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Gamle mænd i nye biler

2002 [DANISH]

Action / Comedy / Crime

Gamle mænd i nye biler

2002 [DANISH]

Action / Comedy / Crime

Available in: 720p.BluRay 1080p.BluRay

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82% AUDIENCE · 2.5K ratings

6.7/10 · 10.3K

720p.BluRay 1080p.BluRay

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debt bank robbery hoodlum

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Plot summary

The last wish of the dying "Monk" is for his foster child, Harald, to find his real son, Ludvig. But the latter is currently in a Swedish prison cell...

Director

Lasse Spang Olsen

Top cast

Nikolaj Lie Kaas as Martin

Kim Bodnia as Harald

Torkel Petersson as Ludvig

Iben Hjejle as Mille

Tech specs

720p.BLU 1080p.BLU

854.02 MB

1280*720

Danish 2.0

Not Rated

Subtitles

23.976 fps

1 hr 35 min

Seeds 5

1.51 GB

1904*1072

Danish 2.0

Not Rated

Subtitles

23.976 fps

1 hr 35 min

Seeds 8

Comments 2

Nalle79 2550 days ago

mødre gruppen plz cant find it anywere its a danish movie from 2018 pretty plz:)

Nalle79 2550 days ago

great nice danish movie ther was alot of great danish movies around year2001 like this one nice to see them in here:)

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IMDb reviews

From IMDb

A wacky and absurd comedy/crime film enlivened by

deepkino

A wacky and absurd comedy/crime film enlivened by the presence of Kim Bodnia and Nikolaj Lie Kaas. The film tells the non-stop adventures of Harald and his…

8 / 10

Old Men in New Cars

random_avenger

The 1999 Danish black comedy In China They Eat Dogs brought an enjoyable gust of fresh air to the often overly serious Nordic cinema. The prequel Old Men in…

The 1999 Danish black comedy In China They Eat Dogs brought an enjoyable gust of fresh air to the often overly serious Nordic cinema. The prequel Old Men in New Cars casts light on the characters' earlier life: Harald (Kim Bodnia) has just been released from prison and owes a large sum of money to a gangster named Ratko (Slavko Labovic) but doesn't let the debt bother him very much. After his dying father figure Munken (Jens Okking) asks Harald to locate his estranged son Ludvig (Torkel Petersson), Harald and his cook friends Martin and Peter (Nikolaj Lie Kaas and Tomas Villum Jensen) and their new inept assistant Vuk (Brian Patterson) come up with a plan to get Ludvig, a multiple murderer with a sensitive side, out of a Swedish prison. While robbing a bank, they also they also become attached to a suicidal woman Mille (Iben Hjejle) who tags along and evokes new kinds of feelings in Ludvig. Next it is time for an elaborate airplane hijacking... The main difference to the first movie is the absence of the mild-mannered Arvid, arguably the protagonist of In China They Eat Dogs. Instead, the prequel focuses on Harald and his ever-calm attitude to whatever obstacles life drops in front of him. The semi-reluctant Martin and Peter are the same as before, providing a lot of comedy with their awkward insecurity when things get rough and bodies start piling up, not to mention the always hapless Vuk who keeps getting seriously injured as a running gag in both movies. The main charm of the humour still lies in the deadpan delivery of the gang's outrageously implausible schemes, be it a prison break by bungee cord or an airplane robbery with an ambulance. The action scenes, while not as numerous as in Hollywood blockbusters, are well designed and both entertaining and exciting. Especially the car chase after the bank robbery deserves a special mention, rarely do we get to see such wreckage in any normal Nordic thriller. The actors also do a good job; especially Kaas and Jensen are great as the manipulatable henchmen of the menacing Kim Bodnia, but Iben Hjejle is a joy to watch as well. Even though the absence of Arvid seems disappointing at first, it soon becomes obvious that Torkel Petersson's Ludvig is more than enough to replace him – Ludvig's homicidal tendencies mix with his caring side rather hilariously. The familiar absurd undercurrent is still strong and the humour and action are in good balance, so those who enjoyed In China They Eat Dogs have no reason to miss out Old Men in New Cars. In the first movie there was a serious theme under the surface, namely a mild-mannered man's desire to be true to himself, and while the prequel feels a bit more straightforward, it also presents a dramatic story about familial love. In any case, both films belong among the best Danish films I have seen in a good while.

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