch", emphasis on "a". Some of the acting from the teenagers in this film border on distracting (I'm looking at you "Elvis".)
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