Escape in the Fog

1945

Action / Adventure / Crime / Drama / Film-Noir / Mystery / Romance / Thriller

10
Rotten Tomatoes Audience - Spilled 33%
IMDb Rating 5.9/10 10 1315 1.3K

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Plot summary

A military nurse recovering at an inn from a nervous breakdown keeps having dreams where she sees two men trying to murder a third. When she meets a man who is a federal agent at the inn, she is astounded to discover that he is the man in her dream who is the intended murder victim.

Top cast

Harrison Greene as Mr. Boggs - Hotel Guest
Otto Kruger as Paul Devon
John Elliott as Thomas - the Butler
Charles Jordan as Plainclothesman
720p.BLU 1080p.BLU
578.07 MB
968*720
English 2.0
Approved
us  
23.976 fps
1 hr 3 min
Seeds ...
1.05 GB
1440*1072
English 2.0
Approved
us  
23.976 fps
1 hr 3 min
Seeds 7

Movie Reviews

Reviewed by nick s 6 / 10

This was a spy thriller. Competent acting and

This was a spy thriller. Competent acting and directing. Unfortunately the story lacked depth and intrigue, and ended with a whimper.
Reviewed by R T 8 / 10

Another thrilling thriller from the gr8 director, budd

another thrilling thriller from the gr8 director, budd boetticher
Reviewed by dougdoepke

Pardon Me, But Weren't You in My Dream

Another wartime programmer that Hollywood was turning out by the hundreds. The only unusual angle is the mixing of espionage with psychic dreams, apparently an everyday occurrence in this scripted world. Except for the bland male lead (Wright), it's an excellent cast of stereotypes, including professional Hollywood Nazi, Ivan Triesault who made a career of these cruel types. There's also the incredibly smooth Otto Kruger playing a good guy, for once, but then who could do oily villains better than his smiling cobra. And what guy wouldn't like to partner-up with newcomer Nina Foch in an extended game of mixed doubles. With his penchant for cool blondes, I wonder why Hitchcock didn't enlist her obvious talents at some point. Anyway, cult director Boetticher helms in efficient style, the fog machine gets overtime, and a number of practiced players do their thing. (In passing, note how slickly Boetticher stages the shootout near movie's end—a foreshadowing of the classics to come. Note too, that Malcolm represents a generic federal agency and not the FBI by name. That way possible legal problems are avoided.) Nothing exceptional here, just a demonstration of how the studio assembly line turned out an entertaining product even under straitened wartime conditions.
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