Blood on the Sun

1945

Drama / Romance / Thriller / War

9
Rotten Tomatoes Critics - Certified Fresh 80% · 5 reviews
Rotten Tomatoes Audience - Spilled 34% · 250 ratings
IMDb Rating 6.0/10 10 2533 2.5K

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Plot summary

Nick Condon, an American journalist in 20s Tokyo, publishes the Japanese master plan for world domination. Reaction from the understandably upset Japanese provides the action, but this is overshadowed by the propaganda of the time.

Director

Top cast

Rosemary DeCamp as Edith Miller
James Cagney as Nick Condon
Gregory Gaye as Bogardis - American Newspaperman
Hugh Beaumont as Johnny Clarke
720p.BLU 1080p.BLU
862.02 MB
1280*934
English 2.0
Approved
23.976 fps
1 hr 33 min
Seeds ...
1.56 GB
1480*1080
English 2.0
Approved
23.976 fps
1 hr 33 min
Seeds 1

Movie Reviews

Reviewed by CinemaSerf 5 / 10

James Cagney is a journalist in pre-war Tokyo

James Cagney is a journalist in pre-war Tokyo who gets embroiled in a tussle between the forces of Imperial aggression led by John Emery ("Tanaka") and those of peaceful conciliation headed by "Prince Tatsugu" (Frank Puglia). When the expansionists realise that Cagney is not going to play along - after bribery/threats and blackmail all fail to convince him; his very life is soon in peril - made worse once he is given a letter from the Prince that his opponents need back at all costs. Made at the end of WWII, it is a pretty obvious slice of propaganda, though it is tempered by some respect for the decent Japanese who did not want war, and it reflects their sense of "honour" in quite an interesting fashion - is it to the glory of the ancestors or just glorified cowardice? Cagney carries this pretty much single handedly. Marvin Miller is quite menacing as the dastardly "Yamada" too, but Sylvia Sidney as the plotting "Iris" doesn't remotely carry off her task as a scheming double-dealer and Rhys Williams ought to have stuck to his more jovial roles - he never could carry off meatier parts. The budget went on the star, the technical aspects of this leave quite a bit to be desired. It's a straight-up goodies v baddies film and nothing more complex than that...
Reviewed by

Reviewed by jeffchan 7 / 10

Culturally sensitive war thriller

Nicely done war thriller with Cagney as a suave but pugnacious newspaper reporter in Japan who comes into possession of secret war plans. The plans are the work of a fascist Baron Tanaka who pushes the war agenda for the right-wing militarists over the objections of those opposed to war. The characters are interesting, and while many are static yet well-played, quite a few others are nicely fleshed out and grow during the plot. Cagney, some of the newspapermen and the female spy have some plot movement to develop their characters with. Even the villains, who could easily be cardboard, are well-played and exhibit human motivation. Obviously this is not a documentary, but it's also not pure melodrama either.

Perhaps the most visually interesting areas of the film are the contrasts between beautiful, high-class modernist settings, a representation of more traditional Japanese architecture, and gritty realistically-dressed street scenes. All the more interesting that the good production and pretty sets were created in Hollywood backlots in 1945 during the war. While this is not a huge film, the production design is as good as anything from the golden age. There is a lot of eye-candy in the set design, tastefully filmed and a treat to view.

The politics and cultural sensitivities of the film are also fascinating and far more balanced and subtle than other reviewers seem to indicate here. Cagney's character is well-immersed in Japanese culture and aware of the social issues of the time. He speaks Japanese, in addition to Chinese, and is a highly-skilled Judo aficionado. The film portrays Japanese opponents of the war as well-meaning but fairly easily countered by ruthless militarists and their secret police which is likely generally accurate. Surely similar struggles played out in Nazi Germany and Fascist Italy, along with Stalinist Russia, Mao's China and other 20th century totalitarian dictatorships both right and left.

This film is not anti-Japanese; it's anti-Fascist. Those who claim to be unaware of the difference would imply that Japanese are Fascists. That would be unfortunately ignorant.

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