★ 8 / 10
A family of three struggle to survive in
Logan D
A family of three struggle to survive in a barren landscape, surrounded by entities that may or may not be real. A film of silence and distance, beautifully…
A family of three struggle to survive in a barren landscape, surrounded by entities that may or may not be real.
A film of silence and distance, beautifully shot, loneliness made terror. A faint noise heard in the darkness. Beautifully shot, it may not break new ground but it tills the soil and creates an eerily appealing film.
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★ 6 / 10
The debut feature film of David Casademunt is
Gabriel S
The debut feature film of David Casademunt is an interesting folk horror piece that works as a whole, but it is not without its flaws. With its interesting…
The debut feature film of David Casademunt is an interesting folk horror piece that works as a whole, but it is not without its flaws. With its interesting design and pacing, it captivates horror fanatics, but throws away generalists.
The story follows Diego and his parents who live a secluded life in rural Spain, away from whatever current war is happening at the moment—I guess the Second War? Their lives are modest and ordinary, as mundane as you can get living in a big barren land in the middle of nowhere. That is until Diego's father, Salvador, tells the scary story about The Beast and how it tormented his sister.
From there on, it is down hill for Diego and their family, and we get to watch them wither and wither. The Wasteland is one depressing piece, and that is a positive thing: the story is very compelling. We root for Diego and his family, and we also want to understand what the hell is this entity, if there is any.
But The Wasteland is off on a few things.
The visuals are great, so is the horror element, but the pacing is somewhat repetitive. The story is keeping us in this enclosed space where there is nothing more to do (or lose), and well, the gist is also the blist that, after a while, we are kind bored that all we get is the same house and the same haunting scenes and nothing much is really happening and, oh well, we are at the end of the movie.
The ending is nice though. Super nice, actually, so it compensates for the runtime—but getting there, will ya, is a bit of a chore. If you endure, the film will deliver its final blow with glory.
Overall, The Wasteland is like an experimental story, one that works great on paper—like in a book with introspection and a lot of foreshadowing—but kind does not translate well to the screens. The movie is short for today's standards, so you can give it a pass, if you are a horror fan.
Casuals, I believe just avoid.
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★ 3 / 10
Beautifully filmed, visceral and surreal. But that's pretty
Lovell T
Beautifully filmed, visceral and surreal. But that's pretty much it. Almost 90 minutes of chasing, or being chased by shadows, and constantly startled by…
Beautifully filmed, visceral and surreal. But that's pretty much it. Almost 90 minutes of chasing, or being chased by shadows, and constantly startled by unknown sounds in a completely desolate no-man's land where sustainability is practically zero just to expound metaphors of war trauma, self-isolation, desperation and paranoia is akin to watching storm clouds moving across the sky for the same duration. On the same premise, The Sand Castle, also on Netflix, is far superior.
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what a load of TIHS