★ 8 / 10
This is a true story. When a patrol
John Chard
This is a true story. When a patrol cop is shot and killed, small time crook Frank Wiecek is tried for the crime and promptly sentenced to life imprisonment.…
This is a true story.
When a patrol cop is shot and killed, small time crook Frank Wiecek is tried for the crime and promptly sentenced to life imprisonment. Some 11 years on, tough cookie reporter P.J. McNeal gets involved with the case, the further he delves, the more he believes that Wiecek is innocent, but can he find evidence to back up his belief?
Filmed in semi-documentary style by director Henry Hathaway, this James Stewart led noir thriller oozes realism from start to finish. It's actually the lack of gloss and glamour that is the film's trump card. Based on the real story of the Joe Majczek case in 1933, it's filmed perfectly on location in Chicago {where the actual events happened}, gloriously mood emphasised by Joe MacDonald's superb black & white cinematography, and scored with tonal adroitness by Alfred Newman. As intrepid Chicago Times reporter McNeal (based on real reporter Jim McGuire who was a Pulitzer Prize winner for his investigative efforts on this case), James Stewart lays down a marker for the more edgier character roles that would follow for him in the 50s. Here he plays it perfect as McNeal shifts from mere cynical newsman to an outright crusader of justice; and it's riding along with McNeal that this human interest piece lifts itself to great crime thriller heights. Along the way we find problems are encountered and police procedural techniques are scrutinised. All may not be as it first seemed, and this mysterious element ices what was already a delightful docu-drama based cake.
There is not much else to say, it's a film I personally highly recommend, a fascinating story that is given top care and attention from all involved, mean, moody and yes, magnificent. 8/10
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★ 7 / 10
James Stewart and Lee J. Cobb are both
CinemaSerf
James Stewart and Lee J. Cobb are both on top form in this crime thriller. The latter, the boss who sends the former, one of his better reporters, to…
James Stewart and Lee J. Cobb are both on top form in this crime thriller. The latter, the boss who sends the former, one of his better reporters, to investigate the case of convicted murderer "Frank Wiecek" (Richard Conte) after his mother puts an ad in a newspaper offering $5000 for information that might cast doubt on the voracity of the verdict. Initially sceptical, "McNeal", soon begins to suspect that perhaps the conviction - based solely on the testament of a long lost witness "Wanda Skutnik" - might be flawed. Now, he has to deal with understandable hostility from the Chicago PD as well as manage the hopeful optimism of the man's mother as his search involves some risk to himself, the gut instinct innate to a good journalist and the innovative use of state of the art technology (for the 1940s) to try and get the evidence to enable a pardon board to reverse the sentence. Aside from a slightly over-bearing narrator, Henry Hathaway manages to build the tension and keep it going well for a strong last hour of the picture with a lovely, grittily jazzy score from Alfred Newman. Not seen very often nowadays, but if you get a chance - it's well worth two hours of anyone's time.
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Solid Cinematic Effort
Lechuguilla
Based on a true story, "Call Northside 777" follows P.J. McNeal, a newspaper reporter played by James Stewart, as he investigates a decade old murder case. The…
Based on a true story, "Call Northside 777" follows P.J. McNeal, a newspaper reporter played by James Stewart, as he investigates a decade old murder case. The setting is Chicago in the 1930s and 40s.Frank Wiecek (Richard Conte) has been convicted of a cop killing and sentenced to 99 years in prison. Convinced of her son's innocence, Frank's mother, an elderly and lowly cleaning lady, takes out an ad in the newspaper for information that will help free her son. McNeal grudgingly looks into the case, but doubts Wiecek's innocence. As the film moves along, McNeal slowly changes his perception of Wiecek.Some viewers consider this to be a film-noir. To me, it is more of a docudrama, a staging of a real life story. The dialogue seems realistic. And the acting is low-key and credible. The film also highlights the technology of the era, including the use of the printing press, the polygraph, and a miniature camera.But what impressed me most was the use of the Chicago locations where the real life story took place. Further, the B&W visuals are appropriately drab, dreary, and depressing, which reflects the tone of the actual events. There's very little background music, which also adds authenticity to the film. The only downside is the matter-of-fact procedural style in which the story is told, especially relative to the fatherly VO narration at the film's beginning and end. The film comes across at times as dry, and lacking emotional depth.Devoid of cinematic hype, and told in a straightforward and plodding manner, "Call Northside 777" will appeal to people who seek realism in films. And, of course, the film's basis in fact, vis-a-vis fiction, adds to its credibility.
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81%
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7.4/10
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This was fuuuuuun