★ 8 / 10
Bold Bite
jp_011205
If you've been looking for a film where a out of control nympho gets chained to a radiator by an extremely religious southern man then look no further than…
If you've been looking for a film where a out of control nympho gets chained to a radiator by an extremely religious southern man then look no further than Paramount Vantage's latest release 'Black Snake Moan'. Not exactly looking for what I just described you say? Well then, you best get ya wits 'bout yaself and mosey on down to your local theater and still see it as Samuel L. Jackson's character Lazarus would say. As long as you're open minded and don't take everything seriously, there's no reason you won't leave the theater glad you saw it.
In the third offering from director Craig Brewer, we are taken into the deep south where as the tagline to the film claims, everything is hotter. While there we're introduced to the Godfearing bluesman, Lazarus as previously said played by Jackson, and the almost always half naked Rae; a role bravely taken on by Christina Ricci. In the film this unlikely pair cross paths long enough for their characters to each learn a lesson from one another. Both lessons ultimately convey the message to us the audience that no matter what, we are all human. No one is perfect and if everyone would realize that, then we'd be a lot better off. The question of if this will be understood, or be accepted by all who see the film is another story.
One thing not up for debate is how great Jackson and Ricci both are here. You'd think with the role of a sex-crazed woman, overacting would be a given, but no, not here. Ricci breaks through and demonstrates true talent with a raw performance that also doubles as her best to date. Then we have Jackson who completely disappears and for the first time in a long time makes us forget who he even is. Sadly, the third star of the film, Justin Timberlake who plays Rae's military-bound boyfriend isn't all that great. At the start, he fails miserably as he appears to be trying too hard. Later on he steps it up some, still he's far from the level he reached in January's 'Alpha Dog'.
The other thing 'Black Snake Moan' boasts is a splendid soundtrack. Containing tracks from The Black Keys, John Doe, pieces from the score done by Scott Bomar, & of course four, count 'em, four tracks from Jackson himself. It's actually one of his songs, the main performance of the film, 'Stackolee' that is the fuel to the fire of this great collection. It alone is worth the ticket price. Other notable musical delights from the soundtrack are Bomar's 'The Chain', 'When the Lights Go Out' from the Black Keys, & the title track which is also among the most memorable scenes in the film where Lazarus sings to Rae on a stormy night.
The efforts of Craig Brewer can't go without mention though. His last film 'Hustle & Flow' which ended up surpassing low expectations and gaining critical acclaim put him on the map. What he has done with 'Black Snake Moan' will be what sets him apart from other newbies to the industry. He not only directed 'Moan', but also wrote its screenplay. The end result is a story that is surprising and clever. As you watch you feel like you know exactly where it's headed despite its valiant composure. Just as you think you've predicted the next move Brewer shifts gears and takes an entirely different route. There are however some blotches within the screenplay. The background characters are drab and flat while the ending is somewhat disappointing. It left me craving for something more exciting. After so many highs I guess the final scenes were a tad weak compared to the rest of the film.
I imagine the majority of people who see 'Black Snake Moan' won't enjoy it due to the fact they won't be able to stop themselves from thinking how unlikely the situations are. The depressing part about that is there are many other films with just as unlikely, even more outrageous scenarios that are widely well received. It's the issues of race, religious motives, & sexuality the film exhibits that will have more effect on opinion than anything. The idea of a black man chaining a white woman up in his house is enough to make most people not even consider seeing it. Simply put, it's not for everyone. Like I said, to fully enjoy it you have to go in with an open mind, or else you're just wasting your money. For those of you who can do that, I highly recommend it.
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★ 7 / 10
Black Snake Moan is off the chain, great.
ironhorse_iv
The title of this film, "Black Snake Moan" refers to a really old song by country blues musician, Blind Lemmon Jefferson in which, the singer talks about his…
The title of this film, "Black Snake Moan" refers to a really old song by country blues musician, Blind Lemmon Jefferson in which, the singer talks about his sexual addiction and his moans for love, once more. Full of explicit sexual nuances, Jefferson's song full of unconventional melodic style and utilization of double entendres, was able to fly pass the radar of censorship, back in the 1920s. As much, I like how Jefferson was able to pioneer this style of music. I have to say, actor, Samuel Jackson sings the song, so much better than Blind Lemmon Jefferson, ever did. Jackson was really able to update the song to fit with this new generation with his electric guitar playing, deep shouting gravitas voice, and depth of his character's backstory. It was very moving part of the film. Honestly, most of this movie is very compelling with its controversial subjects that include but are not limited to rape, sexual addiction, parental abuse, anxiety disorders, and religious outlooks. Without spoiling this polarizing film, too much, I have to say, I kinda like the story of the grumpy hermit/ former Blues singer, Lazarus Redd (Samuel L. Jackson) trying to rebuild his life after a nasty divorce, while also, trying hard to cure, a known nymphomaniac, Rae Doole (Christina Ricci) from her faults. It made for a very well-told story. I love all the metaphors and symbolism that this film has to offer, too. A good example of one is the chain that Rae wears around her waist, during most of the film and the type of shirt, she is wearing. If you don't realize it, already Rae represented the South, and its struggles, after the American Civil War. Not only, does her chain, represented the heavy weight of learning to live, with the mistakes and haunts of the past, but her chained up character is also stand-in, for the continuous, ignored issue of modern day slavery. After all, the region, is known for being a strong bible belt, but it also been known to keep that belt unbuckled when it comes to the dangers of having too lust, over the sense of love. The high reports of human trafficking, sexual abuse, and sex slaves is signed of that. Although, the chain can represented, something bad and naughty, it also can somewhat represented the unity that the South has, with its supply chain, when it comes to addressing the issue, in hand. There is no bigger metaphor of that, than the radiator in which Lazarus chain up Rae. It represented, the ever changing social climate of the South, as conflicts can indeed heat up, or cool down. No matter, how far, you run away from your issues. You will always been weighted down, by what society, thinks and wants from you. It's only, when you able to address the past, and learn to live with yourself, in a moral life, is when the removal of the chain, can be seem, as a meaningful step toward a better future. Another thing, I like about this film is that Lazarus, isn't a mysterious 'magical black negro' type character with no backstory, nor does Rae represented the 'Manic Pixie Dream Girl' that is there to save his soul. In many ways, both characters are well-defined, with each, having their own issues to deal with, on their own, with or without the help from the other. Nobody is depended on the other, at all. Like Lazarus's namesake, it's about the redemption and resurrection of two, clearly mess up people. However, people might not see that, through the film's poster and exploitation marketing. The way, they market, this movie makes it, seem like a more like a porno than a character study film. It really does overblows the potential fetish fuel of the film, at the expense of everything else. It's not the best. Don't get me wrong, Christina Ricci is one, attractive woman, but her character wasn't made, just for nudity and fan service. She really, put some work, in showing how ugly and unhealthy, Rae can really be. She really does look pale and pasty. Even Samuel L. Jackson, ugly himself up, by letting his hair grow out, not dying or shaving, to show, how wash-up, his character has become. Both actors, really made their character, their own. I also have to give, mad props to both, the supporting actors in this film. Justin Timberlake as Rae's boyfriend, Ronnie was great. He really was, able to show his character emotional crutch, with the way, his body language moves. He really did seem like he suffers from extreme social anxiety. It really shows Hollywood, that the then-newly made solo singer can indeed, acted. Another person that need some praise is Michael Raymond-James as Ronnie's friend, Gill Morton. He was able to show both, his loving cares and hateful lust for Rae, making his performance, a very sympathetically real-life person. Even thought, he tries to make advances on Rae, which is a no-no, in my picture; I still can understand, what stress, he had to deal with when dealing with mess up people who supposed to be your friends. Overall: While, still many viewers will undoubtedly be offended by director Craig Brewer's representation of a still-segregated, racist South; I have to say, I love how the film acknowledges the importance of sex, while also highlighting the danger of having sex irresponsibly, all without being too heavy-handed and preachy. I also cherish the film, for its use of 'Delta Blues' type music and how well-shot, it was. In the end, this clever morality tale about two unlikely characters is a must-watch. I do recommended. It's pleasantly amazing.
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6.9/10
69.4K
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Never confuse hatred with fear, white racists are so scared that's why to project their fear onto others.