Détective (1985) YTS - Download Yify Movie

Reviewed by R T 5 / 10

Almost completely action-less take on film noir by

Almost completely action-less take on film noir by Godard (returning from self-imposed obscurity in the mid-80s) that uses stars and stars-to-be (like Julie Delpy, aged 14) to show how you might put together a very obtuse variation on the boxing-mafia-debt-last chance scenario. Jean-Pierre Leaud leads a comic team offering a comment on the possibilities of home videotaping whereas the other stars, particularly Baye, Hallyday, and Brasseur, talk talk talk through the main plot strand. Godard namechecks his favourite books (Lord Jim) and films (La Belle et La Bete) and throws some text around. Needs to be unpacked but I don't have the patience to do it right now.

Reviewed by R T 4 / 10

The Jun-Luc Godard equivalent of a "hot mess

The Jun-Luc Godard equivalent of a "hot mess" of scenes, music and dialogue meant to only sort get strung together on a metaphysical level; you would never expect Julie Delpy to be so compelling so young or Seignier to so inexperienced

Reviewed by R T 7 / 10

Jean-Luc Godard obviously loves film noir. In "Made

Jean-Luc Godard obviously loves film noir. In "Made in USA", László Szabó's character's name is Richard Widmark, and of course, he plays a tough guy. In "À bout de souffle", Jean-Paul Belmondo's "Michel Poiccard" idolizes Humphrey Bogart. So when I heard about "Détective", I knew Godard was getting the opportunity to prove his love to the genre, although from the beginning I knew that it wouldn't be a regular homage. And yet, "Détective" is enjoyable, even if it as abstract as any other Godard film. If you asked me, I couldn't explain the plot-- all I know is that all of the characters are connected with criminal activity, at least one of them being a "detective". Nearly everyone carries a gun, and any male character that has a female by his side will at some point have some misunderstanding. While none of the story makes sense, heck, if you fast-forwarded through the whole movie it wouldn't make a difference, somehow every minute is endearing, because Godard obviously doesn't want this to be a normal film. Rather, he gives us bits and pieces of noir, considering one of the main characters is a boxer named "Tiger Jones", and the Chanal couple (Claude Brasseur, Nathalie Baye) want to get their filthy paws on some loot. Has Godard truly grown as a filmmaker since his debut in 1960? Not really. But that doesn't really matter, because his filmmaking strategy is unlike any other, and without him, there wouldn't be "art house". Instead, we'd just have regular films that just happen to be French. His style is so distinct that I'm thankful that cinephiles everywhere get the chance to see a filmmaker doing what HE loves, not what the audiences prefers. Godard's ways of making a film often times can get a little bit irritating or pretentious for a certain film ("La Chinoise" anybody?), but with "Détective", it really works. Besides the fact that Godard's character move about in a world of sin, there's many more pieces in "Détective" that are even more interesting. As usual, Godard prefers to use jump-cut and close-up editing rather than the norm, and his use of music is classical rather than an original score. And I love it. It seems to me that the director enjoyed making this film, and it shows. "Détective" isn't a regular film noir homage. If you want that, look towards "Sin City" or "The Good German". But it's Godard, and it's great.

Détective

1985 [FRENCH]

Action / Comedy / Crime / Drama

Détective

1985 [FRENCH]

Action / Comedy / Crime / Drama

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Almost completely action-less take on film noir by

The Jun-Luc Godard equivalent of a "hot mess

Jean-Luc Godard obviously loves film noir. In "Made

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