Gideon's Daughter

2005

Drama

9
Rotten Tomatoes Audience - Upright 77% · 500 ratings
IMDb Rating 6.9/10 10 2199 2.2K

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Plot summary

Bill Nighy and Miranda Richardson star in a story of grief and celebrity, set in the intense spring and summer of New Labour's election victory and Diana's death. Nighy is a PR guru who has to stop and re-evaluate his world when his daughter threatens to leave his life, perhaps as revenge for his serial infidelities. Richardson plays a mother trying to bury her grief in an unconventional way after the loss of her young son.

Top cast

Tom Hardy as Andrew
Emily Blunt as Natasha
Bill Nighy as Gideon
720p.WEB
967.48 MB
1280*718
English 2.0
TV-14
Subtitles us  
25 fps
1 hr 45 min
Seeds 3

Movie Reviews

Reviewed by R T 9 / 10

Brilliant emotional film was getting very worried that

Brilliant emotional film was getting very worried that something bad was going to happened to Natasha also loved the song by Emily Blunt can see why they chose her to play Mary Poppins.
Reviewed by R T 7 / 10

It's worth seing it for Tom Hardy as

It's worth seing it for Tom Hardy as very young actor, with... less than perfect teeth. :-)
Reviewed by walter m 6 / 10

Gideon's Daughter" starts with middle-aged Sneath(Robert Lindsay) in

"Gideon's Daughter" starts with middle-aged Sneath(Robert Lindsay) in his pajama bottoms welcoming Becca(Samantha Whittaker), a typist, into his apartment so he can transcribe a story that begins on a rainy night in 1997 on a red carpet. Gideon Warner(Bill Nighy) is so huge in public relations that he can send out Andrew(Tom Hardy) to work the floor for him. But not so above it all that he cannot settle a dispute between Dent(Tom Goodman-Hill), an M.P, and a distraught couple(Miranda Richardson & David Westhead). Plus, he also finds the time to watch his daughter Natasha's(Emily Blunt) senior recital which unsettles him so much that he starts pricing family psychologists... "Gideon's Daughter" is an odd one. Not in a weird way and it has nothing to do with Tom Hardy playing a non-violent character, either. No, it is a movie that cannot truly decide what kind of movie it wants to be, leading it to head in two equally opposite directions at once. On the one hand, all of the major characters are dealing with some kind of loss in their lives, with a national mourning serving as the background. And for some that might also belong in the arena of ridiculousness(along with the Millenium Dome) that was established in its framing sequence. That's not to mention an emotional climax that is more quirky than anything resembling heartfelt.
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