Csillagosok, katonák

1967 [HUNGARIAN]

Action / Drama / War

4
Rotten Tomatoes Critics - Certified Fresh 95% · 21 reviews
Rotten Tomatoes Audience - Upright 86% · 1K ratings
IMDb Rating 7.5/10 10 4373 4.4K

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Plot summary

In 1919, Hungarian Communists aid the Bolsheviks' defeat of Czarists, the Whites. Near the Volga, a monastery and a field hospital are held by one side and then the other.

Top cast

Tatyana Konyukhova as Elizaveta
Mikhail Kozakov as Vörös parancsnok
Nikita Mikhalkov as Fehér tiszt
720p.BLU 1080p.BLU
836.89 MB
1280*536
Hungarian 2.0
Not Rated
Subtitles us  
24 fps
1 hr 31 min
Seeds 2
1.52 GB
1920*804
Hungarian 2.0
Not Rated
Subtitles us  
24 fps
1 hr 31 min
Seeds 10

Movie Reviews

Reviewed by R T 8 / 10

We never get to know the characters by

We never get to know the characters by name and it is often difficult to discern who is a Bolshevik (Red) and who is loyal to the Tsar (White). This is Jancsó's point. War crimes are committed by those in power on either side. The film is largely episodic but the characters that we follow in each episode soon die. So, this makes war seem futile and tragic. The use of long shots in sprawling landscapes further emphasizes the trivial importance of each life. Yet, the movie can just flow over you and in 87 minutes it is over. Vaguely, the role of Hungarians in the conflict (they supported the Communists) can be noted - but their contribution is even more trivial and they are often told that they are irrelevant and should leave. Since this is Jancsó's putative national affiliation, the pointlessness of it all is that much greater.
Reviewed by s r 4 / 10

1001 movies to see before you die. The

1001 movies to see before you die. The unique style of long sprawling shots is unique, but it's not something I enjoyed. It does have its place in cinema though. It was on Daily Motion. There wasn't even much Hungarian, it was a lot of Russian.
Reviewed by William L 8 / 10

A different kind of anti-war film, less focused

A different kind of anti-war film, less focused on creating compelling battle footage or developing empathetic characters than demonstrating a coldness inherent to near-industrial killing that is excessively romanticized by conventional war films. Jancsó deliberately sidesteps the pitfalls of heroic characterizations in order to show less than comfortable parallels between two ideologically opposed military forces as they each take turns exercising authority over small regions alongside the Volga, methodically separating the undesirables from potential allies as the distinctions between the two are often too miniscule to be immediately evident. The grasp on authority is variable throughout the film, with the potential to swing wildly at the drop of a hat, but these particularly (somewhat comically) brief tenures in power often carry with them mortal consequences. Often considered a challenging film with its subversion of the conventional central protagonist structure (setting up some form of backstory with an individual only to dispatch them unceremoniously; reminds me a bit of No Country for Old Men) and unusual bending of cinematographic convention, The Red and the White carries a sense of unpredictability, cruelty, and spontaneity that singles it out among war films, particularly those from the Soviet Union. Embraces a sense of futility and a dirty nature to combat without totally denying bravery. (4/5)
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