★ 7 / 10
It’s not so often that you see Alan
CinemaSerf
It’s not so often that you see Alan Ladd play the bad guy, but he’s certainly up to no good here. His “Choya” is recruited by the manipulative “Leffingwell”…
It’s not so often that you see Alan Ladd play the bad guy, but he’s certainly up to no good here. His “Choya” is recruited by the manipulative “Leffingwell” (Robert Keith) to play the long lost son of the wealthy “Lavery” family. Their son was abducted over two decades ago and so dad “Richard” (Charles Bickford) has all but given up on ever seeing him again. When he arrives and declares his progeny - supported by an unique tattoo - he is welcomed by a father and sister “Ruth” (Mona Freeman) but what they don’t know is that he is really there to facilitate a robbery from this cattle-rich family. What “Choya” hadn’t factored in, though, is his gradually buiding affection for a family that has so enthusiastically welcomed him and so it’s after an heart-to-heart with “Ruth” that he not only vows to thwart his conniving partner, but also to try and track down the real son, if he still lives. Just to further complicate matters, “Rubriz” (Joseph Calleia) and his men also have their axes to grind, and soon “Choya” is fighting on different flanks whilst barely disguising his affections for his new sibling. I reckon this is one of Ladd’s more characterful efforts. There is some action here, but this is a much more considered effort from a star who obviously wanted to imbue “Choya” with a sense that redemption was always on his cards. Likewise, Keith delivers well as the odious puppet-master and Bickford plays strongly, if maybe a little too sparingly, as the whole concept of just what constitutes family builds to it’s conclusion. The settings provides plenty of scope for some grand cinematography and both the dialogue and the romance are kept to a minimum as this quite thoughtfully presents us with another western that’s as much about the evolution of the genre as it is about that of the country.
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★ 7 / 10
A gunslinger called Choya/Alan Ladd impersonates the son of wealthy rancher/Charles Bickford with unexpected results
ma-cortes
This horse-opera is an excellent , meaty Western ; it contains interesting plot , intrigue , thrills , shootouts and results to be quite entertaining . A…
This horse-opera is an excellent , meaty Western ; it contains interesting plot , intrigue , thrills , shootouts and results to be quite entertaining . A gunfighter (Alan Ladd) named Choya (as someone obligingly explains Choya is Spanish for cactus) along with a swindler (Robert Keith) take part in a scheme to bilk a rich cattle family (formed by father , Charles Bickford , mother, and daughter , the feisty Mona Freeman) out of half a million dollars by pretending to be their son, who was kidnapped as child . As tough Choya (in fact, when asked if he has some friends he answers : ¨My guns¨) impersonates the long-gone son of wealthy rancher . The picture gets action Western , shootouts , a familiar drama and is entertaining and well realized . A fairly gripping film ,being probably one of the best Western in the fifties , including frenetic action up and down . Nicely balanced thrills , intrigue , drama and a love story . The highlights of the film in the course of action are the climatic shoot'em ups , thrilling pursuits and violent fights . The traditional story as well as complex screenplay was rightly written by Sydney Boehm based on a novel by Max Brand . The enjoyable tale is enhanced for interesting moments developed among main characters and especially on the relationship between Alan Ladd, pre-Shane, and Mona Freeman , the prettiest of heroines who even played a 60 minute broadcasting radio adaptation of the movie reprising her film role . Magnificently performed by Alan Ladd who proves to be as two-fisted as his name ,Choya, and an old veteran Charles Bickford , they are awesome experts in the art of conjuring sensational acting , here are reunited in this atypical but thought-provoking western with a lot of reflection , distinguished moments and dramatical attitudes , in addition a multitude of entertaining situations . Most of the fun in this one is picking out the locations and identifying stock performers , as there appears several secondaries such as Robert Keith , Peter Hansen , Milburn Stone and veteran actors as Joseph Calleia and Tom Tully giving the stars solid supports . Glamorous as well picturesque cinematography in shinning colour by means of Technicolor ; it is superbly caught by cameraman Charles Lang , though being necessary a correct remastering . Shot on location in Portal, Globe, Salt River Canyon,San Simon,Douglas, Arizona, USA Kanab Canyon, Kanab, Utah, and valley of Rio Grande . Thrilling as well as lively musical score by Roy Webb. This is another superbly powerful Paramount Western being compellingly directed by Rudolph Mate . He was an expert cameraman and director of the classic D.O.A and filmmaking occasionally for cinema all kind of genres . Polish-born Mate was an assistant cameraman for Alexander Korda and later worked throughout Europe with noted cameraman Karl Freund , director Carl Theodor Dreyer and Erich Pommer . Dreyer was so impressed with his work that they hired him as cinematographer on The Passion of Joan of Arc . Mate was soon working on some of Europe's most prestigious films, cementing his reputation as one of the continent's premier cinematographers. Hollywood came calling in 1935, and Mate shot films there for the next 12 years before turning to directing in 1947. Unfortunately, while many of his directorial efforts were visually impressive ,especially his sci-fi When the worlds collide (1951) , his labour as cameraman was excellent . He realized a variety films of all kind of genres as Adventures : The Black Shield of Falworth , Seven Seas to Calais , Western : Three Violent People , The far horizons , Noir films : Union Station , Second chance .He also directed Epic films as The Barbarians and The 300 Espartans . The films themselves were for the most part undistinguished, with his best work probably being the film-noir classic DOA (1950). ¨Branded¨ rating : Better than average , 7. This is a fair stuff for Alan Ladd fans and Western buffs . Well worth watching .
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★ 6 / 10
A Successful Deception
Uriah43
This film begins with a gunslinger by the name of "Choya" (Alan Ladd) escaping from some men who intend to lynch him for killing a friend of theirs in a…
This film begins with a gunslinger by the name of "Choya" (Alan Ladd) escaping from some men who intend to lynch him for killing a friend of theirs in a gunfight. Although he manages to escape two bystanders by the names of "T. Jefferson Leffingwell" (Robert Keith) and "Tattoo" (John Berkes) find him camping in a cave and offer him a certain proposition. Essentially, they tell him of a young boy who was kidnapped from a wealthy family 30 years ago and since he fits the general description they ask him to ride to this ranch owner and claim to be his missing son. To help with the impersonation he is given a tattoo on his right arm which resembles a birthmark that the young child had. However, what he doesn't expect is the outpouring of love given to him by this family when he successfully deceives them-and this begins to gnaw on his conscience from that point on. Now rather than reveal any more I will just say that, although it started off rather slow, it developed rather nicely after that and kept my attention all the way until the end. Admittedly, there were some parts toward the end which could have been condensed a little but it was still a pretty good western all the same and I have rated it accordingly. Slightly above average.
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