★ 7 / 10
This is essentially three stories that George Stevens
CinemaSerf
This is essentially three stories that George Stevens has rolled into one, long, family melodrama. It all starts when "Bick" (Rock Hudson) travels from his…
This is essentially three stories that George Stevens has rolled into one, long, family melodrama. It all starts when "Bick" (Rock Hudson) travels from his massive Texas ranch to buy an horse from "Dr. Lynnton" (Paul Fix). The first thing he sees though is not the beautiful black stallion, but the man's daughter "Lesley" (Elizabeth Taylor) riding it. After a sticky start, she is on her way to his home, as his wife, where she must settle into a life where women like her are expected to provide children and live otherwise fairly ornamental lives. Needless to say, she isn't really up for that and the next portion of the film follows her efforts to find a purpose. "Jett Rink" (James Dean) is a general factotum on their place. Disliked by "Bick" but protected to an extent by his sister "Luz" (Mercedes McCambridge). Tragedy strikes and "Jett" finds himself the beneficiary of that to the tune of a small plot of land where he quickly discovers oil. That changes the dynamic of the relationships and with the onset of WWII, the traditional lives of all concerned are shaken to the core. The final third, if you like, has probably the strongest message: those who fought together during the war regardless of race or creed are now (largely) back home, victorious, but are expected to fit back into their social demographic - and Stevens uses a swathe of new characters, including their son (Dennis Hopper) and the briefest of appearances from Sal Mineo to illustrate the hypocrisy and double standards that entailed. This third is, in my view, also the weakest section of the story. Perhaps because a degree of ennui was setting in after two hours already, but the flawed characterisation of Dean is a bit too superficial and Miss Taylor - who really does dominate this film - takes too much of a back seat as the familial discord and the effects of the bottle start to dominate the plot. Though Hudson is maybe not the strongest of character actors, here he does provide a degree of accruing decency to his character and at times there is a spark of chemistry between the two leads who, despite themselves, do actually love each other. It's certainly a grand piece of cinema with some spectacular photography. The make-up artistes make a decent stab at facilitating the ageing process as the film progresses and Dimitri Tiomkin manages to adapt his score from the initial Western style genre to a modern modern one creatively. It really does need a big screen and a comfortable seat to get the best out of the performances, but it is definitely worth it.
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★ 9 / 10
A Beautiful Epic About Changing Times
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I am a sucker for long, sprawling epics about history or social issues. Ben-Hur, Lawrence of Arabia, and Doctor Zhivago are films I could watch on repeat. Now…
I am a sucker for long, sprawling epics about history or social issues. Ben-Hur, Lawrence of Arabia, and Doctor Zhivago are films I could watch on repeat. Now we can add 1956's Giant to the list. It's one of the only films to tell the story about Texas and how the state transitioned from the old-fashioned cattle/cowboy era to the modern oil industry. I adored every minute of this three-hour and twenty-one minute feature. Yes, it's long but it is a film that has big, ambitious ideas and characters you'll come to know and fall in love with.....just as I did.
The film is based off an Edna Ferber novel. If you are familiar with her work, you'll know that her books capture social injustice issues such as racism. In her book this movie was adapted from, she gave us big ideas to think about along the lines of racism and women's rights. From the 1920's to 1940's, the Mexican Americans on the ranches were treated with contempt and just a tad better than slaves. Also, the idea of a woman coming into an industry dominated by men and speaking her mind freely was something nearly unheard of. Like the book, the movie tackles these ideas and rather successfully. After all, the early-to-mid 1900's were changing times for the Lonestar State. I think the screenplay, written by Ivan Moffat and Henry Ginsberg, captured the tone and spirt of her vast epic.
The film was directed by George Stevens. If that name sounds familiar to you, maybe you have seen 1951's A Place in the Sun or the lovely 1936 film, Swing Time. Stevens handsomely directed the film and put together a very worthy cast. In his long career creating tons of good movies, it's hard to believe that he only won one Academy Award. That was for this movie and he deserved it. This is one of those movies that stand the test of time.
Giant tells the story than spans over two decades. It tells the story of poverty versus wealth, along with racial discrimination and deep feelings such as prejudice. All of this is centered around one Texas ranch- The Reata. The Reata is ran by his cattle baron Jordan Benedict (Rock Hudson) and his sister, Luz (Mercedes McCambridge). They run a tight ship and treat the Mexican Americans on their farm with disdain. When Benedict travels to Maryland to buy a beautiful stallion, he meets the even more beautiful Leslie (Elizabeth Taylor). The two get married and Leslie moves to the ranch where she makes it a life goal to institute social changes. Then there is the ranch hand, Jett Rink (James Dean) who is jealous of Jordan's success. When he strikes oil, he instantly becomes a billionaire. Not just these central characters, but how will the entire family take in all of these changes?
I loved the performances in the film. This film garnished Rock Hudson his only Academy Award nomination. He has always been an undervalued actor, but I loved his performance. There was a sequence towards the end, a fistfight at the cause of social injustice, and that shows his capability. Elizabeth Taylor previously worked with George Stevens in 1951's A Place in the Sun and showed how talented she was. Even though she was not Stevens's first choice for this picture, she once again rose to elite level. Then we have James Dean. Dean had his career cut extremely short due to his untimely death toward the end of this film's production. Stevens had another guy come in to dub the actor's lines which may have been why the film took more than a year in post-production. He captured the distrust of Jett Rink very well and easily showed that money cannot guarantee happiness. You may recognize other faces here. Dennis Hopper as Jordan's son, Carroll Baker as Jordan's daughter, and Rod Taylor as Sir David Karfrey.
The film is so beautiful to look at. Cinematographer William C. Mellor gave the deserts of Texas its own beauty. I felt so alive and even romantic gazing at the Texan landscape. I truly felt transported to another time and place. The music by Dmitri Tiomkin fits the epic format easily with recognizable themes.
Ultimately, I really enjoyed the vast movie that is Giant. It's one of the few early movies that gives it due to social causes like racism and women's rights. It harshly criticized the way of Texan life. I found it ironic that many Texans actually adored the movie when it came out. But based off an Edna Ferber novel, of course these themes will be prevalent. Beautiful landscapes, powerful acting from the lead trio, and great direction are just some of the reasons to see the movie. The movie tackles multiple generations, so be prepared to fall in love....or possibly hate some characters.
My Grade: A
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