★ 7 / 10
Where to start with this wonderfully evocative interpretation
CinemaSerf
Where to start with this wonderfully evocative interpretation of seven timeless pieces of classical music that accompany perhaps not Disney's most detailed…
Where to start with this wonderfully evocative interpretation of seven timeless pieces of classical music that accompany perhaps not Disney's most detailed, but still wonderful animations. It is essentially a series of short stories - each as different from the other as you can imagine. I think that's the most important principle when enjoying this - you must use your imagination. The representations try, with varying degrees of success, to put more defined, ambiguous and occasionally abstract imagery alongside the music - some with humour (frequently using animals, birds, insects etc.) through to far more sinister and challenging imagery, that at times reminded me of something Fritz Lang might have produced in the 1920s. It is a little too episodically presented - and the intermission needlessly robs it of flow but as a colourful introduction to classical music it takes some beating. (Mickey Mouse as the Sorcerer's Apprentice was my favourite!)
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★ 10 / 10
5 stars ⭐️⭐️⭐️⭐️⭐️ My personal icon for classical
John Critic
5 stars ⭐️⭐️⭐️⭐️⭐️ My personal icon for classical music and the source of famed 20th Century conductor Leopold Stokowski being my idol due to his shadowy…
5 stars ⭐️⭐️⭐️⭐️⭐️
My personal icon for classical music and the source of famed 20th Century conductor Leopold Stokowski being my idol due to his shadowy leading image!!!
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★ 9 / 10
The first, the best, the unrivaled
Vartiainen
Fantasia was to be the crowning achievement of Walt Disney Studios, their magnum opus, a work of art that finally convinced the people that animated films…
Fantasia was to be the crowning achievement of Walt Disney Studios, their magnum opus, a work of art that finally convinced the people that animated films could be more than "mere" children's entertainment. Unfortunately, it was too much too soon. People went in expecting children's entertainment - after all, that's what Disney was known for - and instead were treated to high art. Nothing wrong with that, but you need to expect it first. And thus, Fantasia flopped financially, and what was meant to be a continuing series of films, remained just one until the turn of the century.But oh what a film it is. Music by the best classical composers ever lived, performed by the Philadelphia Orchestra, hosted by Deems Taylor, featuring some the finest animated segments Disney had ever done. It's a stone cold classic, was from the very first moment, and it's a shame it didn't do so well. Luckily it has gone down in history as one of Disney's finest and will be watched and appreciated for centuries to come.As for the individual segments, they're not of equal quality, though they are all very good in their own ways.The opening segment, Toccata and Fugue in D Minor, is not one of my personal favourites, but it works as a good opening intro to the idea behind Fantasia and is pretty to look at in its own way. It hasn't aged as well as some of the other segments, but it does its job more than adequately.Nutcracker Suite, on the other hand, is fantastic. Beautiful images, perfectly accompanied by one of the most recognizable pieces of music there is. After seeing this segment once, it's hard not to see fairies and seasons dancing around whenever you hear the piece.And then there's The Sorcerer's Apprentice. Everyone knows this one and has most probably seen it, even if they haven't seen the whole film. It's the segment with the most story and is one of the strongest Mickey Mouse shorts ever made. Grandeur, funny and even a bit threatening, it's probably the film's strongest moment.Rite of Spring is another one with a story, this time about the history of our small blue orb floating in the space. It's intriguing to watch, but once again the animation shows a bit of its age and it's perhaps even a little bit too ambitious for its running length. Not the strongest segment, but once again very good nonetheless.The Pastoral Symphony and Dance of the Hours, the next two segment, are to me very similar and while they're both fine, I cannot admit to liking them all that much. They're mostly just general gallivanting and while that's fine and fits the music, it can become a bit boring. The Pastoral Symphony is also the segments that has aged the least gracefully with some really rough character designs.Luckily we have Night on Bald Mountain and Awe Maria to close the film. And they are awe-inspiring. The devil on his lone mountain top is one of the scariest images Disney has ever produced and the rest of the segment is equally haunting, eerie and threatening. Which is why the following tranquility and quietness of Awe Maria works so well and allows you to drift over the finish line with a smile on your face and peace in your heart.Fantasia is not a perfect film, but it's still one of the finest pieces of art I've ever seen and a perfect introduction to animated films meant for adults. As a child I found it slightly boring. As an adult I'm in awe.
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95%
TOMATOMETER
· 61 reviews
83%
AUDIENCE
· 100K ratings
7.7/10
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Amazing!!!