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De Jueves a Domingo

2012 [SPANISH]

Action / Drama

De Jueves a Domingo

2012 [SPANISH]

Action / Drama

Available in: 720p.WEB 1080p.WEB
WEB: same quality as BluRay

88% TOMATOMETER · 16 reviews

61% AUDIENCE · 50 ratings

6.4/10 · 881

720p.WEB 1080p.WEB
WEB: same quality as BluRay

woman director

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Plot summary

As she and her family embark on a short vacation, a young Chilean girl slowly comes to the realization that her parents might be splitting up.

Director

Dominga Sotomayor

Top cast

Belén Celedón as Mochilera

Francisca Castillo as Dueña del Camping

Damián Hassler as Joven del Río

Jorge Becker as Jorge

Tech specs

720p.WEB 1080p.WEB

879.71 MB

1280*694

Spanish 2.0

Not Rated

23.976 fps

1 hr 35 min

Seeds 2

1.6 GB

1920*1040

Spanish 2.0

Not Rated

23.976 fps

1 hr 35 min

Seeds 2

Comments 0

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IMDb reviews

From IMDb

5 / 10

Ana (Giannini) and Papa (Perez-Bannen) wake their two

R T

Ana (Giannini) and Papa (Perez-Bannen) wake their two young kids, Lucia (Ahumada) and Manuel (Freifeld), early one Thursday morning and set off from their home…

Ana (Giannini) and Papa (Perez-Bannen) wake their two young kids, Lucia (Ahumada) and Manuel (Freifeld), early one Thursday morning and set off from their home in Santiago, Chile. So begins a long weekend trip to the north of the country. At first thrilled with the idea of a family excursion, ten-year-old Lucia slowly begins to realize all may not be well with her parents' relationship as the struggling couple attempt to put on a brave face for their children's benefit. The idea of viewing adult issues from a child's eyes is rarely handled well by film-makers. Usually the child character becomes a vessel for the creator's agenda, often through a crude narrative voice-over, resulting in an unrealistically insightful child. Last year we had two horrific examples of this trend in 'Extremely Loud & Incredibly Close' and 'Beasts of the Southern Wild'. In the past week alone, however, I've seen three examples of how it should be handled. The stunning 'Mud', which I'm temporarily forbidden to review until its May 1st embargo expires, uses a Mark Twain style approach while the otherwise irritating 'Post Tenebras Lux' employs magic realist imagery to convey the confusion of how an infant absorbs the world around them. 'Thursday Till Sunday' is easily the most naturalistic of the three, but it's also the most tedious. Sotomayor's debut employs the 'Tom & Jerry' technique of Spielberg's 'E.T' to convey the perspective of young Lucia. The use of dialogue is fractured, teasing us with snippets of half-heard conversations. While it does suggest the frustration of an inquisitive child's thirst for information, it ultimately becomes equally frustrating for the viewer. Sotomayor literally straps us into the back seat for much of the movie, giving us practically nothing in the way of story or character. It's left to young Ahumada to carry the film, which she does well, but it's too large a burden for a child to carry. After an hour on this journey you'll find yourself subconsciously asking "Are we there yet?"

6 / 10

Buena película de Dominga Sotomayor, donde acompañaremos a

R T

Buena película de Dominga Sotomayor, donde acompañaremos a una familia en un viaje al norte de Chile. Durante el trayecto descubriremos un matrimonio quebrado…

10 / 10

Intelligent filmmaking at its most beautiful. Everyone's childhood

R T

Intelligent filmmaking at its most beautiful. Everyone's childhood was a bit like this in one way or another, a film full of nostalgia, capturing the most…

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