Cry Danger

1951

Action / Crime / Drama / Film-Noir / Thriller

13
Rotten Tomatoes Audience - Upright 76% · 100 ratings
IMDb Rating 7.3/10 10 3114 3.1K

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Plot summary

After serving five years of a life sentence, Rocky Mulloy hopes to clear his friend who's still in prison for the same crime.

Director

Top cast

Regis Toomey as Cobb
Richard Erdman as Delong
Frank Mills as Man Waiting in Detective's Office
Hy Averback as Bookie
720p.BLU 1080p.BLU
655.93 MB
988*720
English 2.0
Passed
23.976 fps
1 hr 19 min
Seeds 2
1.25 GB
1472*1072
English 2.0
Passed
23.976 fps
1 hr 19 min
Seeds 4

Movie Reviews

Reviewed by John Chard 8 / 10

Weeping Wit. Cry Danger is directed by Robert

Weeping Wit. Cry Danger is directed by Robert Parish and written by William Bowers from a story by Jerome Cady. It stars Dick Powell, Rhonda Fleming, Richard Erdman, Regis Toomey and William Conrad. Music is by Paul Dunlap and Emil Newman and cinematography by Joseph F. Biroc. It often makes for most interesting conversation in film fan circles, that of film noir, what constitutes it? what does each viewer demand? what is your favourite strand to this most desirable style of film making? Rarely does a group of noir heads agree wholesale, which of course only further strengthens the argument on why many love it so. I raise this as a point of opening reference because the first review of Cry Danger that I happened upon questioned its noir worth! Madness I tell you... Plot is on the surface simplicity, Rocky Mulloy (Powell) is a man wrongly imprisoned for five years and he's now out and now out to nail the real perpetrator of the crime. Cops are interested in his whereabouts, as they are the missing money from the crime he was locked up for. So far so standard crime revenger then? Not so for we are in noirville, in a less affluent part of Los Angeles, where the tale is spun out from the center point of a trailer park. Here we find Mulloy armed with calmness, toughness and always a dry quip on the lips. He's accompanied by Delong (Erdman), a crippled alcoholic army veteran, himself full of witticisms as he takes his alcoholism in a resigned stride. The cops are led by Detectice Lt. Gus Cobb (Toomey), a wise head, grizzled and not shy of razor sharp dialogue himself. And the babe of the piece, Nancy Morgan (Fleming), she's an ex of Mulloy, but husband of Mulloy's pal, a man who himself is rotting in prison for the crime at the core of this all. Add in creepy mustachioed villain Louie Castro (Conrad) and a weasel ukulele playing trailer park manager (Jay Adler), and you get a noir stew ripe for sampling. As the dialogue pings about the story with waspish glee, the narrative holds tight via strong thematically noir traits such as greed and betrayal, with the added bonus of an ending worthy of the noir name. Production wise it's a job well done, the moderate budget not a worry, in fact it's only come the end of the show you realise you just had a pic running at 80 minutes that was without padding and pointless filler. All scenes are relevant here, and such is the sharpness of this character driven piece, you need to hang on every word and character interactions and reactions. In an ideal world there would be a ream of chiaroscuro to aid the mood, but Biroc and Parrish show skills to compliment a number of scenes via lighting and useful back and foreground locations. Cast are on top form, led by a superbly laconic Powell (sarcasm in a suit), to which this rounds out as one for noir lovers to put on their to see lists. 8/10
Reviewed by

Reviewed by krorie 7 / 10

Cry Excitement

Dick Powell, born in Mt. View, Arkansas, had a versatile career, starting out as a song and dance man with hit records who starred in some of the best musicals Hollywood ever made several of them by Busby Berkely. When his career floundered he changed genres and became one of the movies' best tough guys, in many ways better in the role than Humphrey Bogart, although Powell never became the cult hero Bogart became. Powell then went on to success in the new medium of television. While "Cry Danger" is no "Murder, My Sweet," it is an exceptional tough guy flick. One thing that always impressed me about Dick Powell, especially well done in "Murder, My Sweet," is his talk. He could read a line like nobody else. His voice helps make "Cry Danger" more realistic and more exciting to watch. William Conrad's Castro is an excellent foil for Powell's character, Rocky Mulloy. This was before the world came to know a real life villain, Fidel Castro. Today, Conrad's character has become even more dastardly as a result of historical events. There is even a freakish resemblance between Conrad's Castro and the cigar-smoking one in Cuba. Thus Conrad's character is even more menacing. Richard Erdman usually gets on my nerves when I see him in a movie. He had a habit of overplaying his part. But in Cry Danger he has been properly cast and comes off a winner. He ends up with some of the best lines in the film. This is the best acting I have seen him do. Rocky (Dick Powell) and Delong(Erdman)have trouble with their women in "Cry Danger." Both Rhonda Fleming and Jean Porter turn in creditable performances and add to the overall effectiveness of the film. One reviewer commented on the photography. And it's true the photography adds much to the overall impact of the movie. The trailer park is shown in such a realistic manner that the viewer can almost see the cockroaches crawl across the table. The action never slows down. The final scene is a good one. Once you start watching "Cry Danger" you won't want to stop.

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