Girl

2023

Drama / Romance

1
Rotten Tomatoes Critics - Certified Fresh 96% · 25 reviews
Rotten Tomatoes Audience - Upright 96%
IMDb Rating 5.9/10 10 202 202

woman director mother daughter relationship

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Plot summary

A young mother is forced to face the truth of her past life as her daughter approaches adolescence and strives for new freedom.

Director

Adura Onashile Photo
Adura Onashile

Top cast

Andrew John Tait Photo
Andrew John Tait as Man in Arcade
Danny Sapani Photo
Danny Sapani as Samuel
Le'Shantey Bonsu Photo
Le'Shantey Bonsu as Ama
Liana Turner Photo
Liana Turner as Fiona
720p.WEB 1080p.WEB
800.14 MB
1280*536
English 2.0
12A
Subtitles
24 fps
1 hr 27 min
Seeds 1
1.45 GB
1920*804
English 2.0
12A
Subtitles
24 fps
1 hr 27 min
Seeds 6

Movie Reviews

Reviewed by CinemaSerf 6 / 10

Though the narrative is a little too undercooked

Though the narrative is a little too undercooked here, this film does present us with two characterful performances from Déborah Lukumuena and Le'Shantey Bonsu. The former is "Grace" - a woman who lives in a rundown Glasgow high-rise with her daughter "Ama". Their's is a loving relationship tinged with a little maternal paranoia. "Grace" is forced to work as a cleaner at night and the girl is largely forbidden from leaving the flat - for her own safety - and that, naturally, attracts the attention of the social workers and the school teachers who are concerned for their wellbeing. Things are not helped by a decision to rehouse the family as the demolition men are soon to head to their tower block. When "Ama" befriends a neighbour from her school "Fiona" (a nice effort from Liana Turner), the couple's relationship starts to become severely tested and the two women face the first serious change to the established dynamic of their inter-dependency. The performances do go some way to making this film work, but the absence of context makes it difficult to engage with the story. We don't really know anything about the past that drove them to Scotland. Clearly there has been trauma for "Grace", but again - we know very little about what created that trouble. The direction is also very lethargic. Far too many tracking shots, walking to and fro, almost like director Adura Onashile was paddling out a short story into almost ninety minutes. I also found it to be rather over-scored. The paucity of dialogue does work at times, but the sense of loneliness and fear that generates is all to frequently overpowered by the music. It's an interesting story that is probably illustrative of many families relocated to a strange environment, but I just needed more substance and less meandering images for that to resonate better.
Reviewed by thebeachlife 10 / 10

Delicate and Touching

The extremely unhealthy and toxic yet very loving and vulnerable relationship between a 25 year-old mother and her 11 year-old daughter is shown here with such delicacy and affection that I felt so moved throughout the whole time. The mother's fear and irrational behavior are definitely detrimental for the child, and we can see it clearly in every scene. However, we feel for the mother and are invited to sympathize with her and her helplessness.I loved the music and the use of shades and color: this added to the intimacy of this little world that was created so that these fragile women could feel safe. A very delicate but confident debut!
Reviewed by CinemaSerf 6 / 10

Girl

Though the narrative is a little too undercooked here, this film does present us with two characterful performances from Déborah Lukumuena and Le'Shantey Bonsu. The former is "Grace" - a woman who lives in a rundown Glasgow high-rise with her daughter "Ama". Their's is a loving relationship tinged with a little maternal paranoia. "Grace" is forced to work as a cleaner at night and the girl is largely forbidden from leaving the flat - for her own safety - and that, naturally, attracts the attention of the social workers and the school teachers who are concerned for their wellbeing. Things are not helped by a decision to rehouse the family as the demolition men are soon to head to their tower block. When "Ama" befriends a neighbour from her school "Fiona" (a nice effort from Liana Turner), the couple's relationship starts to become severely tested and the two women face the first serious change to the established dynamic of their inter-dependency. The performances do go some way to making this film work, but the absence of context makes it difficult to engage with the story. We don't really know anything about the past that drove them to Scotland. Clearly there has been trauma for "Grace", but again - we know very little about what created that trouble. The direction is also very lethargic. Far too many tracking shots, walking to and fro, almost like director Adura Onashile was paddling out a short story into almost ninety minutes. I also found it to be rather over-scored. The paucity of dialogue does work at times, but the sense of loneliness and fear that generates is all to frequently overpowered by the music. It's an interesting story that is probably illustrative of many families relocated to a strange environment, but I just needed more substance and less meandering images for that to resonate better.
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