★ 7 / 10
Bette Davis always did know how to play
CinemaSerf
Bette Davis always did know how to play the spoilt little rich girl character well, and my but she does it with aplomb here. She is "Judy", a young woman full…
Bette Davis always did know how to play the spoilt little rich girl character well, and my but she does it with aplomb here. She is "Judy", a young woman full of a privileged joie-de-vivre who starts to suffer from headaches and dizzy spells. Her family doctor recommends the specialist "Dr. Steele" (George Brent) who tells her that she has a brain tumour. An operation ensues, she is ostensibly cured and gradually she and "Steele" fall in love. The thing is, though, that her best friend "Ann" (Geraldine Fitzgerald) and her beau know that her prognosis isn't actually that hot - news that rocks the woman to the core when she finds out. A memorable scene around a dinner table demonstrates that skilfully and forcefully! It's hardly a surprise that "Judy" now goes off the rails a bit - plenty of booze and gentlemen friends to distract her from the inevitable, but maybe her friends can rally around and remind her that there might be a better way to live what's left of her life? This is a characterful drama loaded with emotion and chemistry between an on-form Davis and the understated but effective Brent. The writing provides for some strong dialogue and Edmund Goulding creates a working template for both actors to own the film from start to finish. It's not often you can say that Humphrey Bogart made little impact on a film, but here he is very much the oil to their wheels - and his enamoured "Michael" character is played well too. Max Steiner is at his most dramatic with the score and all-in-all this is a compellingly put together story well worth a watch.
Read full review
★ 8 / 10
Davis' Definitive Vehicle Rests on Her Still Brilliant Performance
EUyeshima
Coming in the middle of her tumultuous, 18-year reign as Queen of the Warner Bros. studio, this classic 1939 tearjerker proved to be the ideal vehicle for the…
Coming in the middle of her tumultuous, 18-year reign as Queen of the Warner Bros. studio, this classic 1939 tearjerker proved to be the ideal vehicle for the mercurial talents of Bette Davis in her prime in a year marked by so many other memorable films. Adapted by longtime studio screenwriter Casey Robinson from a short-lived 1934 Broadway play, the story involves Judith Traherne, a frivolous, self-absorbed heiress, living hard in the fast lane at 23, who finds herself confronting her own mortality with the discovery of an inoperable brain tumor. Naturally, she denies anything is wrong with her at first but faces the reality of her condition by eventually rising to the occasion with courage and integrity. It has been the subject of many parodies and at least two remakes in the past seventy years, but the original still works best thanks to Davis' career-defining performance.
Besides Davis and Max Steiner's equally emotional score, the movie itself has not aged as well due to the pedestrian work of director Edmund Goulding ("Grand Hotel") in guiding the venture and lackluster contributions from the supporting cast, one of whom is seriously miscast In hindsight. Judith's Long Island social world is full of hard-drinking party types like the perpetually drunk Alec who tries to woo her into marriage. He's not the only one as Irish stable hand Michael is equally smitten with Judith, but there's the social class distinction to consider. The novelty is that a young Ronald Reagan plays Alec and Humphrey Bogart, two years from his breakthrough in "The Maltese Falcon", plays Michael. Reagan does not make much of an impact, but Bogart is sorely miscast as Michael to the point of being distracting as Davis blows him off the screen, in particular, a late-night failed seduction scene when she dismissively half-asks him, "You're making love to me, aren't you?"
However, it is Judith's steady best friend Ann and especially the stalwart brain-cell specialist Dr. Steele who help Judith in her true victory over the dark. Both Geraldine Fitzgerald and constant Davis co-star George Brent do solid work in the roles, but nothing nearly at Davis' caliber. Perhaps this was intentional, but it does make for an odd imbalance to the film. Regardless, the last twenty minutes pull at the requisite heartstrings as Judith faces her fate with a heavenly choir. It's a grand Davis sequence worthy of her legacy. The print in the 2005 DVD release is nicely restored. Film historian James Ursini and CNN film critic Paul Clinton provide a perceptive commentary track, and there is a short featurette that explains how the film's reputation has unfairly suffered over the years. See the film itself for the vibrancy and depth of Davis' performance which hasn't aged a bit.
Read full review
83%
TOMATOMETER
· 24 reviews
81%
AUDIENCE
· 5K ratings
7.4/10
13.6K
•••
T hanks!!