Das Bildnis des Dorian Gray

1970 [GERMAN]

Action / Horror / Thriller

6
Rotten Tomatoes Audience - Spilled 52% · 250 ratings
IMDb Rating 5.8/10 10 1490 1.5K

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Plot summary

London, England. Dorian Gray is a young man who somehow keeps his beauty eternally, while a mysterious portrait of himself gradually reveals his moral decay.

Top cast

Beryl Cunningham as Adrienne
Bobby Rhodes as Man in white polo shirt
Margherita Horowitz as Party Guest
Richard Todd as Basil
720p.BLU
929.15 MB
1280*772
English 2.0
R
Subtitles us  
23.976 fps
1 hr 41 min
Seeds 4

Movie Reviews

Reviewed by CinemaSerf 5 / 10

I wonder what the author would make of

I wonder what the author would make of this? It's crass and vulgar, which might have tickled him, but is also entirely unsophisticated - and I doubt that would have amused him quite so much. It's got a very early seventies look right from the outset with Helmut Berger in the title role - blonde, good looking, living a debauched lifestyle. When he is painted by "Basil" (Richard Todd) - a painting with nothing at all faulty about it; he is so struck by it that he offers to trade his soul for these looks to last eternally. What ensues is a tale of man gorgeous on the outside, but increasingly hideous underneath - and he can plainly see that as his lifestyle and character become less savoury and, frankly, depraved, so his image on the now hidden canvas becomes more ugly and distorted. His friends are powerless to stop this decline, even the ones that want to - and that doesn't include the decadent homosexual "Lord Wotton" (Herbert Lom) nor some of his less attractive lady friends - Isa Miranda ("Mrs. Ruxton") and Margaret Lee ("Gwendolyn") who successfully add oil to his fire. Berger is well cast from an aesthetic perspective, but his acting is as wooden as the frame on his portrait; Todd is just dull - a skill he frequently mastered during his long career, but Lom rescues it occasionally as the superbly sleazy queer peer and the whole Chelsea chic look to it adds well to the overall trashiness of the thing. On the whole, it's pretty cringemaking, but these stories have to reinvent themselves from time to time, and this contemporary (for 1970) version, though poor, keeps the spirit of Wilde's story alive just about.
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Reviewed by rundbauchdodo 7 / 10

Oscar Wilde would have liked this

Massimo Dallamano's film of Oscar Wilde's work places the story to the London of the 1960s. Even though many reviews obviously didn't like this and wrote rather negative about the film, I think the story works surprisingly well.

Helmut Berger is excellent and undeniably gorgeous as the (in the end tragic) title character, but also the other actors deliver their best. Especially Herbert Lom as Henry Wotton acts absolutely great, and most of the women are not only very pretty, but also deliver convincing performances.

All in all, "Dorian Gray" surely is the most unusual film version of the writing, it is rather drama than horror, but that's what Oscar Wilde's work is too, isn't it? I guess that Oscar Wilde would have liked this.

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