IMDb reviews From IMDb
★ 7 / 10
Mama? Mama? Deranged is brought to us by
John Chard
Mama? Mama? Deranged is brought to us by Alan Ormsby and Jeff Gillen. It's a telling of the Ed Gein story, the Plainfield Ghoul who in the 1950s shocked small…
Mama? Mama?
Deranged is brought to us by Alan Ormsby and Jeff Gillen. It's a telling of the Ed Gein story, the Plainfield Ghoul who in the 1950s shocked small town Americana to its very core.
The names have been changed to, protect, well no that's not true, it's a product of its time is why, but this is an Ed Gein film, and it's a troubling and worthy piece of art in equal measure.
Certain instances have been spruced up for poetic licence, but the core essence of Gein and his madness exists wholesale. Roberts Blossom plays Gein (as Ezra Cobb), a man so tied to his mama's apron strings that when she leaves the mortal coil he refuses to acknowledge said fact. Cue grave robbing, morbid scenario settings and murder.
Operating on a low budget, Gillen and Ormsby do a sterling job of not letting their film come off as cheap exploitation. Tom Savini's effects work is a little crude when viewed now (he would become a legend in his field soon afterwards), but this unfurls in stylish and professional manner. With great acting by Blossoms, nifty camera work, a dark sense of humour and a chilling underplaying of key scenes leading the way, this is a fine entry in the serial killer movie pantheon. 7/10
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★ 6 / 10
Deranged indeed!
The_Void
Deranged is an adaptation of the same story that inspired such horror classics as The Texas Chainsaw Massacre, Psycho and Silence of the Lambs, among others.…
Deranged is an adaptation of the same story that inspired such horror classics as The Texas Chainsaw Massacre, Psycho and Silence of the Lambs, among others. It's the story of deranged psychotic Edward Gein, only in this film the story is a lot closer to how it actually happened than in any of the classics that it influenced. Deranged is a film not for the feint hearted. Shot on an extremely low budget of just two hundred thousand dollars, the directorial team of Jeff Gillen and Alan Ormsby have created one of the most vile and disgusting films that I've ever seen. Subtitled 'Confessions of a Necrophile' for the US market, Deranged tells the story of Ezra Cobb; a simple farm owner who lives with his domineering mother. After her death, Ezra gradually slips into insanity; starting with the unearthing of his yearlong dead mother from the grave. Ezra then decides that she needs patching up, and so embarks on unearthing more bodies for the task. It isn't long, however, before the psychopath is on the rampage for fresher victims...Deranged goes all out to shock from the outset. The image of Ezra carrying his dead mother into her bedroom is sickening in a way that few movies manage. The amoral attitude of the character adds to this sickness, and ensures that most audience members will be uncomfortable watching this film. Deranged benefits from a superb lead performance courtesy of Roberts Blossom. Blossom does an amazing job of convincing us that he really is the psycho at the centre of the film. Usually in films like this, I am firmly on the side of the killer; not really caring about the victims - but Blossom is so vile in this film that I was actually praying he DIDN'T catch his prey! The film has a short running time, but this time is used excellently on a series of nasty and weird sequences, and the movie never really lets the pace go once it has set itself up. On the whole, this film has gained itself a cult following for a reason. It's certainly not for everyone's taste, and it's not as good as the most famous of the films that the story has influenced - but if you like your cinema to grisly and shocking; Deranged is a film that you should seek out!
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★ 7 / 10
A Great Telling of the Ed Gein Story
gavin6942
Ezra Cobb (Roberts Blossom) loves his mother and is intimated by women. When his mother dies, he still hears her voice and decides to keep her around the…
Ezra Cobb (Roberts Blossom) loves his mother and is intimated by women. When his mother dies, he still hears her voice and decides to keep her around the house. But he does not want his mother to get lonely and has to get her some new friends...Blossom is amazing as Ezra Cobb. You can say what you want about this film, but one thing you cannot say is that Blossom is a horrible actor -- he made Cobb come to life and seem as believable as such a character could be. Cobb, being the movie version of Ed Gein, is more or less exactly the way I picture Gein being. Blossom's facial expressions make this whole picture worthwhile.I would like to commend them for the faithful version of this story. So many people take the Ed Gein story and add all these elements to it or just take a grain of it and run wild (as in "The Texas Chain Saw Massacre" or "Silence of the Lambs"). While not all of this movie is factually what happened in Gein's life, the similarities are quite striking -- right down to the death of the hardware store clerk and the gutting of the woman like a deer.Although this film is now almost forty years old, almost nothing is lost from the passage of time. In some ways, the film quality really adds to the setting (the story could only take place in the past). Another great feature is the narrator, who enters the story at random intervals to do an overview of the situation. Not only is he great, but watch the camera -- in one scene, the camera leaves Ezra in one room, goes to the narrator, and returns to Ezra in another room, in a seamless fashion (no cuts or edits) and visually showing the passage of time. It is quite well put together.For a great Gein film, check this out. Whether Tobe Hooper admits to it or not, I do not know, but he owes a debt to this film (much as John Carpenter owes a debt to the late Bob Clark -- who coincidentally produced this). This film is plotted wonderfully, acted wonderfully, and flows wonderfully. With one small detail changed (the plastic looking blood) this would probably be considered a lost classic. Heck, maybe it already should be. (Okay, and maybe we should not be able to read the license plate saying Ontario.)For a bonus: not only is the legendary Bob Clark an uncredited producer, but Tom Savini worked as a makeup artist for the film's corpses. This was Savini's first film, and the undisputed horror effects master is still going stronger today.
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That's guy's got great legs!