Daksha: The Deadly Conspiracy

2025 [TELUGU]

Action / Thriller

1
IMDb Rating 3.7/10 10 279 279

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Plot summary

A determined woman uncovers a deadly conspiracy while investigating corruption at the highest levels. As supernatural forces emerge and time runs out, her quest for justice becomes a dangerous game of survival.

Director

Vamsee Krishna Malla Photo
Vamsee Krishna Malla

Top cast

Siddique Photo
Siddique as Balram
Lakshmi Manchu Photo
Lakshmi Manchu as Daksha
Samuthirakani Photo
Samuthirakani as Chalapathi
Mohan Babu Photo
Mohan Babu as Dr. Viswamitra
720p.WEB 1080p.WEB 1080p.WEB.x265
912.97 MB
1280*534
Telugu 2.0
NR
Subtitles us  
24 fps
1 hr 39 min
Seeds 1
1.83 GB
1920*800
Telugu 5.1
NR
Subtitles us  
24 fps
1 hr 39 min
Seeds ...
1.66 GB
1920*800
Telugu 5.1
NR
Subtitles us  
24 fps
1 hr 39 min
Seeds 2

Movie Reviews

Reviewed by PantaOz 4 / 10

About the name here - it should be

About the name here - it should be: Daksha: The Deadly Conspiracy (2025), Telugu supernatural thriller, 102 min | Dir. Vamsee Krishna Malla Vamsee Krishna Malla sets out to crossbreed a police procedural with a pharma-phobic ghost story, and for the first 20 minutes the hybrid feels functional: Lakshmi Manchu’s no-nonsense cop stalks through dimly lit morgues while Achu Rajamani’s score drops the obligatory violin shrieks. Yet once the central conspiracy—corporate capsules laced with occult side-effects—is spelt out in block letters, every scene begins to feel like an elongated trailer for a twist you can phone in from the lobby. The film mistakes blue gels and smoke machines for atmosphere, and the supposedly “hair-raising” set pieces arrive with the punctuality of a delayed bus, giving you enough time to second-guess every reveal. Manchu commits to the role—blood-shot eyes, perfect cop-strut, third-act tears—but the script gives her nowhere to go except from “suspicious” to “very suspicious,” punctuated by the odd fist-fight that feels choreographed in slow motion. Mohan Babu’s much-hyped cameo amounts to three exposition-heavy scenes and one moralistic monologue delivered in the same baritone he’s used since the ’90s. Samuthirakani, reliably jittery, is stranded as a whistle-blower whose only function is to dump back-story into the heroine’s lap. The supporting cast of scheming lab techs and jump-scare spirits try their best, yet the dialogue keeps flattening them into plot furniture: “The trial data is… inhuman!” gasps one doctor, pretty much summing up the film’s idea of subtlety. Technically, Daksha is adequate: Gokul Barathi’s neon corridors look slick on a big screen, and the 102-minute sprint ensures you won’t be bored for long stretches—only quietly underwhelmed. The social-message garnish (corruption kills, literally) is admirable but handled with the finesse of a PowerPoint slide, and the climactic twist is borrowed from a 2005 Hollywood B-reel most viewers will have half-forgotten. In a year when Telugu genre cinema is pushing boundaries—think Virupaksha or Mangalavaaram—this one settles for the safety of the median, landing squarely in “watch-it-on-OTT-while-folding-laundry” territory. One star for effort, another for Manchu’s conviction; the rest is prescription-strength placebo.
Reviewed by panta-4 4 / 10

Vamsee Krishna Malla sets out to crossbreed a police procedural with a pharma-phobic ghost story, and for the first 20 minutes the hybrid feels functional: Lakshmi Manchu's no-nonsense cop stalks through dimly lit morgues while Achu Rajamani's score drops the obligatory violin shrieks. Yet once the central conspiracy-corporate capsules laced with occult side-effects-is spelt out in block letters, every scene begins to feel like an elongated trailer for a twist you can phone in from the lobby. The film mistakes blue gels and smoke machines for atmosphere, and the supposedly "hair-raising" set pieces arrive with the punctuality of a delayed bus, giving you enough time to second-guess every reveal.Manchu commits to the role-blood-shot eyes, perfect cop-strut, third-act tears-but the script gives her nowhere to go except from "suspicious" to "very suspicious," punctuated by the odd fist-fight that feels choreographed in slow motion. Mohan Babu's much-hyped cameo amounts to three exposition-heavy scenes and one moralistic monologue delivered in the same baritone he's used since the '90s. Samuthirakani, reliably jittery, is stranded as a whistle-blower whose only function is to dump back-story into the heroine's lap. The supporting cast of scheming lab techs and jump-scare spirits try their best, yet the dialogue keeps flattening them into plot furniture: "The trial data is... inhuman!" gasps one doctor, pretty much summing up the film's idea of subtlety.Technically, Daksha is adequate: Gokul Barathi's neon corridors look slick on a big screen, and the 102-minute sprint ensures you won't be bored for long stretches-only quietly underwhelmed. The social-message garnish (corruption kills, literally) is admirable but handled with the finesse of a PowerPoint slide, and the climactic twist is borrowed from a 2005 Hollywood B-reel most viewers will have half-forgotten. In a year when Telugu genre cinema is pushing boundaries-think Virupaksha or Mangalavaaram-this one settles for the safety of the median, landing squarely in "watch-it-on-OTT-while-folding-laundry" territory. One star for effort, another for Manchu's conviction; the rest is prescription-strength placebo.
Reviewed by panta-4 4 / 10

Blue gels and smoke machines ARE NOT atmosphere!

Vamsee Krishna Malla sets out to crossbreed a police procedural with a pharma-phobic ghost story, and for the first 20 minutes the hybrid feels functional: Lakshmi Manchu's no-nonsense cop stalks through dimly lit morgues while Achu Rajamani's score drops the obligatory violin shrieks. Yet once the central conspiracy-corporate capsules laced with occult side-effects-is spelt out in block letters, every scene begins to feel like an elongated trailer for a twist you can phone in from the lobby. The film mistakes blue gels and smoke machines for atmosphere, and the supposedly "hair-raising" set pieces arrive with the punctuality of a delayed bus, giving you enough time to second-guess every reveal.Manchu commits to the role-blood-shot eyes, perfect cop-strut, third-act tears-but the script gives her nowhere to go except from "suspicious" to "very suspicious," punctuated by the odd fist-fight that feels choreographed in slow motion. Mohan Babu's much-hyped cameo amounts to three exposition-heavy scenes and one moralistic monologue delivered in the same baritone he's used since the '90s. Samuthirakani, reliably jittery, is stranded as a whistle-blower whose only function is to dump back-story into the heroine's lap. The supporting cast of scheming lab techs and jump-scare spirits try their best, yet the dialogue keeps flattening them into plot furniture: "The trial data is... inhuman!" gasps one doctor, pretty much summing up the film's idea of subtlety.Technically, Daksha is adequate: Gokul Barathi's neon corridors look slick on a big screen, and the 102-minute sprint ensures you won't be bored for long stretches-only quietly underwhelmed. The social-message garnish (corruption kills, literally) is admirable but handled with the finesse of a PowerPoint slide, and the climactic twist is borrowed from a 2005 Hollywood B-reel most viewers will have half-forgotten. In a year when Telugu genre cinema is pushing boundaries-think Virupaksha or Mangalavaaram-this one settles for the safety of the median, landing squarely in "watch-it-on-OTT-while-folding-laundry" territory. One star for effort, another for Manchu's conviction; the rest is prescription-strength placebo.
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