Cries in the Night (1980) YTS - Download Yify Movie

Reviewed by Wuchak 6 / 10

_Through the woods to Grandmother's house we go_

**_Through the woods to Grandmother's house we go_** A young woman (Lesleh Donaldson) ventures to the rural Northeast to stay with her grandmother (Kay Hawtrey) at an old home that used to be a funeral parlor. As they work on morphing it into a bed-and-breakfast, she attends to the needs of the sometimes obnoxious guests while dating a young man. But something really weird is going on, particularly in the locked basement. Shot in the dead of summer, 1979, “Funeral Home” is also known as “Cries in the Night.” It cost $1,400,000 in Canadian dollars, which would be equal to about $5,050,000 today. I point this out because that’s more than enough money to make a competent movie of this sort. Thankfully, it is proficiently made. You buy the people and their situation as a real in the manner of “Squirm” from four years earlier. Speaking of comparisons, it starts out very similar “Friday the 13th,” which is strange since this film started shooting five weeks before that way more popular one. However, it’s mostly a variation on “Psycho” with the classic Little Red Riding Hood setup. It’s similar to Tobe Hooper's “Eaten Alive,” but superior. “Mountaintop Motel Massacre” from three years later was obviously influenced by it. Lesleh is winsome as the brunette protagonist, but she’s strapped with dubious apparel. The sets, décor and costumes all have a curiously aged look. Nevertheless, the flick establishes a nice mood with the rural funeral home milieu, not to mention the nearby quarry, and strangely keeps your interest, plus I like the bit with the black cat. It runs 1 hour, 33 minutes, and was shot in the Toronto area in the outskirts of Markham (house), Elora (the town and quarry), Guelph and Lakeshore Studio near the city. GRADE: B-

Reviewed by BaronBl00d 6 / 10

Desperate Measures for Desperate Times

What do you do when your husband, the funeral director, runs out and is never seen again many years past, and leaves you with a big, old funeral home? Why turn it into a bed and breakfast of course! Funeral Home is one of those cheaply yet competently made horror film of the late seventies/early eighties that manages to evoke some real, honest chills while maintaining a somewhat serious facade. No small feat when you consider most of the horror derivative drivel produced during this era. Kay Hawtrey plays Mrs. Maude Chalmers who now runs a bed and breakfast and just received her granddaughter to help her make a go of it. Hawtrey gives one heck of a performance as a woman riddled with contradictions. Rumours abound that she was abandoned by her husband for another woman, but she doesn't believe any of that. She seems very normal except no one, absolutely no one, is allowed in the basement - where she can be heard often talking to someone. She plays the ever so sweet grandmother and charitable woman making flowers for the under-privileged. She plays the morally outraged innkeeper who disapproves of any behaviors she deems imprudent. She also has a more far-reaching range as the movie progresses to its revealing climax. But it is Hawtrey's performance that really makes this film work at any level - without it you would have nothing more than some slasher film without any merit. The rest of the acting is pretty good too with Barry Morse no less adding some more credibility as a house guest out to find some secret. As far as the story goes, it is nothing really inventive or hard to figure out to be sure, but the acting, lack of glossy production values, rural, almost Rockwellesque summer settings, and some competent directing all manage to create a fine little horror gem from Canada.

Reviewed by Jonny_Numb 4 / 10

Pedestrian Canadian Effort

I'll give "Funeral Home" a little extra credit, since it was directed by William Fruet, who also gave us the decent revenge pic "Death Weekend." The plot has a young girl returning to her grandparents' home, the former funeral parlor now converted into a bed and breakfast by the grandmother; but who is grandma talking to in the basement every night, and who is bumping off the sinful heathens who stop and stay at the B&B? The typical genre stereotypes are present: Goofy Young Deputy, Mentally Challenged Gardener, Puritanical Parental Figure, and the Sweetly Innocent Girl. The plot itself echoes "Psycho" in more ways than one, but with a fraction of the budget and considerably less talent. The actors are fairly good for this type of low-rent affair, and there are a few cheesily-integrated, yet atmospherically effective flashback scenes, but "Funeral Home" is simply a forgettable affair.

Cries in the Night

1980

Horror / Thriller

Cries in the Night

1980

Horror / Thriller

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_Through the woods to Grandmother's house we go_

Desperate Measures for Desperate Times

Pedestrian Canadian Effort

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