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Emmanuelle: L'antivierge

1975 [FRENCH]

Action / Drama / Romance

Emmanuelle: L'antivierge

1975 [FRENCH]

Action / Drama / Romance

Available in: 720p.BluRay 1080p.BluRay

18% AUDIENCE · 50 ratings

4.9/10 · 4.3K

720p.BluRay 1080p.BluRay

1970s open relationship softcore erotic movie

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Plot summary

Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very puzzled by their openness.

Director

Francis Giacobetti

Top cast

Catherine Rivet as Anna-Maria

Laura Gemser as Masseuse

Umberto Orsini as Jean

Venantino Venantini as The Polo Player

Tech specs

720p.BLU 1080p.BLU

839.05 MB

1280*544

French 2.0

NC-17

23.976 fps

1 hr 31 min

Seeds 8

1.52 GB

1920*816

French 2.0

NC-17

23.976 fps

1 hr 31 min

Seeds 25

Comments 2

chamicara002 2043 days ago

freeman ....Emmanuelle III please

Wednesdaymad 2097 days ago

All the bobs and vagene!

Showing 2 of 2 threads

IMDb reviews

From IMDb

3 / 10

Somehow this one was duller than the first

JPV852

Somehow this one was duller than the first Emmanuelle. I honestly checked out and was thinking about other things. **1.5/5**

5 / 10

Soft-core Nostalgia

eht5y

I was first introduced to this and other 'Emmanuelle' films in the early days of Cinemax (or 'Skin-emax', as we used to call it) and other pay-cable channels…

I was first introduced to this and other 'Emmanuelle' films in the early days of Cinemax (or 'Skin-emax', as we used to call it) and other pay-cable channels that started featuring soft-core porn after midnight on the weekends. In the early 80s--when the government was cracking down on pornography and the market for direct-to-video softcore porn had yet to be plumbed--cable outlets like Cinemax had few options for 'dirty movies' that didn't cross the hardcore threshold other than the small brace of adult films passing themselves off as 'European art-house' cinema to American audiences during the mid-to-late 70s. Other examples include Lady Chatterley's Lover (also starring Kristel, in an adaptation that would surely have humiliated poor D. H. Lawrence), Felicity, and Melody in Love, but the Emmannuelle franchise opened the proverbial floodgates (the title character in 'Felicity'--another story about a young woman on an adventure of sexual self-discovery in the far east--is seen reading the novel on which 'Emmannuelle' is based while traveling by plane to Bangcok). As has been amply examined, the 'Emmannuelle' films are burdened with ponderous, annoying pretentiousness, and the audience must sit through way too much boring down-time between sex scenes that tend to tease more than satisfy. In this sense, 'Emmanuelle 2' and its ilk aren't bad for 'getting in the mood,' but compared to even the soft-core porn of today, these films are quaint. But they are fascinating as period pieces, and they are very sensual and erotic when compared to the rather mechanical and listless banging together of surgically enhanced bodies that dominates the adult film market today. Sylvia Kristel is no actress (apparently, she was so bad that her dialogue was overdubbed by another actress in the first 'Emmannuelle' film), and she is not the most beautiful woman ever to get naked in front of a camera, but this is part of her appeal: she has the face and body of a real woman, and she seems genuinely turned on (in that vaguely-detached, dreamy European way) by what she's doing. But what a nostalgia trip! Sylvia Kristel introduced so many horny young boys with pay cable to the joys of sex in foreign locales and strange places. The concept of two women making love to each other was completely unknown to me before I met Emmanuelle! I can't help but laugh thinking back to how much of my sexual education I owe to the Emmanuelle films and the other naughty Euro-trash skin-flicks Cinemax kept in heavy rotation throughout the 80s. Mom and Dad were way too uptight and repressed to fill me in--thank goodness cable television was there to explain everything.

More reviews on IMDb

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