Double Exposure

1982

Crime / Drama / Horror / Mystery / Thriller

8
Rotten Tomatoes Audience - Spilled 4% · 50 ratings
IMDb Rating 4.9/10 10 1079 1.1K

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Plot summary

A photographer for a men's magazine is haunted by disturbing dreams, in which he slaughters his models. When he learns that these models are dying in real life as they did in his dreams, he begins to go insane.

Top cast

Robert Tessier as Bartender
Michael Callan as Adrian Wilde
Cleavon Little as Police Chief
Terry Moore as Married Woman
720p.BLU 1080p.BLU
872.17 MB
1280*544
English 2.0
R
23.976 fps
1 hr 34 min
Seeds ...
1.58 GB
1920*816
English 2.0
R
23.976 fps
1 hr 34 min
Seeds 7

Movie Reviews

Reviewed by Wuchak 6 / 10

**_Who’s killing alluring women in early 80’s SoCal?_**

**_Who’s killing alluring women in early 80’s SoCal?_** A photographer in Los Angeles (Michael Callan) has troubling dreams as he juggles visits to a shrink (Seymour Cassel), dealing with his amputee brother (James Stacy) and establishing a new romantic relationship (Joanna Pettet). Meanwhile a serial killer is on the loose. “Double Exposure” (1982) is a psychological murder mystery with some slasher elements. Think of movies like Shatner’s “Impulse,” “The Centerfold Girls” or “Haunts” mixed with a little “Nightmare” from the year prior. It’s basically a quasi-remake of Callan’s own “The Photographer” from eight years prior. The quality cast is rounded out by the likes of Pamela Hensley, Cleavon Little, Robert Tessier and Don Potter with the female cast highlighted by Misty Rowe (Bambi), Debbie Zipp (Toni), Sally Kirkland and Victoria Jackson (her cinematic debut in a bit part). It runs 1 hour, 34 minutes, and was shot in the Los Angeles area, including Ventura Boulevard in Sherman Oaks and Tarzana, Burbank and Santa Monica Beach. GRADE: B-
Reviewed by 6 / 10

ALL I WANT IS A SIMPLE RELATIONSHIP

Reviewed by 5 / 10

Photographs and memories

First time I saw this film many years ago, I thought it was a pretty fair slasher film, but on second recent viewing, it's waned a bit - while Callan is okay as the central character, a men's magazine photographer suffering from bizarre and murderous apparent dreams, Jim Stacy as his knock-about brother, maimed in an auto-accident, is perhaps the film's highlight. The switch in dominance between Callan and Stacy's characters is interesting to see evolve, but it's a transition that's made difficult to follow due to the film's erratic narrative. Joanna Pettet gets undressed and even has a "When Harry Met Sally" moment with Callan in the back of his camper-van, as the only woman with whom Callan's emotionally fragile character can consummate.The violence is pretty extreme at times, with sado-masochistic homicide the flavour of the early eighties slasher film getting 'double exposure' here, full-frontal female nudity, mud-wrestling, even Cleavon Little in a minor supporting role as a cranky police chief. It's eclectic. The cast has surprising depth with producer Callan managing to assemble an enviable cast that includes big Bob Tessier as a bar manager, Pamela Hensley as a ball-breaking detective, Seymour Cassel as Callan's shrink, Misty Rowe as Stacy's squeeze, Sally Kirkland as a voluptuous hooker and blink-and-you'll-miss Terry Moore in a flashback dream sequence.Lairy wardrobe, colourful dialogue, pulsating synthesisers and tricky cinematographic effects momentarily distract you, but the narrative is so inconsistent and the editing (or perhaps scene sequence and continuity) so incoherent at times, that it never maintains any momentum. Highly stylised, the bold concepts and loud motifs (not to mention the substantial cast) should have made for a better movie all things considered, and yet, it's still no Brian DePalma psycho-thriller.
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