Every Day's a Holiday

1937

Action / Comedy / Musical

3
Rotten Tomatoes Critics - Rotten 60% · 5 reviews
Rotten Tomatoes Audience - Spilled 60%
IMDb Rating 6.1/10 10 639 639

pre-code new york city con artist brooklyn bridge madison square garden con woman

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Plot summary

In turn-of-the-century New York City, con artist Peaches O'Day befriends Captain Jim McCarey, a cop who must turn her in unless she leaves town. The clever Peaches returns transformed as sultry brunette and Parisian sensation Mademoiselle Fifi. After catching her show, a crooked mayoral candidate tries to shut it down when Peaches demurely declines his romantic overtures. McCarey jumps in the race for mayor, and the loyal Peaches fervently campaigns for him.

Director

A. Edward Sutherland Photo
A. Edward Sutherland

Top cast

John Indrisano Photo
John Indrisano as Henchman
Walter Catlett Photo
Walter Catlett as Nifty Bailey
Edmund Lowe Photo
Edmund Lowe as Capt. McCarey
Louis Armstrong Photo
Louis Armstrong as Louis Armstrong
720p.BLU 1080p.BLU
726.47 MB
978*720
English 2.0
Approved
Subtitles us  
23.976 fps
1 hr 19 min
Seeds ...
1.32 GB
1456*1072
English 2.0
Approved
Subtitles us  
23.976 fps
1 hr 19 min
Seeds 1

Movie Reviews

Reviewed by CinemaSerf 6 / 10

Well it’s safe to say that “McCarey” (Edmund

Well it’s safe to say that “McCarey” (Edmund Lowe) isn’t much of a cop as he has to apprehend con artist “Peaches” (Mae West) but befriends her instead and let’s her go. His deductive skills aren’t great either as she returns bedecked in French frills and speaking like ziss, now purporting to be the celebrated Parisian star “Mmme. Fifi” and he’s none the wiser. Naturally, she becomes a roaring success and quickly attracts the attention of local bigwig “Quade” (Lloyd Nolan). He’s a budding candidate for mayor, is as dodgy as the day is long and takes a shine to her. When she declines his kind advances, he determines to drive her out of town. Luckily, “McCarey” is having none of this malarkey so steps in to challenge him for elected office, and soon has the shrewd and savvy “Fifi” pulling strings to help him, and her, to be shot of their scheming nemesis. This plot is really nothing new and this is all really a vehicle for (screenplay writer) West to glamourise the role with some grand frocks and a few stage routines that she carries off effortlessly. Nolan seems to enjoying himself but Lowe adds little even as the writing gives us a few pithy one-liners and a little fun as this all builds to a fairly predictable conclusion. The film does look good, the story doesn’t hang about and if you’re a fan of a woman who knew exactly which buttons to press with an audience, then it’s perfectly watchable.
Reviewed by boblipton 7 / 10

Not Mae's Best, But...

In turn-of-the-century New York, con woman Mae West runs Edmund Lowe for mayor against corrupt Lloyd Nolan.Mae West's last movie for Paramount has her ploughing her familiar milieu, with a large cast that includes farceurs such a Charles Butterworth, Charles WInninger, and Walter Catlett. Louis Armstrong get to perform half a number, and there is a general sense of frivolity. Its premiere at Manhattan's Paramount Theater broke house records. But this wasn't the old Mae West. A little something known as the Production Code had come in, and the front office at Paramount wasn't interested in fighting Joseph Breen for the sake of a lady they knew they'd have a fight with every time, and had pushed past 40. So the zingers are not as sharp, even if second-rate West, like second-rate Marx Brothers, is still better than anything else.
Reviewed by SnoopyStyle 6 / 10

appreciate the comedy

Chief of police Quade (Lloyd Nolan) has had enough of con-woman Peaches O'Day (Mae West). She had sold the Brooklyn Bridge again and she keeps doing it. Quade orders Police Captain Jim McCarey (Edmund Lowe) to arrest her, but he is taken with her charms. She promises to leave town, but instead she charms the wealthy recluse Van Doon (Charles Winninger) and his butler Larmadou Graves (Charles Butterworth).Mae West wrote the script. It's not my favorite. It is a little unnecessarily complicated. Van Doon and Graves should be her underlings right from the start. Their connection confuses me. Maybe I am missing something about these characters or maybe they are awkwardly presented. Nevertheless, McCarey simply needs more time with Peaches O'Day. This should be a rom-com. I'm not laughing at the comedy as much as I see the comedy and appreciate it.
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