★ 8 / 10
Youth is a reflective drama set in the
Alunauwie
Youth is a reflective drama set in the 1970s that follows a group of young military art troupe members, highlighting the unseen emotional and personal…
Youth is a reflective drama set in the 1970s that follows a group of young military art troupe members, highlighting the unseen emotional and personal struggles behind their disciplined facade. Though the film focuses more on friendship and romance than military life, it effectively showcases the human side of soldiers through strong performances and a relatable narrative. Despite minor flaws in war effects and emotional depth, the film delivers a powerful message about sacrifice, making it a poignant tribute to the lives behind the uniform.
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★ 8 / 10
An Epic, Yet Intimate Look into the Youth of the Cultural Revolution
zenchinc
A sprawling story taking place during and after the Cultural Revolution in China mainly following three characters of a theatre troupe (Liu Feng, He Xiaoping…
A sprawling story taking place during and after the Cultural Revolution in China mainly following three characters of a theatre troupe (Liu Feng, He Xiaoping, Suizi).
The film does not directly condemn nor does it fully praise this tumultuous dark time in Chinese history. Instead, as the title intimates, the film focuses on the relationships between the young troupe members and the transition from youth to adulthood. In this way, this film reminds me of Jiang Wen's, "In the Heat of the Sun".
The scenes of the girls bullying the main character and new member, He Xiaoping, rang with such authenticity and personal pain. The stories of Suizi and Xiaoping's fathers that were "rehabilitated" are heartbreaking as well. This might be because these scenes may have come from author Yan Geling's personal experience (she was also a dancer in a performance troupe). I personally appreciated the female perspective, though the film's gaze is somewhat male, (director is Feng Xiaogang), it felt as if I was peeking behind the curtain of the women's locker room, not for perverted reasons, but to see another world of intrigue I'm unaware of.
The more epic scenes of war did not ring as true and seemed a bit overly patriotic too be honest. I wonder if the film did not have to go through Chinese censors how it might've been different.
Regardless, the film does not shy away from the failures of the Cultural Revolution and portrays the horrors of war vividly. Be careful, there are a lot of shaky camera, handheld, steadicam movements throughout the film, so if you get close seats, you're likely to get motion sick.
As the film ends, the tone of the film begins to regain it's authenticity particularly in the relationship between Liu Feng and Xiaoping. Their story is equally tragic yet hopeful and full of love. When Xiaoping finally asks Liu Feng her question, it's sweet and heartbreaking.
The film worships those young carefree days, at times too excessively with it's montages and emotional music, but at the same time it shows how much heartache is experienced during those times. That's part of the beauty of youth, that heightened sensitivity to the whole spectrum of emotion: love, anger, longing, hope. It may be why I'm also kinda over it.
Some middle sections of the film meandered and I felt could've been shortened. Overall, I enjoyed following the story of these youth and seeing the mishap of their relationships.
Side Note: Watching this film, I realized how alien this world was to me. Growing up in the U.S., I've also felt certain moments of this alienation when watching the movies here as an Asian American. This gives me further inspiration to pursue telling my own personal stories.
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AUDIENCE
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7.0/10
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7.5/10 “A person who has seldom been treated kindly is the one who can recognize kindness most clearly — and cherish it the most.”