★ 8 / 10
***"You can't live in fear"*** This combines Faust
Wuchak
***"You can't live in fear"*** This combines Faust and Spider-Man and mixes in elements of all the variations of the Ghost Rider comics up to the present…
***"You can't live in fear"***
This combines Faust and Spider-Man and mixes in elements of all the variations of the Ghost Rider comics up to the present, including the 50's Western hero, but its main inspiration is the 70s-80s comic featuring Johnny Blaze as the protagonist. What makes Ghost Rider appealing? Well, the only thing cooler than a guy in black leather and chains driving a Harley is a flaming skeleton in black leather and chains driving a supernatural flaming Harley.
Some criticize Nicolas Cage as the protagonist because Blaze is supposed to be in his early 30s or so while Cage was around 41. I suppose someone like James Franco would have been better for the role, especially since Franco at the time looked exactly like Mike Ploog's version of Blaze, but Cage does a fine job. Besides, Cage is in great shape and I know guys 25 years old who look older than him. As for Eva Mendes, who plays Johnny's girlfriend, she's ten years younger than Cage and is both voluptuous and adequate in the role.
Some criticize the film as too serious, others as too goofy, but the fact is that "Ghost Rider" has the same general tone as all the other superhero flicks released since 2000. It's a serious story for the most part, although completely unbelievable due to the subject matter, with bits of humor thrown in for good measure. In other words, it's neither deathly serious nor a campy goof-fest; it rides the line between these two extremes.
If all you want out of "Ghost Rider" is an entertaining supernatural superhero flick it delivers and is worth viewing for this purpose. But the film delivers on a deeper level. Here is a smattering of noteworthy elements:
Johnny is misled into "selling his soul" to the devil and has to face the negative consequences of his decision. Few people will literally "sell their soul" to satan but we can all relate to the struggle with the evil that exists within our own hearts. If we decide to live according to the inclinations of our lower, destructive nature are we not, in a sense, "selling our soul" to the devil; that is, giving over our lives to evil? (regardless of whether you view the devil as a literal spiritual being or merely a symbol of potential human evil). Whenever we choose to live according to this lower nature will we not automatically perform evil and, in that sense, fulfill the devil's will?
Peter Fonda as Satan is perfect and entertaining, as is Sam Elliott as the old Westerner.
Love is an important theme. Johnny "sells his soul" for love of his father. He didn't do it for greed or some other carnal purpose. This is agape love, self-sacrificial love, love in its highest and purest form, which puts Johnny on God's side (as Elliott's character observes) and makes him a serious threat to the devil's purposes on earth.
We also witness Blaze's great love for Roxanne and vice versa, as well as Mack's love for Johnny, etc.
This is contrasted by the total absence of love in satan's kingdom. The devil hates his son and vice versa. This is a fitting depiction because God is described as love in the Bible; and since Satan has chosen to separate from God and be an enemy, he has naturally separated himself from love and become love's enemy. Hate in all its ugly manifestations is therefore the essence of the devil's kingdom and relationships.
When Blaze first turns into the Ghost Rider and goes for a ride in his flame cycle he causes great havoc wherever he goes. You'll note that this is toned down in his later excursions as Ghost Rider. The explanation? Johnny simply didn't know how to control the supernatural hellfire and "spirit of vengeance" during his initial conversion.
Although it's supposed to be amusing, it makes sense that Johnny would listen to The Carpenters in his down time. Blaze's daredevil lifestyle and his problems with the Ghost Rider curse would understandably cause him a great deal of stress. Listening to Karen's ultra-soothing voice would be a great pacifier.
There's a great scene of Ghost Rider riding off the top of a skyscraper, whipping his chain in exulting fury, and then riding full blast down the building smashing into the pavement below as police and onlookers observe in total disbelief.
In the comics Blackheart was the only comic character that ever sent chills down my spine (in Ann Nocenti's Daredevil). I didn't get this feeling from Wes Bentley's portrayal here, although there's a hint of that. Regardless, Bentley does a fine job in the role. And Blackheart's ugly wickedness is certainly revealed or demonstrated here and there.
There's a great musical interlude featuring the Ghost Rider and the Caretaker (Elliott) riding through the night desert for hundreds of miles to San Vengaza. Fittingly, the song is a modern hard rock version of the great "Ghost Riders in the Sky."
Lastly, the Ghost Rider himself (itself?) is a triumph of special effects. Needless to say, the film is enjoyable just to look at.
It runs 1h 50m with the Extended Cut running 13 minutes longer. It was shot from Feb 2005 - Apr 2006 in Melbourne, Australia, and other areas of Victoria in the southeast region of the continent.
GRADE: A-
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★ 7 / 10
_**"You can't live in fear"**_ Johnny Blaze and
Wuchak
_**"You can't live in fear"**_ Johnny Blaze and his father make a living as Evel Knieval-like stunt riders in a carnival. When dad is diagnosed with cancer…
_**"You can't live in fear"**_
Johnny Blaze and his father make a living as Evel Knieval-like stunt riders in a carnival. When dad is diagnosed with cancer Johnny is misled into making a foolish deal with the devil, which results in his being cursed to become the Ghost Rider – a supernatural flaming skeleton.
Mark Steven Johnson's "Ghost Rider" (2007) combines Faust and Spider-Man and mixes in elements of all the variations of the Ghost Rider comics up to the present, including the 50's Western hero, but its main inspiration is the 70s-80s comic featuring Johnny Blaze as the protagonist.
What makes Ghost Rider appealing? Well, the only thing cooler than a guy in black leather and chains driving a Harley is a flaming skeleton in black leather and chains driving a supernatural flaming Harley. That pretty much explains it.
Some criticize Nicholas Cage as Johnny Blaze because Blaze is supposed to be about 30 years old, while Cage was around 41. I suppose someone like James Franco would have been better for the role, especially since Franco looks exactly like Mike Ploog's version of Blaze, but Cage does a fine job. Besides, Cage is in great shape and I know guys 25 years old who look older than him. As for Eva Mendes, who plays Johnny's girlfriend, she's ten years younger than Cage and is both voluptuous and adequate in the role.
Some criticize the film as too serious, others as too goofy, but the fact is that "Ghost Rider" has the same general tone as all the other superhero flicks released since 2000. It's a serious story for the most part, although completely unbelievable due to the subject matter, with bits of humor thrown in for good measure. In other words, it's neither deathly serious nor a campy goof-fest; it rides the line between these two extremes.
If all you want out of "Ghost Rider" is an entertaining supernatural superhero flick "Ghost Rider" delivers and is worth viewing for this purpose. But the film delivers on a deeper level. Here is a smattering of noteworthy elements:
Note that Johnny is misled into "selling his soul" to the devil and has to face the negative consequences of his decision. Few people will literally "sell their soul" to Satan but we can all relate to the struggle with the evil that exists within our own hearts. If we decide to live according to the inclinations of our lower, destructive, selfish nature are we not, in a sense, "selling our soul" to the devil; that is, giving over our lives to evil? (regardless of whether you view the devil as a literal spiritual being or merely as a symbol of potential human evil). Whenever we choose to live according to this lower nature will we not automatically perform evil and, in that sense, fulfill the devil's will?
Peter Fonda as Satan is perfect and entertaining, as is Sam Elliott as the old Westerner.
Love is an important theme in the story. Johnny "sells his soul" for love of his father. He didn't do it for greed or some other carnal purpose. This is agape love, self-sacrificial love, love in its highest and purest form, which puts Johnny on God's side (as Elliott's character observes) and makes him a serious threat to the devil's purposes on earth.
We also witness Blaze's great love for Roxanne and vice versa, as well as Mack's love for Johnny, etc.
This is contrasted by the total absence of love in Satan's kingdom. The devil hates his son and vice versa. This is a fitting depiction because God is described as love in the Bible; and since Satan has chosen to separate from God and be an enemy, he has naturally separated himself from love and become love's enemy. Hate in all its ugly manifestations is therefore the essence of the devil's kingdom and relationships.
When Blaze first turns into the Ghost Rider and goes for a ride in his flame cycle he causes great havoc wherever he goes. You'll note that this is toned down in his later excursions as Ghost Rider. The explanation? Johnny simply didn't know how to control the supernatural hellfire and "spirit of vengeance" during his initial conversion.
Although it's supposed to be amusing, it makes sense that Johnny would listen to The Carpenters in his down time. Blaze's daredevil lifestyle and his problems with the Ghost Rider curse would understandably cause him a great deal of stress. Listening to Karen's ultra-soothing voice would be a great pacifier.
There's a great scene of Ghost Rider riding off the top of a skyscraper, whipping his chain in exulting fury, and then riding full blast down the building smashing into the pavement below as police and onlookers observe in total disbelief.
In the comics Blackheart was the only comic character that ever sent chills down my spine (in Ann Nocenti's Daredevil). I didn't get this feeling from Wes Bentley's portrayal in the film, although there's a hint of that. Regardless, Bentley does a fine job in the role. And Blackheart's ugly wickedness is certainly revealed or demonstrated here and there.
There's a great musical interlude featuring the Ghost Rider and the Caretaker (Elliott) riding through the night desert for hundreds of miles to San Vengaza. Fittingly, the song is a modern hard rock version of "Ghost Riders in the Sky." (I love that song! Who doesn't?)
The Ghost Rider himself (itself?) is a triumph of special effects. Needless to say, the film is enjoyable just to look at.
The film runs 1 hour, 50 minutes, with the Extended Cut running 13 minutes longer. It was shot in Melbourne, Australia, and other areas of Victoria.
GRADE: B+
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★ 4 / 10
The problem is Ghost Rider isn't bad enough
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The problem is Ghost Rider isn't bad enough to be up there with the Nicolas Cage "classics", and it's not good enough to be seen as a fun time at the movies.…
The problem is Ghost Rider isn't bad enough to be up there with the Nicolas Cage "classics", and it's not good enough to be seen as a fun time at the movies. It kind of just exists in this rather bland netherrealm where mildly entertaining meets instantly forgettable. Eva Mendes is terrible and Sam Elliot is great, so the acting in this movie is all over the place.
Sure, I love any scene where Nicolas Cage starts freaking out as he changes into the Rider. Or the scene where he tries to scare him self by going "booga booga" in front of the mirror. It's especially great when the half rendered fire skull shows up (seriously, how did the studio approve this effect?). But they're few and far between. Better just watch the You Tube clips then.
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