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Arrebato

1980 [SPANISH]

Action / Drama / Fantasy / Horror / Mystery

Arrebato

1980 [SPANISH]

Action / Drama / Fantasy / Horror / Mystery

Available in: 720p.BluRay 1080p.BluRay

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100% TOMATOMETER · 24 reviews

87% AUDIENCE · 250 ratings

6.8/10 · 4.1K

720p.BluRay 1080p.BluRay

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spanish filmmaker drug abuse cinema on cinema male friendship cult film ex-boyfriend ex-girlfriend relationship

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Plot summary

José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.

Director

Iván Zulueta

Top cast

Marta Fernández Muro as Marta

Eusebio Poncela as José Sirgado

Cecilia Roth as Ana Turner

Pedro Almodóvar as Gloria

Tech specs

720p.BLU 1080p.BLU

961.87 MB

1182*720

Spanish 2.0

Unrated

Subtitles

24 fps

1 hr 55 min

Seeds 4

1.82 GB

1760*1072

Spanish 2.0

Unrated

Subtitles

24 fps

1 hr 55 min

Seeds 28

Comments 3

anaqv 572 days ago

GEM. thank you!!

Alucard1973 2107 days ago

Thanks a lot for this FREEMAN!!!

4tt3nt4t 2458 days ago

Thanks for this one guys.

Showing 3 of 3 threads

IMDb reviews

From IMDb

8 / 10

Arrebato is dangerous. Possibly evil. It had its

tmdb47633491

Arrebato is dangerous. Possibly evil. It had its way with me. This should be banned. I'll never be the same.

8 / 10

All my life, it was like a huge wank without cum

Iván Zulueta, the madman responsible for Los Brincos' Contrabando album art wasn't just into art; he was mainlining the stuff. His debut flick, "Arrebato"…

Iván Zulueta, the madman responsible for Los Brincos' Contrabando album art wasn't just into art; he was mainlining the stuff. His debut flick, "Arrebato", isn't just batting its eyelashes at the medium; it's a full-on, drug-fuelled ménage à trois, a wild ride that transports you straight into Zulueta's transgressive cinema.. We're talking about a movie that flips the bird to narrative rules, opting instead for a glorious, unhinged freefall.Our dubious hero on this descent into chaos is José (Eusebio Poncela), a horror director whose sunken cheeks and nicotine-stained fingers are a testament to his chosen lifestyle of editing cinematic garbage between heroin power naps. He tumbles headfirst into the bizarre world of Pedro (Will More), a peculiar acquaintance who drops a bombshell in José's mailbox: a confession tape, an audio diary charting Pedro's ever-deepening, almost vampiric love affair with film itself.From that moment on, it's a tight, airless journey where reality and hallucination start doing a dizzying dance. A relentless tide of heroin pulls José and his on-again, off-again squeeze, Ana* (Cecilia Roth), deeper into its clutches. Zulueta shoots this like someone who's stared into the abyss and found a movie camera. Every frame practically oozes. The camera practically salivates over José's veins as he ties off. Pedro's homemade films hiccup and sputter, punctuated by jarring flashes of red-like celluloid actually bleeding. There's sex, but it's all clammy skin and fumbled attempts at connection. A threesome in an elevator that feels less like an erotic fantasy and more like a macabre dissection.Pedro isn't just filming; he's striking a Faustian bargain. The camera sips his time, his sanity, his very life force. By the time the credits roll, he's not just behind the lens; he's become the lens. José, of course, follows suit. Because what is addiction, really, if not trading your mortal coil for a sublime, fleeting rush? Zulueta knew this intimately; he was deep in his own addiction when he brought this beast to life.Ultimately, "Arrebato" delivers a truly singular and unforgettable experience-a straight-up Lynchian odyssey through the darkest back alleys of cinematic obsession. It's where the camera itself morphs into a hungry, vampiric entity, draining the very essence from anyone brave enough to fall under its spell. When it all clicks-when Pedro's flickering films and José's dissolving face meld into the reel-it's more than just cinema. As one character so eloquently puts it, perfectly capturing the film's twisted heart: "All my life, it was like a huge wank without cum."

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