Hyper-stylized, sombre gangster drama is, for mine, Johnnie To's best since "A Hero Never Dies" -- not that I'm discounting "The Mission", "Running Out Of Time" or "Election"; I simply enjoyed this pic so much and am still basking in its post-screening radiation.

Stunningly photographed (by Siu-keung Cheng)and directed with deft visual brush strokes, it is the simple story of men cornered by progress and rampant corruption in Macau, a truly stunning setting expertly exploited by To.

Both the quieter character moments and the operatic firestorms are visually and aurally breathtaking. A hospital shoot-out is brilliantly staged and manages to feel fresh in To's capable hands. The musical score, courtesy of Dave Klotz and Guy Zerafa, is a revelation, and coats the film in a thick, exotic resin that enhances every emotion.

The performances are exemplary, and it was so great to see Simon Yam, Anthony Wong and Roy Cheung at the height of their powers. Kudos must also be bestowed on the talented and gorgeous Josie Ho, who makes the most of a subsidiary role.

Other notable sequences include a shoot-out with police in a sunny field, an assault on an apartment complex, and the bloody, audacious climax that caps a real cinematic treat.