★ 7 / 10
Though the English language dubbing here isn’t the
CinemaSerf
Though the English language dubbing here isn’t the best, the rest of this creepy horror film works really quite well. It all starts in a London inn where…
Though the English language dubbing here isn’t the best, the rest of this creepy horror film works really quite well. It all starts in a London inn where journalist “Alan” (Georges Rivière) sits down with Edgar Allan Poe (Silvano Tranquilli) and his friend “Lord Blackwood” (Umberto Raho). As their chat proceeds, the peer bets the sceptical “Alan” to spend Halloween at his remote castle. Confident that the £10 is already on the bag, he sets off - and no sooner is he through the door than he meets “Elizabeth” (Barbara Steele). There is a bit of instant karma between the pair, and a bit of a roll in the hay promptly ensues. Thing is, though, afterwards when he encounters the enigmatic “Dr. Cadmus (Arturo Domenici) and fellow residents “Julia” (Margrete Robsahm) and “Herbert” (Giovanni Cianfriglia) he begins to realise that it’s not whisky, but blood that is the source of all life and his role in the proceedings is now more akin to a tile in a lethal game of human dominoes for one night of the year. What chance he can escape from this perilous cycle? Set in a creepily candle-lit building replete with grand staircases, secret passages and creaking floorboards this uses some quite innovative visual effects to demonstrate the macabre goings on as the over-confident “Alan” begins to both fall in love and to realise that getting out is going to be an whole lot harder than was getting in. Steele is on good form too, and though perhaps their is a little too much dialogue it’s still a genuinely chilling story that does not end as you might have expected. I didn’t love the “Outer Limits” style soundtrack, but the half-naked, knife-wielding, bedroom invaders added a fairly unique twist to this mystery and it’s worth a watch on a dark night with the rain on the window pane.
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★ 7 / 10
A great horror film remembered
timwaits9
I remember seeing this film at the West End theater in Louisville, Kentucky when I was a boy. The scene where Dr. Carmus finds the gardener's coffin, and the…
I remember seeing this film at the West End theater in Louisville, Kentucky when I was a boy. The scene where Dr. Carmus finds the gardener's coffin, and the breathing dead body therein, was the scariest part of the movie for me, only intensified by the darkness of the film. I also wondered about the people hanging from the trees at the end, until I recognized the part of the film in which the family name of the Blackwoods was changed from Blackblood, due to the fact that in the family history there was a character who was known for his many hangings of various people. Sir Thomas Blackwood seemed to get his kicks out of adding to the deaths caused by his family. I also noticed that as Foster first enters the gate of the cemetery, he is careful in noticing the sharp object of the gate, where he meets his end. I would not hesitate to recommend this film to horror movie lovers.
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★ 8 / 10
Castle of Blood (aka Danse Macabre) Revisiting An Old Haunt
tarryrob
I originally saw this movie as a boy at the old Rialto Theatre as part of a Saturday afternoon matinée triple bill which also featured Vincent Price's "Last…
I originally saw this movie as a boy at the old Rialto Theatre as part of a Saturday afternoon matinée triple bill which also featured Vincent Price's "Last Man on Earth" and Mario Bava's "Nightmare Castle." I had nightmares about blood lusting ghosts for a week afterwards! Though I didn't know it then, all three movies would prove to be classics of the genre. No wonder I was so scared! Though all three films frightened me, it was Castle of Blood that had the most profound impact.It was the first on the bill. I didn't even get to see it from the beginning as we were late getting to the cinema and missed the first 20 minutes of the movie. That's lot to miss since the edited print only ran about 79 minutes (the unedited runs 87minutes). But despite this, the dark creepy atmosphere (complete with ruined castles, fog enshrouded cemeteries, shadows and cobwebs), Gothic set design, strong acting, and suspense (especially the last 20 minutes) scared the bejeepers out of me and made a lasting impression It took me years to finally get a copy of the film for my collection. Since it was a French - Italian import, it wasn't a movie that showed up on the late show in Winnipeg. I couldn't quite remember the title (remember I didn't get to seen the beginning of the film and was scared witless), and to make matters worse, the film had been released under literally a dozen different movie titles (aka Danze Macabre, Coffin of Terror, Castle of Terror, Long Night of Terror, etc...) and the USA/UK working title "Castle of Blood" was very generic, similar to dozens of other "b" horror and suspense films, making it illusive. But thanks to the internet and perseverance, I found it at last! What a treat to finally watch the film in its entirety after so many years! It may not have had quite the sheer emotional impact that it did when I was a boy, but as haunted house movies go, it's stands up well and compares favourably to similar iconic films of the period such as "The Haunting," "The Innocents" or "Black Sunday," The film is a fine early effort of Italian director Antonio Margheriti. It stars 60's scream queen icon Barbara Steele and features a well written screenplay by Sergio Corbucci about a sceptical writer (Georges Riviere) who, on a bet, spends the night in haunted house and unsuspectingly becomes part of an annual ongoing ghostly story. The hypnotic Steele is well cast as the ghostly love interest - as is Arturo Dominici as Dr. Carmus, and Margarete Robsahm as Julia.Many of the tricks Margheriti employs to create the film's eerie atmosphere (cobwebs, creaking doors, fog, etc) are bound to seem cliché to a modern audience, but they work far more effectively in black and white than they ever could in modern day colour. Rather than using body counts and special effects, the film creates scares the old fashion way, relying on a good story, stylish direction, fine set production, interesting camera work, and strong acting performances. Margheriti does a marvellous job taking these elements and building the film's suspense as the horrifying paranormal secret of the house gradually reveals itself to the unwitting writer.The film is not without faults. The pace drags at the beginning of the film (ironically, the 20 minutes I originally missed). This is probably worsened by Synapse films effort to restore the film to its original length. Though fans will likely appreciate the chance to see the film restored - in terms of the intro - it may have been more of hindrance than a help. The English voice dubs are merely passable and, in the restored scenes, the language shifts from English to French (English subtitles provided) which is sure to be annoying to some viewers.However, Synapse Films deserves kudos for the quality of the print. Clearly some effort was put into its restoration and deservedly so.I enjoyed the film immensely and highly recommend it to aficionados of 60's Italian Goth films, or anyone who enjoys a good ghost story.Rob Rheubottom Winnipeg, MB Canada
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