★ 9 / 10
Before the duelling biopics of "Tombstone" and "Wyatt
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Before the duelling biopics of "Tombstone" and "Wyatt Earp" in the 1990's, this 1971 effort had already decided to set the record straight about John "Doc"…
Before the duelling biopics of "Tombstone" and "Wyatt Earp" in the 1990's, this 1971 effort had already decided to set the record straight about John "Doc" Holliday, Wyatt Earp's best friend and participant in the gunfight at the OK Corral. Just over an hour and a half, this film skips a lot of the epic western cliches and goes right into its meaty story. Doc Holliday (Stacy Keach) buys prostitute Katie Elder (Faye Dunaway) from local bad boy Ike Clanton (Michael Witney), and takes her to Tombstone, Arizona. He meets up with his best friend Wyatt Earp (Harris Yulin). Earp has political aspirations in the territory, and wants to control the law while Holliday would control the gambling. Earp and Holliday begin drifting apart, both over Elder and law enforcement, but become friends again in time for the climactic shootout in the infamous corral, resulting in the deaths of some major characters.
A few scenes are played a little too quietly, and move a little too slowly. The real success here is with the lead actors, professionals all. Keach is excellent as a Doc Holliday we have never seen before. His physical moves are smooth and suave, like a professional gambler should be, and Keach takes us along on an acting job that looks effortless on his part. Dunaway is Katie Elder, the lifelong prostitute who finds it hard to change herself just to please everyone else's idea of what a couple should be. Dunaway is unglamorous, and never trips into the "hooker with a heart of gold" stereotype. Yulin, who is better known as a character actor, is great as Wyatt Earp. He is mean, delivering threatening lines with menace, and also not a clearcut hero. His speech to the crowd after the gunfight, as he stands near a dead body and renews his promise to clean up Tombstone, is great. Aside from a couple of slow spots and spotty editing, "Doc" is a terrific and underrated western that deserves a cult audience. I highly recommend it.
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★ 7 / 10
Worth it for Keachs' fine performance.
Hey_Sweden
At the very least, the Western drama 'Doc' manages to be somewhat interesting from start to finish, if not exactly factual. It tells the very familiar story of…
At the very least, the Western drama 'Doc' manages to be somewhat interesting from start to finish, if not exactly factual. It tells the very familiar story of Marshal Wyatt Earp and John "Doc" Holiday in revisionist terms, and takes a very gritty, moody, psychological approach to the material, courtesy screenwriter Pete Hamill. It traces the journey of Doc (Stacy Keach) as he makes the acquaintance of prostitute Katie Elder (a de-glamorized Faye Dunaway) and rides into Tombstone to hook up with his old friend Wyatt (Harris Yulin), and to deal with the problem of such trouble making characters as Ike Clanton (Michael Witney).
Keach is the main reason to catch this film. Deliberately paced by cult filmmaker Frank Perry (best known for the 1981 camp classic "Mommie Dearest"), who produced and directed, it attempts to be as un-Hollywood as possible, and show darker aspects to these real life people, especially Earp, played as an opportunist. Perry's film begins on a very atmospheric note, as Doc arrives at an isolated inn / saloon during a windstorm. Ways in which the script humanizes Doc are how it charts his unusual courtship of Ms. Elder (appealingly portrayed by Dunaway) and his relationship with the well meaning "Kid" (Denver John Collins), who is the nephew of the Clanton brothers.
Keachs' engaging, melancholy performance is something to see. Veteran character actor Yulin is also quite good, in a rare above the title role for him. The supporting cast is comprised of less well known but still solid character players like John Scanlon, Richard McKenzie, Penelope Allen, Antonia Rey, Marshall Efron, and Bruce M. Fischer. That's writer Dan Greenburg as Clum the journalist, who in this fictionalization is decidedly anti-Earp.
It might be worth considering pairing this film with another gritty Western from the same time period, "Dirty Little Billy", which similarly took an offbeat approach to telling a familiar real life tale (in that case, that of Billy the Kid).
Seven out of 10.
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