A group of bank robbers flee into the Japanese alps to escape the police. After barely getting away from their hideout the path behind them is cut off by an avalanche and they have to hole up in a cabin whose friendly inhabitants know nothing of their true nature.

This was a really pleasant surprise. I didn't expect all that much since the only Taniguchi film I had seen before was the rather dull Lost world of Sinbad which ironically left me entirely cold.

The beauty and danger of these mountains is captured amazingly well, especially for the time. All I could think of was how this couldn't have been an easy production as I watched the actors struggle to move in meters of snow, scaling cliffs and looking insignificantly small in the vast landscapes.

This movie has an interesting pedigree to begin with, being the first film to bring Toshiro Mifune and long time acting partner Takashi Shimura together. It's also the first score of composer Akira Ifukube, most famous for the Godzilla soundtracks (and original roar) as well as the Burmese Harp and countless others.

Mifune is great as the young, cruel, greedy and unpredictable thug, who seems like a man who never came back from the war, but Shimura as the older, melancholic boss opposite of him takes the cake here.

The script by none other than Akira Kurosawa elevates what could have been a rather standard thriller of the time, by adding a lot of layers and nuance to the story.

While the war is never mentioned explicitly it looms large (hell it was barely two years ago at the time). More often than not it feels like a movie about soldiers coming home from war and unraveling rather than a mountaineering adventure. Our main characters are all clearly damaged. I'm sure if you had been in the audience back then you would have picked up on a lot more of these hints. Yet typical for a Kurosawa script there's a shimmer of hope and humanity that shines like a beacon through the dense mist.

While this isn't quite a masterpiece yet it has a strong atmosphere of solitude and a sweet mix of hopefulness and melancholia. It deserves to be much more widely seen and appreciated. If you like early Kurosawa or Naruse I definitely recommend it.