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2025

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Chi sei?

1974 [ITALIAN]

Action / Horror

Chi sei?

1974 [ITALIAN]

Action / Horror

Available in: 720p.BluRay 1080p.BluRay

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60% TOMATOMETER · 5 reviews

23% AUDIENCE · 250 ratings

4.8/10 · 3.1K

720p.BluRay 1080p.BluRay

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baby exorcism possession satanist anti-christ demon

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Plot summary

Jessica Barrett, wife and mother of two young children, begins to show signs of demonic possession while pregnant with her third child. As she seeks help from her husband and doctor, a mysterious man approaches her and seems to have some answers.

Director

Ovidio G. Assonitis

Top cast

Carla Mancini as (credit only)

Juliet Mills as Jessica Barrett

Vittorio Fanfoni as Mr. Francis

Gino Marturano as (as Luigi Marturano)

Tech specs

720p.BLU 1080p.BLU

989.41 MB

1280*682

English 2.0

Subtitles

23.976 fps

1 hr 47 min

Seeds 1

1.79 GB

1920*1024

English 2.0

Subtitles

23.976 fps

1 hr 47 min

Seeds 8

Comments 4

avangerx 2380 days ago

1974 after the success of the exorcist they made this :))) better than most that movies that are made today...

argentophile 2389 days ago

Awesome flick! One of my childhood favourites!

damocles 2390 days ago

Pea soup is an Exorcist reference.

fvictorjose 2390 days ago

What kind of synopsis is this? lol

Showing 4 of 4 threads

IMDb reviews

From IMDb

The late (and truly great) Roger Ebert may

Cat Ellington

The late (and truly great) Roger Ebert may have judged the Italian-American horror epic Beyond the Door as being 'scary trash', but I personally LOVED it. The…

8 / 10

"Who are you?"

Bezenby

How can a film be scary and funny at the same time? I don't know, but that's what Beyond the Door manages to be. It's an Exorcist rip-off with a bit of…

How can a film be scary and funny at the same time? I don't know, but that's what Beyond the Door manages to be. It's an Exorcist rip-off with a bit of Rosemary's baby thrown in for good measure, filtered through some Italian film companies' shattered brain pan. Best example of this is the very beginning of the film, which Satan narrates himself while we watch a writhing naked woman on a plinth, whose face then turns into Jesus. A Jesus with boobs. Jessica lives in San Francisco with her husband Robert and their two kids, Gail (who talks like a hippy and sounds ten years older than she looks) and Ken (who is about five and swears like a trooper!). Jessica is once again pregnant, and therefore exhibits the usual symptoms of what we used to called Irish Toothache: nausea, eating weird things, in this case a rotten banana off the street, extreme mood swings, murdering a bunch of gold fish, blaming her husband for every single wrong in the world, slapping her kids about. Vomiting blood isn't the best indication that the pregnancy is going well, and even stranger is that the pregnancy is progressing at an alarming rate. Jessica is concerned and wants to have an abortion as the pregnancy is now causing her to float about the room and leave mud everywhere (don't think about it). When the doctor agrees to the abortion, she goes mental and insists that the baby be born! Women, eh? I burst out laughing when the kids started begging with their father not to leave them alone with their mother, but then the film did a strange thing by becoming effective and creepy. When the kid brother is alone he starts talking to an invisible thing sitting in a rocking chair, his sister arrives, going on about something or other and totally oblivious to the fact that every doll in the room has turned to stare at her. What's harder to ignore is the room going completely mental, the dolls walking about, and a cake floating up to the ceiling and getting squashed. The kids are shipped off somewhere and the strange fellow turns out to be Jessica's ex-boyfriend Richard Johnson, who didn't fare to well with the occult way back in The Witch In Love either. He wants the baby to be born and insists he help, whereas the doctor thinks it's probably for the best if the demon spawn of hell be removed. It's like the worst abortion debate in the world, all set to the soundtrack of a woman vomiting, cussing and flying about the room. I've been looking forward to this film for some time and wasn't disappointed. I thought the really daft period of Italian horror started later in the decade, but here it is, a fully fledged trash classic that ticks all the boxes you need. Or I need, anyway.

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