★ 7 / 10
Lucia Bosè is the charming, attractive "Paola", married
CinemaSerf
Lucia Bosè is the charming, attractive "Paola", married to the wealthy "Enrico" (Ferdinando Sarmi) and living an unchallenging life. Already, she is going…
Lucia Bosè is the charming, attractive "Paola", married to the wealthy "Enrico" (Ferdinando Sarmi) and living an unchallenging life. Already, she is going through the motions after just one year of marriage. He is the jealous type, so jealous in fact that when he finds a couple of old photos, he hires a private investigator to look into his wife's past. Not only does he discover the existence of her previous beau "Guido" (the hunky Massimo Girotti) but that very investigation re-introduces them - and they promptly pick up pretty much where they left off. Quickly, their desire to be together takes over and it isn't long before they alight on a plan to be rid of her intrusive, and slightly dodgy, husband. What flows though, can also ebb - and as their plotting proceeds, their passion diminishes and the two start to become trapped in a curious web of their own making - unable to go backwards or forward! Add to this mix, a lovely, bubbling, sub plot about a letter and two of her college friends who were involved in a tragedy that the police are still trying to get to the bottom of, and we have a entertainingly complex bit of brigue. On the down side, this is a very dialogue-heavy movie. Antonioni was still learning his craft when he shot this, and perhaps he needed someone to rein in the verbiage a little and allow the cleverly crafted photography, the settings and the superior acting from an on-form Bosè to do more of the heavy lifting. That said, though, you can't keep a good story down and this does pack quite a lot into slightly over and hour and an half. There are just desserts for almost everyone, and though there is an element of romance, it is one of passion and scheming rather than cheese. Certainly worth a watch.
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★ 7 / 10
Before "The Adventure"
Ore-Sama
Antononoi's first feature film deals with a jealous husband looking into the past of his wife, Paola, via private investigator, which inadvertently gets her…
Antononoi's first feature film deals with a jealous husband looking into the past of his wife, Paola, via private investigator, which inadvertently gets her back together with an old lover, Guido, who unlike the rich wife, is a poor, barely scraping by car salesman. Although the two seem to be in love with each other, the difference in economic status and Paola's marriage keep them apart. Also looming over them is the shadow of an "accident" they feel responsible for.
Many have called this a sort of noir, and it's easy to see why. Paola could be seen as bordering the line of a femme fatale, there's the past catching up, the grey morality of the characters, etc. However if one were to watch this alongside noirs like Double Indemnity, Laura, and Out of the Past, they would fine "Story of a Love Affair" feels completely different, and besides these tropes, hardly feels like a noir. It would be safer to say the film has noir elements.
Like a number of Antononoi's later works, the film deals with alienation, as well as the bourgeoise. The disenfranchised characters who easily fall into damning passions is present here. The plot is very intricate and the film is carried by mostly dialogue, as opposed to later films where imagery would play more prominence. Although not as grandiose as the cinematography from films like "The Adventure" and "la Notte", his touches can certainly be seen in this splendidly crafted first film.
Thankfully, the writing and characterization is more than enough to carry things here. The multitude of plot threads, characters and themes are woven masterfully, and while not featuring the most sympathetic characters in the world, they are certainly fascinating ones, and that's enough.
If you can find this and are a fan of these kinds of films, it's well worth checking out.
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