Anastasia

1956

Action / Biography / Drama / History / Romance

20
Rotten Tomatoes Critics - Certified Fresh 92% · 52 reviews
Rotten Tomatoes Audience - Upright 77% · 10K ratings
IMDb Rating 7.0/10 10 10364 10.4K

princess amnesia identity exile biography assumed identity

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Plot summary

Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her, he comes to believe that she is really Anastasia. In the end, the Empress must decide her claim.

Director

Anatole Litvak Photo
Anatole Litvak

Top cast

John G. Heller Photo
John G. Heller as Reporter
Sacha Pitoëff Photo
Sacha Pitoëff as Piotr Ivanovich Petrovin
Stratford Johns Photo
Stratford Johns as Press Photographer
Ingrid Bergman Photo
Ingrid Bergman as Anna Koreff
720p.BLU 1080p.BLU
768.07 MB
1280*544
English 2.0
Unrated
Subtitles
23.976 fps
1 hr 45 min
Seeds 2
1.6 GB
1920*816
English 2.0
Unrated
Subtitles
23.976 fps
1 hr 45 min
Seeds 8

Movie Reviews

Reviewed by CinemaSerf 6 / 10

Whilst this is certainly a lavish and luxuriant

Whilst this is certainly a lavish and luxuriant production, somehow the sum of the parts just don't add up to much of an whole. Yul Brynner is the ambitious, former general-turned-restauranteur "Bounine" who has been, for many a year, convincing his financial backers that he has discovered the last surviving child of the assassinated Czar Nicholas II. He has discovered the sickly and troubled "Anna" (Ingrid Bergman) and hopes that with some grooming, training and furs she might be able to convince the Dowager Empress (Helen Hayes) that she is, indeed, her granddaughter. It also turns out that should she endorse the identity of the young woman, the enormous sum of £10 million will be released to her by the Bank of England. Bergman is strong as the initially vulnerable, amnesiac girl who has no real idea who she is, or where she comes from - and that performance contributes very plausibly as the story gathers momentum and her persona becomes much better established (real or not!). Hayes - aided by the scene stealing Martita Hunt's "Baroness von Livenbaum" - also plays her part well, an imperious woman who is cynical but harbours an optimistic desire that hopes against hope. Brynner isn't up to very much, though. He doesn't quite cut it as the scheming manipulator and as the story progresses his character, already pretty unlikeable, doesn't really develop until a rather weak and underwhelming denouement (historical truth notwithstanding). When this was made, there was a chance that one of the Grand Duchesses had survived, and the colourful and stylish look of this film tries hard to capitalise on those intriguing rumours. Sadly, though, here the dialogue is wordy and there is little by way of on-screen chemistry to distinguish this disappointingly episodic and plodding historical drama.
Reviewed by

Reviewed by jboothmillard 7 / 10

Anastasia

I should admit first that I saw the cartoon musical remake with the voices of Meg Ryan and John Cusack before this original that I had only heard of because of the award winning lead actress, so of course I watched. Basically is has been ten years since the teenage Romanov Grand Duchess and her sisters and brother, children of the Tsar, Nicholas II, have apparently been killed. Anna Koreff (Oscar and Golden Globe winning Ingrid Bergman) is the orphaned woman who has no memory of where she came from, turning up in Paris and found by General Sergei Pavlovich Bounine (Yul Brynner) who is very keen on the £10,000,000 inheritance. What starts out as training to become a convincing Anastasia impostor, with her uncanny resemblance, Anna gains more confidence and style to meet what may be former familiars and imperial court members. Her big ambition to help her possibly confirm her identity, as there are many saying she really is Anastasia, is to meet Dowager Empress Maria Feodorovna (Golden Globe nominated Helen Hayes) during the tour de force in Copenhagen. When Anna gets to the know fortune hunting Prince Paul Von Haraldberg (Ivan Desny) we see Bounine getting jealous, and everything comes down to a grand ball where he tries to convince the Empress to meet the lady he has found. The Empress does have a private word with Anna, she is obviously confident that she is another impostor wanting to inherit the fortune she is owed, as the only living Tsar sibling, but as a conversation develops Anna does reveal remembering many things from her past that the Empress recognises, and only she would know. In the end, supposedly the Empress confirms that Anna truly is the living Anastasia, and although she is seen in the arms of Price Haraldberg and not Bounine, it is a seemingly happy ending because everything has been settled. Also starring Akim Tamiroff as Boris Adreivich Chernov, Martita Hunt as Baroness Elena Von Livenbaum, Felix Aylmer as Chamberlain, Sacha Pitoëff as Piotr Ivanovich Petrovin, Natalie Schafer as Irina Lissemskaia, Grégoire Gromoff as Stepan and Karel Stepanek as Mikhail Vlados. Bergman does give a good award worthy performance (she won against Deborah Kerr in The King and I, ironically starring Oscar winning Bryner), the story is a little confusing in moments, and I may have drifted off slightly, but it is a rather watchable period drama. It was nominated the Oscar for Best Music for Alfred Newman, and it was nominated the BAFTA for Best British Screenplay. Very good!

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