Der blaue Engel

1930 [GERMAN]

Action / Drama / Music / Romance

20
Rotten Tomatoes Critics - Certified Fresh 96% · 47 reviews
Rotten Tomatoes Audience - Upright 86% · 5K ratings
IMDb Rating 7.6/10 10 17780 17.8K

based on novel or book sexual obsession professor femme fatale unrequited love descent into madness

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Plot summary

Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette -- whose job is to entice men -- proves to be more difficult than Rath imagined.

Director

Josef von Sternberg Photo
Josef von Sternberg

Top cast

Hans Albers Photo
Hans Albers as Mazeppa, the Strong Man
Marlene Dietrich Photo
Marlene Dietrich as Lola Lola
Károly Huszár Photo
Károly Huszár as Proprietor of The Blue Angel
Hans Roth Photo
Hans Roth as Hausmeister / The Caretaker of the Secondary School
720p.BLU 1080p.BLU
985.67 MB
858*720
German 2.0
Passed
Subtitles
24 fps
1 hr 47 min
Seeds 2
1.79 GB
1286*1080
German 2.0
Passed
Subtitles
24 fps
1 hr 47 min
Seeds 17

Movie Reviews

Reviewed by CinemaSerf 8 / 10

This really is a story of bitter-sweet love

This really is a story of bitter-sweet love and Emil Jannings and Marlene Dietrich carry it off with consummate skill. He as a set-in-his-ways academic bent on ensuring his pupils are not corrupted by the distracting influences of "the Blue Angel" inn; she one of the principle bad influences who wishes exactly the opposite. Essentially this is a love story; but is the love ever reciprocated - could it have been; should it have been? The two stars lead us in a dance that pulls at the heart strings whilst the brain is shouting out completely different instructions. It is compelling, all the more so because it proves to be as much about human dignity as about anything else. Needless to say, when she sings, Dietrich is captivating - and I'm thankful it wasn't me she wanted to get her hooks into!
Reviewed by AlsExGal 9 / 10

So this is college?...

... As I was surprised at the way college students behave and the way that they were treated in Weimar Germany as depicted in this film. Professor Immanual Rath (Emil Jennings) behaves tyrannically towards his students, and they try to undermine him at every turn. They mercilessly bully one student just because he wants no part of their nighttime carousing. In short, they act like high school kids, not college students, so I am somewhat wondering if this was a college as I understand the word in the United States. But I digress.Rath finds postcards with music hall performer Lola (Marlene Dietrich) on them among his students' things, and initially goes to The Blue Angel to catch his students in the act of - I dunno, acting like college students? - again, I'm not sure why there's the need to so tightly control the behavior of adults. But Rath gets caught up in the atmosphere himself. He's been shut inside his ivory tower so long that he's forgotten what the outside world is like, and once he ventures out, it's game over. He's utterly unequipped to see Lola for who she really is - a woman who makes a living by charming men, and who does a good job of it. When he has the opportunity to talk to her and becomes sympathetic, he suddenly sees her as a victim of what we call today human trafficking rather than a corrupter of his students.The more time he spends with her, the more he falls for her, but by proposing to her, he again puts her into a box in which she doesn't fit, that of a wife who will do the wifely duties he expects of her. Lola, though never explaining herself and that's part of the greatness of the film, seems amused by Rath's naive and simple ways and goes willingly into the marriage. But, again, Roth doesn't realize that marriage probably does not mean to Lola what it means to him.Although Jannings puts in a powerhouse performance, I understand why Marlene Dietrich stole the show. Rath changes drastically over the course of the film, and he has to sell that, but Dietrich has the more subtle job of selling the changes in how Rath sees Lola without changing who Lola fundamentally is. Director Von Sternberg gives her much less to do than in their subsequent collaborations, but she does the most she can with the material.There's lots that's never said. For one thing there is, from the first time Rath enters The Blue Angel, the haunting presence of "The Clown". The actor who plays him is not uncredited- his role is billed as "The Clown". Rath sees him with that constant sullen expression, hears him being scolded and chided by the empresario of the troupe, and you never hear him speak. Considering all that happens, I'm wondering if he too is a past husband of Lola's. One that she also cast aside once she got bored and perhaps never bothered to divorce. After all, she can't help it, as she is so fond of saying.The only bad thing I can say about it is the pacing, which seems to be a problem in many Von Sternberg films. But it is worth sticking with to the end.
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