★ 9 / 10
**The one who wandered around like a breeze.**
Reno
**The one who wandered around like a breeze.** This is one of the earlier directional venture for Clint Eastwood. Probably not famous among his fans as his…
**The one who wandered around like a breeze.**
This is one of the earlier directional venture for Clint Eastwood. Probably not famous among his fans as his other flicks, but I totally loved it. I did not know it was his film till I saw, though he did not star in it, because the story needed an older actor than he was at that time. To me this film looked like a sweet poem, one of the rare romance theme, and most probably for the open minded people. Now this entered into my all time favourite list. So now you know how much I liked it, but I want to write more about it...
It was a wonderful opening, I mean very simple, but you will remember forever the Breezy's introduction, step by step her trademarks like her attire; a hat and an old jacket, guitar that never used and the way she's living her life on the daily basis. We never know why she chose that life, but her kindness really reaches our heart. She's not just like her kind of people, I mean Americans call them hippy, but very soon the film reveals her emotional side when she finds a dead dog on the road side. So she runs away from a man she just met leaving her things behind in the car, but again, they meet in an unexpected circumstance like a fate brought them together. Their relationship as well gets more intentional by the days passing by. But the unavoidable differences between them and the society that talks behind them forces them apart. The remaining tale is to disclose whether they remain true to their hearts or the reality takes over.
Don't misunderstand what you read in synopsis, this is not a sexual exploration or drugs and alcohol related thematic product. This is a cute romance film between an older man and an older teenage girl. So it is good for the grown-up audience and maybe matured teens, particularly not for the people who are culturally, religiously attached to. I don't think so, I would have liked it if I saw it ten years ago. Maybe the age factor played a role here, I'm a different person now, but I'm glad I saw it at the right time of my life. Like there's a saying, better late than never, anyway, I was not even born when it came out.
> "Nobody matures. They just grow tired."
Not just Clint Eastwood's direction, but the writing was top class. Everybody who worked for the film delivered, but still I can't understand how it went unnoticed all these years. Both the lead actors were extraordinary. Great, an unusual chemistry, especially William Holden was made for the character he had played in this. And for Kay Lenz, it will be her best film, particularly from those I've seen. She also nominated for the Golden Globe for her role in this, but I feel she should have won it. The musics and songs were good with the beautiful cinematography. You will never know how this film ends so fast, that kind of addictive it is that makes you forget the time.
The most of the film focused on the two main characters and they are completely different from one another which was neatly briefed on the screen for us. It took enough time to set the tone right, particularly the old man's, but Breezy was very easy and everybody who watches this film would surely fall in love with her. Eastwood did not make many romance films, but from those this would definitely remain on the top. He said he liked this one very much, it is his one of the favourite among his directional features. I would have not minded if he had played the lead role with make-up to change the look, but I'm very happy with the existing casting.
It opened with the character Breezy, but soon the narration shifts to an old man's perspective. Slightly an emotional tale, but in a romantic way. There were many touching and memorable lines. When I like a film, I would watch it again in a short gap and I did for this. But the result was same, I liked it even more on my second viewing. Forget the respond it got when it got released, but those who watched it in the recent time praising it a lot. Definitely it's going to set a cult status once a good number of people saw it, definitely it should be. For now it is like another 'Melody', so I strongly suggest you to watch it and spread the words. I hope you realise I'm not wrong.
_9/10_
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★ 8 / 10
A sweet flick featuring William Holden and Kay
r96sk
A sweet flick featuring William Holden and Kay Lenz. The two leads come across very well and are both charming, I enjoyed both of their performances - with…
A sweet flick featuring William Holden and Kay Lenz.
The two leads come across very well and are both charming, I enjoyed both of their performances - with Lenz narrowly edging Holden out, if I had to split them. The story begins a bit iffy but does end up coming out as pleasant. Of course age gap love can be off-putting in film, but as long as it's done correctly then it can work - evidently.
Clint Eastwood directs but doesn't feature in a main role, though does have a few second cameo - one that is easy to spot, if you keep close enough attention. The support cast, while nothing standout, are all solid.
'Breezy' is apparently one of Eastwood's lesser seen films, as shown by it having less than 2,000 ratings here on Letterboxd. I guess it's not for everyone, but I'd recommend it - the pacing isn't perfect, but it isn't anything that drags at all.
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★ 8 / 10
Wisdom & Happiness
AdamKey
One of Clint Eastwood's early yet still obscure directorial efforts, `Breezy' gently and charmingly explores the nature of wisdom, which can be present in the…
One of Clint Eastwood's early yet still obscure directorial efforts, `Breezy' gently and charmingly explores the nature of wisdom, which can be present in the most unusual of people and the real meaning of happiness, which is usually found in the oddest and least-expected of places, usually when one is not looking for it. Amid the smoldering cultural wreckage of the recently-ended 1960s with its nagging remnants of the shrill `don't trust anyone over 30' crowd and the seemingly still-unbridgeable `generation gap,' the odd and quirky relationship between the youthful, Ophelia-like Edith Alice `Breezy' Breezerman (Lenz) and the middle-aged Frank Harmon (Holden) successfully and simultaneously reveals several very simple but still frequently-ignored truths; that shrewdness and insight are not necessarily the sole province of the `aged' and that a carefree, happy spontaneity isn't and shouldn't be automatically restricted to the `young.' And, more subtly, we also are quietly reminded that neither wisdom nor happiness can realistically exist isolated from one another and that the bitter memories of our own respective pasts can often tragically prevent us from getting what we truly need the most.Like the Italian neo-realist director Sergio Leone under which Eastwood successfully toiled in the 1960s, the personalities of the film's characters are deliberately and slowly intensified but not over-presented or stereotyped, which adds to the power, insight and poignancy of this understated and well-produced film.
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