Strange how absorbed man has been in the
John Chard
Strange how absorbed man has been in the size of things! Dr. Cyclops is directed by Ernest B. Schoedsack and written by Tom Kilpatrick. It stars Albert Dekker…
Strange how absorbed man has been in the size of things!
Dr. Cyclops is directed by Ernest B. Schoedsack and written by Tom Kilpatrick. It stars Albert Dekker, Thomas Coley, Janice Logan, Charles Halton and Victor Kilian. Music is collectively arranged by Ernst Toch, Gerard Corbanara and Albert Hay Malotte, and cinematography is by Henry Sharp.
A group of scientists are requested to join Dr. Alexander Thorkel (Dekker) at his remote laboratory in the Peruvian jungle. Once there they find the doctor is losing his sight but working on something very secretive. Soon enough they wish they hadn't stuck around to find out just what it is he is up to.
One of the better of the "mad scientist" movies from the classic era of sci-fi schlockers, Dr. Cyclops boasts nifty effects work, lovely Technicolor and a superb lead performance by Dekker. As in the best traditions of such genre fare, the science is mad as a box of frogs, which here involves miniaturisation. Thorkel pushes the boundaries of his work and this puts his "guests" into grave danger as they enter a small world beset with everyday perils.
It's never truly a horror film, as evidenced by the jaunty musical score that accompanies much of the "little people's" adventures as they strive to survive, and this is something that has taken first time viewers by surprise and disappointed them. This really is a picture asking you to enjoy yourself with a smile on your face whilst appreciating the super craft involved for the era.
There's no brainy botherings or statements of metaphoric substance, while away from Dekker the acting is hardly high grade stuff. But transport yourself into this bonkers sci-fi adventure and a good time is assured at the very least. 7.5/10
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★ 7 / 10
DR. CYCLOPS (Ernest B. Schoedsack, 1940) ***
Bunuel1976
I had watched this as a kid on a now-defunct Sicilian TV channel, but it seems to have vanished off the face of the Earth in the interim – that is, until the…
I had watched this as a kid on a now-defunct Sicilian TV channel, but it seems to have vanished off the face of the Earth in the interim – that is, until the recent DVD release from Universal as part of their second "Sci-Fi Collection". The film was yet another infrequent genre entry from Paramount – after 1931's DR. JEKYLL AND MR. HYDE and the trio from 1933 ISLAND OF LOST SOULS, MURDERS IN THE ZOO and SUPERNATURAL; interestingly, it was a Technicolor production – the first to be shot in this process after Warners' two earlier experiments DOCTOR X (1932) and MYSTERY OF THE WAX MUSEUM (1933). Plot-wise, DR. CYCLOPS was a variation on the "shrinking" theme explored in MGM's THE DEVIL-DOLL (1936) – which proved quite popular over the years, as can be attested by the likes of THE INCREDIBLE SHRINKING MAN (1957), ATTACK OF THE PUPPET PEOPLE (1958), CURSE OF THE DOLL PEOPLE (1961), etc. The titular character – for which underrated character actor Albert Dekker is probably best-remembered and his most notable genre contribution alongside the dual role in AMONG THE LIVING (1941) – would, of course, fit in with the era's virtually interminable parade of mad scientists; though, typically, he means well by his experiments, his approach to science (and his fellow man) is utterly ruthless. Working in seclusion but deterred by his failing sight, he invites three eminent colleagues to confirm his findings without actually divulging the nature of his experiments; when they begin to get curious and decide to stick around, he does not shrink {sic} at the prospect of using them for guinea pigs! Soon enough, they are fighting for their lives – and not just from the wily doctor, as everyday objects become inaccessible (a door-knob) or otherwise take menacing proportions (a cat)!; on the other hand, they take advantage both of their current dimension (hiding in places where Dekker cannot get at them) and the doctor's own physical drawback (breaking the spare sets of lenses, kept handy in a drawer, while he is sleeping). Interestingly, the shrinking process eventually halts and the subjects start reverting to normal size – which is how the heroes, having gotten rid of "Cyclops" in the very well where he stores his all-important ray-gun, are able to return to civilization after several months of 'convalescence'. The handsome-looking film, an entertaining and efficient 76 minutes, makes for a worthy addition to director Schoedsack's genre resume' (which includes seminal titles like THE MOST DANGEROUS GAME {1932} and KING KONG {1933}, notable ones like SHE {1935} and MIGHTY JOE YOUNG {1949}, not to mention the lesser but endearing SON OF KONG {1933}).
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