★ 10 / 10
Here's my royal foot on your royal buttocks
John Chard
Here's my royal foot on your royal buttocks! King Henry II of England has grown tired of the interference of the Church. When the Archbishop of Canterbury…
Here's my royal foot on your royal buttocks!
King Henry II of England has grown tired of the interference of the Church. When the Archbishop of Canterbury dies, he senses an opportunity to gain the upper hand. Much to the church, and Thomas Becket's surprise, he appoints his great friend Thomas to the highly important position. What Henry hadn't bargained for was that Becket takes the role very serious indeed and serves God to the full, so where once there was great friendship between the two men, there is now an uneasy feud.
Based on the Jean Anouilh play, Becket is as near a technically perfect film as you could wish to see, with the acting on show coming right out of the top draw. Nominated for 12 Academy Awards, it won only one for Best Adapted Screenplay (Edward Analt), but on another given year it could quite easily have cleaned up. Peter O'Toole & Richard Burton play Henry II & Thomas Becket respectively, both men feeding of each others commitment to the project to bring peerless results, witness one scene in particular as they exchange views on horseback on a British beach, wonderful stuff. The costumes, the cinematography from Geoffrey Unsworth (now booming from the screen with the DVD restoration work), the sound, and the brilliant sets all come together to make a top of the range Historical drama.
But all these would not stand out if the story wasn't any good, but Becket's triumph is in the story itself, a tale about the separation of great friends, and the separation of the state from the church, it really is an intriguing and beguiling way to spend your evening. One glaring error aside (Becket was not a Saxon, but a Norman), the makers have followed history rather well, and it leaves us with what i believe to be one of the best films of its type. 10/10
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★ 9 / 10
Peter O'Toole and Richard Burton's Tour-De-Force Acts Make 'Becket' Glorious!
sandnair87
'Becket' examines the rather intricate relationship between the headstrong 11th-century King Henry II of England (O'Toole) and his lifelong friend, Thomas…
'Becket' examines the rather intricate relationship between the headstrong 11th-century King Henry II of England (O'Toole) and his lifelong friend, Thomas Becket (Burton). On the surface, the two appear to be really close chums who spend their time wenching and drinking - king and servant, but friends foremost. However, there are layers below this, as Henry clearly revels in his lust for living and more than a little affection for his servant Becket. Unable to consummate his love for his fellow man, he drowns his desires in women. Becket is much more of an enigma, and his motivations are somewhat elusive. He clearly relishes the company of his king, but is not entirely comfortable with his attentions. He is a Saxon, one of the conquered, requiring him to straddle the gulf between honor and collaboration, serving his Norman King in several capacities – as a valet, a bodyguard and a military adviser. He wears his compromises poorly, and longs for a simpler, honorable way of living.When the Archbishop of Canterbury dies, with view to subjugate the mighty Church, Henry picks Becket to be the successor, despite not even being an ordained priest, which proves to be his undoing. As soon as the miter is upon his head and the silver cross in his hand, Becket becomes a thorn in the king's side, opposing him on a point of principle, straining their friendship and putting Becket's life in peril. Henry loves Becket, as he adores no other human being in his life, and it hurts him to the core that Becket chooses honor over their friendship. 'Becket' soon moves from power play to power struggle, a struggle that Henry is not ready to lose.On the surface, Becket appears to be a humdrum king versus a dignified politician war. But, here, the primary conflict is between the throne of England in its debauchery, and the Church, with its compromised morality. The characters, even while wearing robes of power, stink to highest heaven in every sense. While protected by their power, they freely admit the moral sewer they occupy, and serve their gluttonous appetites with aplomb. Absolute power allows the veneer of quality to drip away, and we can be most thankful for this lack of varnish. Just as the characters' loyalties to one another are called into question, so, too are ours: 'Becket' enters a moral gray area from which it never fully emerges.Becket crackles with whip-smart dialogue and is anchored by a sharp screenplay that finds resonance even today. Peter Glenville directs with a flamboyant hand, but mostly he lets his two leads have free rein, and the results are glorious. Richard Burton is always at his best when reserved, and this is no exception. Peter O'Toole rips into the script as if he invented the art of acting, and belts out some of the best lines. He has a slithery charm that suddenly erupts into volcanic expulsions of blind fury. His chemistry with Burton is ripe with homo-erotic undercurrents, which O'Toole mines with relish in a hysterical performance, full of cunning, eloquence and mad outbursts.Years later, Becket remains just as incandescent and relevant!
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★ 8 / 10
Detailed studio about the tumultuous relationship between Henry II Plantagenet and Archbishop of Canterbury , Becket
ma-cortes
¨In the year 1066 William of Conqueror crossed from France with his Norman army and conquered the Saxons of Britain at the battle of Hastings , Henry II his…
¨In the year 1066 William of Conqueror crossed from France with his Norman army and conquered the Saxons of Britain at the battle of Hastings , Henry II his great grandson continued to rule over the oppressed Saxons peasants . Backed by the swords of his Barons and by the power of his imported Norman clergy¨ . This historic picture is based on real events , a studio detail about Becket (1117-1170) who was chancellor of Henry II Plantagenet but then he opposed to sign the rules of Clarendon (1164) that established superiority of king over clergy , he was then banished France and when he returned succeeded the tragedy . Henry II (1133-1189) dominated nobles and clergy , he married Eleanor of Aquitaine that caused the confrontation with Louis VII (an eye-catching playing by the veteran John Gielgud) of France . Becket (flawless acting by Richard Burton) is named Archbishop of Canterbury and his religious mission is strictly taken with opposition to Henry II (a first-rate performance by Peter O'Toole and similar king role to 'Lion in Winter') of Plantagenet who governed England from 1154 to 1189 ; this leads to notorious and sparkling phrase by the king: 'Who will rid me of this turbulent archbishop' .This is a splendid rendition of Jean Anouilh's play , as translated by Lucienne Hill , produced upon the New York stage by Merrick and good detailed artistic direction made at Shepperton studios -England- . It deals about the stormy friendship between Becket , appointed as Archbishop of Canterbury , and king Henry II . Although the film depicts Becket as a Saxon , he was actually a Norman like King Henry II . The closeness between King Henry and Becket is depicted as being a purely platonic one ; homosexuality was still illegal in the UK when the film was made in 1963, and any suggestion of that would have fallen foul of the censor . However it is still implied that Henry is in love with Becket . Magnificent studded-secondary-star cast , as Donald Wolfit as bishop , Paolo Stoppa as Pope Alexander III , Gino Cervi as the flamboyant Cardinal , Pamela Brown as Queen Eleanor , Martita Hunt as Queen Mother , Percy Herbert and Neal McGinnis as the Barons ; plus , Sean Phillips married to Peter O'Toole . Atmospheric , appropriate cinematography by the great Geoffrey Unsworth . Evocative musical score with religious chores by Laurence Rosenthal and usual musical conductor by Muir Mathieson . The picture obtained Academy Award , 1964 , to adapted screenplay and Golden Globes to dramatic actor for Peter O'Toole and the best film drama . The flick was stunningly directed by Peter Grenville who reflects correctly an exciting slice of history . Rating : Better than average . This is a superior and powerful historic drama to be liked by historical cinema buffs .
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i need subs in spanish please