Bobby

2006

Action / Biography / Drama / History

15
Rotten Tomatoes Critics - Rotten 47% · 173 reviews
Rotten Tomatoes Audience - Upright 72% · 25K ratings
IMDb Rating 6.9/10 10 44029 44K

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Plot summary

In 1968 the lives of a retired doorman, hotel manager, lounge singer, busboy, beautician and others intersect in the wake of Robert F. Kennedy's assassination at the Ambassador Hotel in Los Angeles.

Director

Top cast

Sharon Stone as Miriam Ebbers
Demi Moore as Virginia
Elijah Wood as William
720p.BLU 1080p.BLU
1.05 GB
1280*544
English 2.0
R
23.976 fps
1 hr 56 min
Seeds 4
2.15 GB
1920*816
English 5.1
R
23.976 fps
1 hr 56 min
Seeds 7

Movie Reviews

Reviewed by CinemaSerf 6 / 10

Well I don't know quite was I was

Well I don't know quite was I was expecting, but this half-baked version of "Grand Hotel" - the television series rather than the classy 1932 film - certainly wasn't it. Indeed it has precious little to do with the titular politician, but more those people either attached to the early stages of his primary nomination campaign or to the legendary Ambassador hotel in Los Angeles. The constant is it's general manager John Casey (Sir Anthony Hopkins) who has met and greeted many of the great and the good over the years and who is passing his day with his friend "Nelson" (Harry Belafonte) awaiting the arrival of Senator Kennedy. Then there's "Ebbers" (William H.Macy) who's just had a run in with his catering manager "Simmons" (Christian Slater); a persistent Czech journalist trying to convince everyone she's not from a communist dictatorship; a couple of gents who just want to go join Ashton Kutcher and get stoned and some (il/legal) kitchen staff paranoid - with good reason - about being fired. There are also a couple of soapy sub-plots asking who's having an affair with whom and the whole thing is interspersed with some actuality of the night's real-time political events as if to give it some weight. Sadly, though, despite it's pretty stellar cast the whole thing just doesn't knit in anything like an interesting enough fashion. It's as if Emilio Estevez determined to get as many of his friends and family (and their friends and family) to take part in a Democrat fundraising movie peppered with some rousing dogma from the archives. It's over-scripted, pace-less and there are way too many distractions to make this anything compelling to watch. Shia LaBeouf at least looked like he enjoyed his part as the acid tripping "Cooper" but otherwise this borders on the earnest and frankly, the dull. Perhaps if it'd been called "Bobby's Hotel" then I might not have been so disappointed, but it wasn't and I was. Sorry.
Reviewed by David_Frames 6 / 10

My Israeli shot me down

Estivez has a go at what critics have lazily referred to as a Altmanesque ensemble piece but as I couldn't think of a better adjective I've used it myself but will try to be more inventive with the rest of this review...which is a lie but try and stay with it regardless.Emilio's ahistoric slice 'o' time takes place in the Ambassador Hotel is the, er, fateful hours leading up to Robert Kennedy's assassination. We're introduced to a body of characters all approaching something of a convenient watershed moment in their lives and/or attitudes. They talk about the verge of a new age or represent, as in William H Macy's case, the older generation flirting with the new in order to buy into some of that RFK inspired optimism. Vietnam is discussed of course, as are civil rights, sexual politics, drugs and so on - in other words its 1968 personified and as they pontificate on the issooees that dominated the period zeitgeist, real footage of the senator is spliced in as he does the rounds on the day of the California primary which he'd win of course, only to have the result cancelled by the assassins bullet.There's nothing about Bobby thats going to offend anyone but there, as another great orator said, is the rub. Emilio's direction is competent but never inspiring like his subject matter - functional but lacking the magic that pulled you into better political ensembles like the aforementioned Altman's Nashville. The characters are reasonably well sketched but not especially involving and how could they be when the real star of the show, Kennedy himself, makes the drama seem very ordinary as his vocalises the film's anti-war, progressive agenda far better than any set of thin characters could. His footage, well integrated into the film, is the real reason to see it. The final minutes, post -bullets, with Kennedy's assured tones giving us a timely lecture on the futility of violence and the merits of tolerance and understanding as Estevez's characters contemplate his shooting just minutes earlier, genuinely does bring a lump to the throat. It lasts five minutes or so but says more about RFK and the tragedy of his death then anything that we've seen in the previous 100 minutes. Not superb then but Estivez's admiration for his man is well received and presented with dignity.
Reviewed by gradyharp 8 / 10

Stories of racism, infidelity, aging, the effects of the Vietnam War, drugs: Why RFK's death was so impactful

BOBBY as written and directed (and starring) Emilio Estevez is not simply a recreation of the fateful night June 6, 1968 when Bobby Kennedy was shot, though that event is meticulously dissected as the sun dawns on Los Angeles' Ambassador Hotel on that day. This film is a series of vignettes of the lives of many people (22 examples shine) whose hope for a better future than that of a country undergoing disintegration on many levels were shattered. It is about 'little people', people with choices whose responses to the death of a hero is devastating.Racism (Christian Slater vs Laurence Fishburne vs interaction with Freddy Rodríguez and Jacob Vargas); hippie/white collar drug abuse (Ashton Kutcher dealing LSD to Brian Geraghty and Shia LaBeouf, Demi Moore's alcoholism defeating her marriage to Emilio Estevez and career as a lounge singer); aging and the problems of 'useless old people' (Harry Belafonte and Anthony Hopkins); adultery (hotel manager William Macy married to beautician Sharon Stone yet having an affair with switchboard operator Heather Graham); marriages teetering on commercialism (Martin Sheen and Helen Hunt); young political aspirants basing futures on RFK (Joshua Jackson and Nick Cannon); and the extremes to which young men will go to avoid being sent to Vietnam (Elijah Wood and Lindsay Lohan) - these are the main characters we get to know as they prepare for the evening's party for RFK and then suffer the explosive effect of the shooting by Sirhan Sirhan (David Kobzantsev). The power of the film lies in the impact Bobby Kennedy had on all of these people who represent the rest of a nation.Estevez wisely uses film footage from life to project the speech and presence of RFK: using an actor to depict him would have made the effect less sharp. But in the end, as it seems apparent from Estevez' script, the power comes from the messages in the voice-over of Kennedy's own speeches, words to offer hope and a chance for resolution of the many conflicts that threatened to destroy the US. Would that there were minds with such thoughts speaking today when a leader is so desperately needed! The film has flaws (it would be difficult for a two hour enactment of a well known yet partially fictionalized incident not to). But the message is pungent and clear: we MUST care for each other as a country and forgo the alienation that is so rampant. A very fine film for thought. Grady Harp
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