★ 7 / 10
This is a fine piece of cinema from
CinemaSerf
This is a fine piece of cinema from Wong Kar-Wai that tells us a story of two people whom circumstance throws together - but not in a way you might expect. We…
This is a fine piece of cinema from Wong Kar-Wai that tells us a story of two people whom circumstance throws together - but not in a way you might expect. We start with two couples who move into a new building. One a newspaper man with his wife, the other a business executive and his wife. The businessman is rarely at home, nor is the journalist's wife - which leaves the other two at increasingly loose ends. It isn't long before a friendship develops - usually over some noodles - and though entirely platonic, their relationship becomes solid and trusting. Then, something entirely unexpected occurs that causes the two to refocus their relationship in the face of betrayal and disappointment - and well.... What helps this film stand out are the performances from both Tony Leung ("Chow Mo-wan") and the gorgeous Maggie Cheung ("Mrs. Chan") - it's a love story, and it burns intensely - but not physically - as their story subsumes both themselves and the audience. The film looks marvellous, is paced stylishly and uses quite a bit of Nat King Cole to set and keep the mood atmospheric, romantic and interesting. The photography offers us lingering close ups, we get a sense of them falling in love as if we, too, were undergoing the same experience and that all adds to the richness of the story. To give us a breather from the intensity, there are some fun scenes with their very close neighbours who love nothing better than to sit up all night playing mahjong!! Super film, this - flew by.
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★ 7 / 10
In the Mood for Love
Shostakovich343
Whenever a serious list of the 'Greatest Films Ever Made' stretches into the the new millennium, bets are "In the Mood for Love" is included. I would…
Whenever a serious list of the 'Greatest Films Ever Made' stretches into the the new millennium, bets are "In the Mood for Love" is included. I would personally not heap such praise upon the film, but it is hard to deny it boasts one of the most nuanced and subdued relationships in modern cinema.The film plays like an Asian "Una giornata particolare". Our Loren and Mastroianni are Maggie Cheung and Tony Chiu-Wai Leung, known for playing action heroes and lovers, (or both, together, in the case of "Hero"). Here, they play everyday people: an editor and a secretary, both married, neighbours in a narrow Hong Kong apartment building.Their respective spouses are never fully seen. More often than not they are absent, always at the same time. It is hard to say when they begin to suspect, but before long our leads are faced with the fact that their partners are having an affair with each other. This discovery brings the two of them together in need of consolation and, perhaps, love. They are visibly attracted to each other, but agree to keep their relationship platonic.It is the smaller things that earn "In the Mood for Love" its place on the 'Best of All Time' lists. The acting, writing, and directing are so subtle that describing the film in terms of events renders it meaningless. The great touches of drama lie in the way a person slightly turns his head, moves weight from one leg to the other, or closes a door.That being said, "In the Mood for Love" suffers from too much of a good thing. The film's central fifty minutes follow the same pattern over and over again: our protagonists make an appointment; they meet; they decide not to have sex; repeat. Sometimes there are minute variations -- he decides to write a newspaper serial; one time it is raining -- but the basic pattern of meet, cut, repeat does not change.This repetition is intentional to a certain extent. Whenever characters retread locations -- the street, the stairs, the hallway -- they are always filmed from the same angle, like rhyming stanzas in a poem on mundanity. However, these scenes stop presenting new information before long. The emotions don't intensify, they just drag on. We already know the relationship between these people is not going to change, yet are put through the motions another five or six times.It is one of the medium's great tragedies that nobody cares about one-hour films. We have accepted that novels can be 100 or 3,000 pages long, that paintings can be the size of a matchbox or The Night Watch, but motion pictures of less than eighty minutes rarely qualify as feature films. "In the Mood for Love" certainly would have benefitted from being an hour long. Its intimate filmmaking demands to be seen, but for a 98-minute film to be this long-winded is a flaw too prominent to disregard.
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★ 9 / 10
what a poetic way to make a film....
lilaqueen
When I fist watched the movie, I said to myself, "so a film can be made like this." Wong Kar Wai's gorgeous poetic love story captured me throughout and even…
When I fist watched the movie, I said to myself, "so a film can be made like this." Wong Kar Wai's gorgeous poetic love story captured me throughout and even after the film. I must admit this is one of the best love movies, maybe the best of all, I have ever watched. The content and the form overlaps perfectly. As watching the secret love we see the characters in bounded frames that limits their movements as well as their feelings. Beautiful camera angles and the lighting makes the feelings and the blues even touchable. I want to congratulate Christopher Doyle and Pin Bing Lee for their fantastic cinematography which creates the mood for love. Also the music defines the sadness of the love which plays along the beautiful slow motion frames and shows the characters in despairing moods. And of course the performances of the actors which makes the love so real. Eventually, all the elements in the film combined in a perfect way under the direction of WKW and give the audience the feeling called love.
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92%
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f117y when you where able to spank the monkey, you mean?