Dear Ms.: A Revolution in Print

2025

Action / Documentary

2
Rotten Tomatoes Critics - Certified Fresh 94% · 16 reviews
Rotten Tomatoes Audience - Upright 94%
IMDb Rating 7.2/10 10 216 216

archive footage emancipation magazine editor celebrity interview cultural magazine women's magazine

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Plot summary

Three filmmakers dive deep into the storied and complex legacy of Ms. magazine through the lens of some of its most iconic covers, featuring never-before-seen archival footage and engaging interviews with the powerful women who shaped the magazine at its inception over fifty years ago

Director

Alice Gu Photo
Alice Gu

Top cast

John Travolta Photo
John Travolta as Self - Actor
Robert Redford Photo
Robert Redford as Self - Actor
Gloria Steinem Photo
Gloria Steinem as Self
Alan Alda Photo
Alan Alda as Self - Actor & Ms. Contributor
2160p.WEB.x265
4.93 GB
3840*2160
English 5.1
TV-MA
Subtitles us  bg  hr  cz  dk  nl  et  es  fi  fr  gr  il  hu  lv  lt  mk  no  pl  pt  ro  sr  sl  sv  tr  
23.976 fps
1 hr 50 min
Seeds 2

Movie Reviews

Reviewed by Henry D 4 / 10

Disappointing in several ways. The editing rearranged it

Disappointing in several ways. The editing rearranged it in a way that made it like separate stories. Sadly the last half of the film was all about porn. Very little of the film dealt with every day women at work or at home. Very little on women in positions of power.
Reviewed by Cindy T 6 / 10

I absolutely loved the first segments and was

I absolutely loved the first segments and was ready to recommend this documentary to everybody I know. The final segment on erotica versus pornography has me feeling unsettled in an ugly way. I’m no prude, and I’m sure the filmmakers thought this segment was important, but it was such a bummer of an ending.
Reviewed by Marc E 4 / 10

The first 45 minutes is all about black

The first 45 minutes is all about black women resenting the white women who founded and established MS in 1972. Though MS showcased Alice Walker, Shirley Chisholm, and so many other black wonen, the documentary clearly conveys that it was/ it is never enough acknowledgement. The first half of this documentary is a white female guilt trip over the inability of white women to advocate feminism on behalf of black women. You can tell a contemporary ethos pervades the documentary, when in fact MS is a 70’s phenomenon that exceeded its mandate considerably, black female representation included.
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